IK Multimedia iLoud MTM

95

Monitor attivo a due vie

  • Calibrazione digitale completamente automatica integrata tramite il microfono di misurazione in dotazione
  • Completamente controllato dal DSP
  • Dotato di tweeter da 1" e 2 woofer/midrange da 3,5"
  • Con potente sistema Bass Reflex
  • Amplificatori separati di Classe D per tweeter e woofer con 30 e 70 W RMS rispettivamente
  • Posizionamento verticale o orizzontale
  • Supporto da tavolo inclinabile da 0° a 20°
  • Ingressi combo XLR/jack simmetrici
  • Ingresso jack mono da 3,5 mm per microfono di misurazione ARC
  • SPL massimo (1m): 103 dB
  • Risposta in frequenza (+/- 2 dB): 50 - 24 Hz
  • Crossover a fase lineare a 3,1 kHz con pendenza variabile
  • Filtro High-Shelf: +/-2 dB @8 kHz
  • Filtro Low-Shelf: +2/-3 dB @100 Hz
  • Desktop Filter: -4 dB @160 Hz, +1 @ 1,8 kHz
  • Dimensioni: 264 x 160 x 130 mm
  • Peso: 2,5 kg
  • Include cavo di rete, microfono di misurazione ARC con cavo di collegamento, supporto da tavolo girevole, piedini per il posizionamento orizzontale e chiave di bloccaggio
In catalogo dal Giugno 2019
Numero di articolo 457892
Unità incluse 1 Pezzo
Speaker size 2x 3,5", 1x 1"
Amplifier power per unit (RMS) 100 W
Magnetic Shielding No
Analogue XLR Input Yes
Analogue Input (Jack) Yes
Analogue Input (Mini Jack) No
Analogue Input (RCA) No
Digital input No
Manual frequency correction Yes
Frequency range min. 50 Hz
Frequency range max. 24000 Hz
Dimensions in mm 264 x 160 x 130
Weight in kg 2,5 kg
Speaker Hous8ing - Woofer System Bassreflex
Mostra altro
€ 339
Spedizione gratuita, incl. IVA
disponibile
disponibile

Questo prodotto è disponibile e può essere spedito immediatamente.

Informazioni sulla spedizione
1

95 Valutazioni dei clienti

4.8 / 5

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Ottimo
silenceplease 04.11.2019
Ottimo prodotto, grande coerenza di fase.
Peccato che entrambi gli speaker acquistati avessero problemi, probabilmente alla scheda di alimentazione, che mandava lo speaker in protezione. Restituiti a Thomann e sostituiti.
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Sssimone 12.09.2023
Li uso molto come ascolto di riferimento principale. Ho anche altri monitor più grandi ma preferisco gli MTM perché non affaticano le orecchie e la risposta in frequenza è bilanciata. Il dettaglio sulle altissime non è stellare ma per me sono un punto di riferimento per mixare a lungo. Il sistema di calibrazione funziona se i problemi della stanza non sono enormi
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
Hs
Must have for producers working in bad acoustic environment
Heavy stuff 30.09.2020
This is killer stuff. IKM made something truly valuable.

I came to a thought of buying MTMs right after my 7 inch Tannoys went to hell. I mean literally burned out. Bad electrical grid to be blamed. I also owned 5 inch JBL's even before that.

To be honest my initial thought was to buy some decent passive hi-fi speakers and external amp for them. That's more serious stuff that many pro producers advice to use. So I was browsing Youtube looking for some comparison tests. And I found out that MTMs which I've being ignoring for quite a long time because of their size and price have some unique and undeniable advantages.

Virtual tests can't be a ground for decision making but they helped me notice a solution for a problem I faced many times. The problem I'm talking about is translatability of your mixes.

Like a guitar cab, studio monitors are literally a box that contains speakers. And you know what? That box colors sound so much... I was shocked. I admit that other much more expensive studio monitors were constructed so well that resonances that their bodies reproduce are totally suitable but that's inapplicable to entry-level Focals, Adams, etc.

Thanks to an advanced and effective shape of MTM's body and their DSP side they are able to really give you a possibility to hear mixes as they are.

The downside of this approach is lack of volume and "feel". You are able to hear everything from 35HZ and higher legibly but your bass drum hardly may hit you right in the chest.

To sum it up MTM is best possible option for most music producers. If iLouds are out of your budget you may without a doubt save some money on buying audio interface, mics, soft and even (don't hit me) acoustic treatment. The calibration technology is perfect. 1 minute to spend and they sound absolutely precisely, accurately and beautifully if room you're working in is any better than an absolutely empty metal barrel.

Also I would like to highlight how good MTMs are in creating phantom center feeling. You may see VOXs, bass drums, snare and bass as if in the palm of your hand.

I just have to thank fate for what she did to my Tannoys. Which are totally fine products in their price range.
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
E
True Pros. Amazing value for the money!
EmilTrifa 07.04.2022
I work in radio and post production for more than 20 years. I spent my last years on Yamaha‘s HS7 and Genelec’s 8030s. My studio is acoustically treated and everything is well calculated but you cannot defeat the room. The size of the space is something you have to accommodate to.

All the work I have done on the Genelecs perfectly well on broadcast and also on stage. The only two aspects that kept bothering me where the clarity of the stereo imaging and the lack of low end. I could have got myself a subwoofer but that would not solve the room problems. I also took into consideration Sonarworks, but it is out of discussion since it uses almost 20% of the CPU resources of a strong Mac 24/7. So my only solution for the small studio was to find some speakers with room tuning built in. Before going the extra mile with Genelec and Neumann, I decided after reading a lot of reviews and watching a lot of videos to order the MTMs.

Installing was easy and fast since they went on the same microphone stands. First they sounded a little bit bassy, but after calibration the meds the highs and the details came to life and the low frequencies got tailored tailored. I want to mention that all the settings were at the beginning and are now on flat with 40Zh. The low end is absolutely amazing, you will have just enough bass to understand and be able to control everything properly. So in this regard they are the best choice over all other speakers with 5, 6, or 6,5 inch woofers. The tweeters are mild and silky and the highs will never give you your fatigue after long sessions of work or listening to different genres of music. Also after calibration the stereo imaging is absolutely fantastic. I also connected the USB B cable that came with my Pioneer DJ console and managed to update de firmware on both units to the latest 1.2.1.

My honest opinion is that these speakers are totally underrated on the market. At the moment I can say that they are fantastic value for the money and if you do the calibration and place them correctly in your treated room you will have tremendous results!

PS: After sending some pictures with my new speakers to my friends, they asked me what model of Genelers are they 🙈
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