Moog One - 16

16-Voice Polyphonic Analog Synthesizer

  • 3 Newly-designed VCOs per voice: analog oscilator with seamless blending between triangle, sawtooth and pulse waveforms, pulsewidth modulation, hard sync, ring modulation and FM
  • 2 Independent filters per voice: Multimode State Variable Filter (Lowpass, Highpass, Bandpass)
  • Notch characteristics and classic ladder filter (high-pass/low-pass characteristics with 6 - 24 dB/oct.)
  • Parallel or serial filter operation
  • Analog noise generator with 6 tones and dedicated AR envelope generator
  • Analog mixer for oscillator level, ring modulator, noise and external audio input including filter routing
  • 3 DAHDSR envelopes with loop mode, synchronization and scaling
  • 4 LFOs with 4 waveforms - Frequency range from 0,001 - 1000 Hz
  • Flexible modulation matrix
  • Tri-timbral with split, layer and stack modes
  • Arpeggiator and sequencer for each part
  • Classic modulation effects, vocoder and eventide reverb effects for each part and for master output
  • 61-Key Fatar TP-8S velocity sensitive premium keyboard with aftertouch
  • Pitch and modulation wheel
  • Pressure-sensitive X/Y touchpad
  • Comfortable and clear operation due to large colour display
  • 73 Knobs and 144 buttons
  • Dimensions: 107 x 51 x 18 cm
  • Weight: approx. 20.4 kg
  • External power adapter included

Connections:

  • MIDI input/output
  • 2x USB ports
  • LAN port
  • 1x 6.3 mm Audio input
  • 1x XLR/TRS Combo audio input
  • 2x 6.3 mm Headphone outputs
  • 4x 6.3 mm Audio outputs
  • 4x 6.3 mm Inserts
  • 5x 6.3mm CV/Gate inputs
  • 4x 6.3 mm CV outputs

Further Information

Number Of Keys 61
Touch-Sensitive Yes
Aftertouch Yes
Split Zones Yes
Modulation Wheel Yes
Number of simultaneous Voices 16
Sound Engine Analogue
MIDI interface 1x In, 1x Out
Storage Medium Internal
USB-port Yes
Effects 4 Multi-FX processors
Arpeggiator Yes
Number of Analog Outputs 4
Digital Output No
Display Yes
12 Customer Ratings
  • 5
  • 4
  • 3
  • 2
  • 1
4.6 /5
  • handling
  • features
  • sound
  • quality
Total
handling
features
sound
quality
Strong blend of classic and modern, but not ready for release
encrust, 17.04.2019
If I put aside my gear lust and emotions around particular classic synths (CS-80, Jupiter-8, MemoryMoog, etc.) and think about what I really want from a synth in 2019, it would be something like:
- Warm analogue sound, but stable tuning
- At least two different layered sounds at once
- Highly flexible filter architecture
- Studio-quality effects which can be recalled as part of presets
- A modern UI for naming patches and accessing details
- Lots of knobs to control the main synthesis parameters
- Easy starting on a new sound, but an ability to add lots of detail/modulation as the patch progresses

The Moog One can sound warm, classic, complexity, gritty or downright chaotic as you wish. The filter options (including adjusting the spacing of the two SVF 'halves') are excellent.

BUT I've had serious tuning issues. Some voices a semitone or more out of tune. Just loading a patch could leave all future patches out of tune, requiring a reboot. Moog Support seemed interested initially, but after a week's silence and proving that a beta firmware release does not fix the problems, I've had enough.
BUT
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de Original review (Show translation)
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Das Highlight an Entwicklung eines POLYMOOG ohne Makel
RcM2019, 19.04.2019
Ein Gerät, auf das ich sehr lange gewartet habe, in das ich höchste Erwartung gesetzt habe, das mein Erspartes ganz schön dezimiert hat,
ABER: Es hat sich gelohnt.
HERVORRAGENDE VERARBEITUNG + HERVORRAGENDE BAUTEILE + HERVORRAGENDE INTERNE VERSCHALTUNG + HERVORRAGENDER SOUND.
Übersichtliches, trotzdem klares überzeugendes Design und überwältigend, vielfältige Zugriffsmöglichkeiten in allen Sektionen.
Unzählige Modulationsquellen und Möglichkeiten interner und externer Art.
Vielfältige Effektsektionen von extrem hoher Qualität mit ebenso exakter und hochsensibler Bedienbarkeit.
Endlose und einfache Speichermöglichkeiten.

Einziges Manko: Arpeggiator und Sequenzer übernehmen und speichern nicht problemlos die Anschlagsdynamik.
Nachträglich jedoch lässt sich alles anpassen, ist aber aufwändig und gewöhnungsbedürftig.

Das deutsche Handbuch ist insgesamt sehr leicht verständlich,
lediglich fehlt eine grafische herausklappbare Darstellung der Bedienoberfläche,
die Erklärungen in der Anleitung verständlicher machen würde.

Insgesamt verdient der MOOG ONE aber die höchste Qualitätsstufe.
Es gibt keinen anderen polyphonen Synthesizer analog oder digital, der diese plausible vielfältige gut zugängliche Verschaltung bieten würde.
Dieser Synthesizer ist auf jeden Fall eine neue QualitätsStufe des klassischen Analogsynthesizers.
Mit diesem Synthesizer, der ja eigentlich 3 aufeinander abgestimmte Synthesizer beinhaltet, mit seinen Effekten und dem Sequenzer lassen sich Gesamtproduktionen erstellen.
Aus dieser Perspektive ist der Preis und auch die lange Produktionszeit gerechtfertigt.
So ein hochqualitatives Gerät wird natürlicherweise kein Massen-Fließband-Produkt sein.
Hier spürt man bei jeder Bedienung und Funktionsweise, die sensible hervorragend überlegte Entwicklung und Handarbeit von Elektronikern und Musikpraktikern.

Dies sage ich als ein Studioenthusiast, der bereits mit AKS Korg Roland Yamaha monophonen und polyphonen Synthesizern und vielen Effektgeräten gearbeitet hat und den der hohe Preis von Moog-Synthis immer abgehalten hat. Bis jetzt hat mich bei Moog Ausstattung und Preis nicht überzeugt, ganz anders bei MOOG ONE - hier habe ich den hohen Preis gerne bezahlt und finde ihn gerechtfertigt.
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de Original review (Show translation)
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Moog One Baustelle
Andromedaner, 19.05.2019
Leider stimmt die Intonation nicht Moog arbeitet daran. C0- G1 ist nicht nutzbar. Das Gerät heizt sich im LOW FanMode schnell auf 40 Grad hoch. Die Möglichkeiten sind enorm, ein polyfones System mit vielen Modulationsmöglichkeiten und Einstellungsmöglichkeiten.
Er braucht viel Aufmerksamkeit auch beim Pegeln. Die Lüfter und die Intonation führen zur Abwertung in Gesamt und Verarbeitung.
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se Original review (Show translation)
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Expensive, but a total beast
mugwump, 08.07.2020
It's a wonderful instrument, and the frequent firmware updates have fixed the launch problems while adding new cool features. If you can spare the cash, get it. It does almost everything a synth can be asked to do. The single think that's lacking is polyphonic aftertouch.
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€8,399
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