Whether you're looking to add another cymbal to your drumkit or you need a whole new set of cymbals, you will find that Thomann has a huge selection of all the leading brands. Ride, crash, and hi-hat are just the start: Thomann's cymbal department stocks a vast array of different models, covering all the classic cymbal sounds, from Metal and Rock to Jazz. Of course, we also offer a great range of standard cymbal sets, ideal for beginners, and available in any combination you desire – and for any budget.
Because we know you have to able to trust your cymbal dealer, Thomann's 30-Day Money-Back Guarantee means every purchase will be relaxed and risk-free. And after you have found your next set of cymbals, our 3-year warranty will ensure your long and carefree enjoyment of the instrument.
Don't worry if you are a bit inexperienced when it comes to cymbals – our buyers' guide here will help you grasp the fundamentals and the details of the world of cymbals.
Equally, even if you already have a few cymbal models or brands on your shortlist, we can refine your search together: Our comprehensive online guide to cymbals is full of information on cymbals of all kinds. And if you would prefer some personalised advice, you can reach our team of experts in the Thomann drum department by phone on +49 (0)9546-9223-40 or by e-mail at drums@thomann.de.
The three standard cymbals that you are almost certain to find on every drumkit are the hi-hat cymbals, the crash cymbal and the ride cymbal. While the crash cymbal – with its explosive sound – is mainly used for accents, for example after fills, the pair of hi-hat cymbals and the ride cymbal are there to provide a continuous rhythmic accompaniment, in the form of drum grooves. What's special about the hi-hat is that it can be played both with your foot and with your drumsticks, giving you a wide variety of ways to play. The ride cymbal is usually played by striking the surface with the tip of your drumsticks. The bell in the centre of the cymbal provides an especially clear, penetrating ringing sound. Depending on its weight class, a ride cymbal can also be "crashed", i.e. struck on the edge.
The two hi-hat cymbals are mounted on the hi-hat stand, which is equipped with a foot pedal as standard. The ride and crash cymbals are mounted on separate cymbal stands, which are either straight or fitted with a boom that will allow you to alter the playing angle.
Most drummers, when they are starting out, begin with an all-round cymbal set, usually comprising a 14" hi-hat, a 16" crash, and a 20" ride. When you buy one of our complete sets, you're already fully equipped to take your first steps – or swing your first sticks – on the drumkit. As you progress, your initial cymbal set can be expanded by adding additional elements, or individual components can be replaced with higher-quality cymbals.
Most drum cymbals are made of B8 bronze (92% copper, 8% tin) or B20 bronze (80% copper, 20% tin). For inexpensive entry-level models, manufacturers also use brass (which is copper and zinc) or nickel silver (brass, with the addition of nickel for a silver finish).
There are two distinct methods used in cymbal production: Cymbals that are made of B8 bronze (also called malleable bronze), as well as those made of brass and nickel silver, are machine-pressed into shape from round, pre-cut metal discs. Further processing is also largely carried out by machine. However, there are also elaborate, artisanal B8 cymbals, such as the legendary Paiste 2002 series, which are increasingly popular with professional players.
The method used to make cymbals with the much harder B20 bronze (also called bell bronze) is very different. The process originates from Turkey, the motherland of cymbal forging, and is still practised today. First, the blanks are cast; this is followed by several stages of rolling, with the cymbal repeatedly heated and cooled in between. After the cymbal has been stamped to give it its central bell and the rim has been cut into a round shape, a cymbal-smith will then begin the process of hand hammering and lathing it to the desired material thickness.
B8 cymbals made by machine have the advantage of tonal uniformity: If a B8 cymbal is found to be defective, or suffers ordinary wear and tear, it can easily be replaced with one that sounds almost identical. Depending on their price point, B8 cymbals will often sound "straighter", sometimes with fewer harmonic overtones. This may actually make them easier to play for inexperienced drummers.
B20 cymbals are said to have the wider frequency spectrum, with a fine, warm finish; each cymbal will also have a more individual sound. Well-known brands and series are, for example, the Zildjian K series and A-Custom line, the Paiste Formula 602 cymbals, the Sabian HHX models and the Meinl Byzance series. For real cymbal freaks searching for the ultimate sound, cymbals made of B20 bronze are the gold standard, so to speak. Bear in mind, however, that most manufacturers' handmade B20 cymbals will sound slightly different, even within the same series or designation. Incidentally, the brand Zultan offers very affordable B20 models that are handmade in Turkey.
In addition to telling you whether a cymbal is a crash, a ride, a hi-hat, or something more unusual like a China cymbal, the info stamped on a cymbal will often include a special weight specification like Thin or Heavy. The weight of a cymbal, along with the material used to make it, has a huge influence on its sound, and hence what it can be used for.
A lightweight 19" Thin crash will offer a very quick response, and its sound might be described as soft and dark. A weightier 22" Heavy Ride or Power Ride, on the other hand, will have a lot of ping and a loud bell, giving it a strong, assertive presence even when sharing the stage with multiple high-volume guitar amps. Medium cymbals are ideal as all-rounders; their dynamic profile make them suitable for playing both gentle Jazz and real Rock & Roll.
In addition to the standard setup with a 14" hi-hat, a 16" crash, and a 20" ride, there has been a clear trend in recent years towards larger sizes. Most players tend to expand their initial three-piece setup with an additional crash first, for example an 18". And if you are finding the overall character of your current cymbal set either too loud or too quiet, it makes sense to focus on adding heavier or lighter cymbals.
In addition to varying and adding to your standard cymbals, your drumkit can also be expanded with a variety of effect cymbals. Splash cymbals will usually be your first port of call here: With their bright treble tones, they are ideal for adding little accents to your grooves. A China cymbal has an outwardly curved rim, and its exotic shimmer and decay can really add something unexpected to your sound.
Stacks are usually a combination of two cymbals, for example a crash and a mini-China. These cymbals often have holes on the surface, and are popular in modern styles for adding short, "trashy" sounds. Cup chimes or bells are other effect cymbals that are mainly used for long, clear sounds.
You can also add a creative new sound to your snare drum with cymbal mutes like a hoop crasher or a snare clang. Of course, the real Rock gods – like Keith Moon of The Who or Led Zeppelin's John Bonham used to have a gong behind their drum set: These mega-cymbals truly are something special, with their deep tone and phenomenal sustain.
If you want to practice at home on a real drumkit without making your family and neighbours mad, you will need a set of special practice cymbals like the Millenium Still series or the Zildjian L80 Low Volume line. Practice cymbals like this – and they are also great for unplugged gigs – are made of nickel silver or brass, but the real innovation is that they are perforated with countless tiny holes, making them much quieter while still maintaining the playing feel of a real, "loud" cymbal.
When transporting your cymbals to rehearsals or gigs, you should always store them in a padded cymbal bag with dividers; a hard-shell cymbal case is even safer.
Sizzler chains are an exciting cymbal accessory for creating atmospheric "sizzling" sounds, and all you need to do is hang them on the thread of your cymbal stand.