Harley Benton G112 Vintage

Guitar Speaker

  • Equipped with: 12" Celestion Vintage 30
  • Power rating: 60 W
  • Impedance: 8 Ohm
  • Housing material: 18 mm plywood
  • Semi-open back
  • Rearloaded
  • Trim strip
  • Carrying handle
  • Dimensions (W x H x D): 460 x 470 x 299 mm
  • Weight: approx. 14 kg
  • Design in black Tolex
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  • Blues
  • Funk
  • Metal
  • Rock

Further information

Max. Load 60 W
Impedance 8
Weight 14,0 kg

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417 written ratings Read all reviews
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Superb Cabs!

Thro, 18.08.2018
I bought two of these cabs to use with a Line 6 Helix and a Palmer Macht power amp running in stereo. I've been gigging with them for about 18 months - 40 or so gigs later and they're still going strong and sounding great! The cabs are very well-constructed: proper birch ply - the tolex isn't all that thick but it's still holding up nicely (I made some protective covers for transporting the cabs). Obviously the main reason I went for these cabs is because they contain a proper Celestion Vintage 30. I can confirm that the Celestions in these cabs are exactly the same and sound exactly the same as all the other V30s I've used a relied upon over the years. Live, these cabs sound great - the Celestions project and cut nicely (just like they should) - lots of detail (the Vintage 30 really is a fantastic speaker although they absolutely have to be broken in at volume in order to loosen them up - until then they can sound quite bright and hard - so crank them up!!) and the semi-open back design of the cab gives a nice amount of spread without sacrificing low-end punch. A while ago I swapped out the Vintage 30 in one of the cabs for a Celestion A-Type for a bit of sonic variation and this driver works exceptionally well in the cab (the V30 from the Harley Benton now lives, and still sounds great, in one of my other cabs). These cabs are a bargain!
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Great value, and easily modded to suit your sound.

bordonbert, 04.03.2015
Great value product!

For the money you get a Celestion Vintage 30 in a tidy looking cabinet. With the driver costing almost the whole of the price, that's a cabinet virtually free. And it's not a cheapo cab either. 18mm plywood, open back construction, very light for the unit, convenient to carry around. What features can you get on a simple cabinet design like this one? It's covered in a grained Tolex finish which is fairly lightweight but neat. The front panel has a decent grille cloth. There's a handle on top, a single 6.35mm jack socket on an inset plate on the back and a small plate with the details written on it! What more do you want?

I bought 2 of these as a stopgap for my Hughes & Kettner Tubemeister 36 head until I could afford better units. I can tell you, after rehearsing through them a few times, they are here to stay. Soundwise they are a great partner for the amp, crystal clear cleans and raw loud overdrive. The only issue I could identify is that, with my amp, initially the sound didn't really contain too much bass, the H&K bass control had only a limited effect on the sound. So I tried a simple mod. I just got a 42cm square of 18mm board, added a couple of bits of wood strip to complete the rear panel mounting lip, and tidily closed the back of one of them in. Instantly I got more bass on tap, as you would expect, which can be dialed in and out now. I still have the same raw upper sound but can extend it deeper when I want. Might be worth remembering if your sound is a little lacking in grunt, though I suspect most amps won't have that problem.

Overall this is a great sounding cabinet, can be easily modded to suit your taste, is easily transportable, well made, and ridiculously good value for money.
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129 €
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Online guides
Guitar Amps
Guitar Amps
The following pages give an overview of the various types of guitar amp available.
Online guides
Guitar Setups
Guitar Setups
The range of available guitars and amps has never been greater than it is today, and a huge variety of sounds are easily accessible.
Online guides
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Guitar Amp Heads
Though there are other options, the stack remains a rock icon, and is still the most flexible form of guitar amp­li­fic­a­tion.
 
 
 
 
 
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