Fryette Power Load IR

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Load Box

Variable reactive load box connected to an analog Zero Latency Cab and microphone simulation and a digital IR loader
Allows silent recording of a tube amplifier
Analog emulation and IR loader can be used individually or simultaneously
Cab simulation can be deactivated to use an external impulse response (IR)
16 Pre-installed Cab-Sims, which can be modified via the supplied GUI
Additional Cab-Sims can be installed via the USB port on the front
Placed between amp (max. 200W) and box, the signal can be sent directly to the mixer with one or both Cab simulations
High quality headphone amplifier
Amp In with selectable input impedance (4, 8 or 16 ohms)
AUX input with -20dB pad: 6.3 mm jack
Transformer-isolated direct output: XLR and 6.3 mm jack
Output with cab and microphone simulation: XLR and 6.3 mm jack
Headphone connection: 6.3 mm jack
Dimensions: (W x D x H): 222 x 156 x 70 mm
Weight: 3.6 kg

30 30 giorni soddisfatti o rimborsati

3 3 anni di garanzia Thomann

In catalogo dal Marzo 2022

Numero di articolo 512859

Unità incluse 1 Pezzo

Impedance 4, 8, 16

Noise Supression No

DI Interface Yes

Speaker Simulation Yes

Dummy Load (usable without cabinet) Yes

€ 899

Spedizione gratuita, incl. IVA

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in Attenuatori

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5 3 Clienti 4 1 Cliente 3 0 Clienti 2 0 Clienti 1 0 Clienti

4.8 / 5

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Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.

Gearoid 31.08.2023

I've only used it so far as a headphone amp, so I can't comment on the recording outs (I'm sure they are up to par). I thought it sounded lacklustre in headphones until I changed the IR setting from "flat" to "edge" - which I think pushed a lot of the mids and treble to the front. It sounds fantastic to my ears now - very lifelike and responsive. If you're using it in a mix, the "Brite" and "Flat" settings might be useful, but as a solo instrument, Edge is the one.

I'm looking forward to being able to play all my high wattage heads without annoying the neighbours, and hopefully rediscovering the magic of some of them.

The I/O seems to cover everything you could need and you can load your own IRs. So far I'm satisfied with the onboard IRs - I'm not a "deep editor" once I have a few agreeable and inspiring tones I can use, and I found these in the first bank. I might explore that more in depth some other time.

Being able to play my main rig silently any time of day or night was my goal, and it definitely delivers that in spades.

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Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.

Breaking change

Sugar Ray Shumway 15.12.2023

Es ist nicht leicht, dieses Gerät zu beurteilen. Es ist nicht gerade günstig, außerdem sind die Möglichkeiten zu vielfältig. Die allerdings, oder den Sinn darin, erkennt man erst spät.

Zunächst: nein, das ist kein übliches Powersoak, was da wäre, dass das Signal eben schwächer zur Box kommt. Also nichts für den Plexi im Wohnzimmer. Da müsste man schon tiefer in die Tasche greifen. Hier ist die Idee eine andere.

Meine Vergleichsmöglichkeiten: Mesa Boogie Cab Clone, Palmer ADIG-LB. Beide fand ich bisher ganz ok. Ich war mir aber nie richtig sicher.

Jetzt habe ich ein Gerät, das mich vergleichen lässt. Mein Ziel: den digitalen Dreck will ich nicht. Das kriege ich auch analog hin. Aber der digitale Dreck sollte der Maßstab sein. Das Gerät gestattet mir den Vergleich, die digitalen Sounds sind hier ganz ok. Außerdem kann ich sogar analoge mit digitalen Signalen zusammenmischen, was dann in einem wie auch immer gearteten Mixer passieren sollte.

Die Möglichkeiten zur Anpassung übertreffen die des Palmer ADIG.

Sound? Ach ja, Sound. Ich mag den Sound meiner Badeente. Die Amsel in meinem Garten klingt dann noch einmal besser.

Das Teil ist tatsächlich ein breaking change in Sachen Silent Recording. Nicht mehr, aber auch nicht weniger.

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