Behringer Pro-1

What Behringer did by adding a small patch bay really brings the initial Pro One synth architecture to modern times. The capabilities, especially when using stack cables, are numerous. Coming from a VST-only background, this module was a massive breath of fresh air for me, especially because of the feedback loop options. To clarify, I am not referring just to audio feedback, but even feedback routing like Mixer Out to OSC PWM.

As for the sound, it is capable of deep bass for sure, but where it shines is the higher frequencies. The oscillators have crisp, clear highs, and the Curtis filter is beautifully paired with them. Because of this (by default) bright sounding setup of components, I found the Pro-1 cutting through my mixes where Diva or other VSTs were lost, even when purposefully drowning them in long reverb. (as you do)

I use this module for both clear melodic content, and experimental music sound design, and I thoroughly enjoy it in both.

The cons I could spot where that, some features are hidden and need to be looked up online, and the Resonance CV tends to get loud easily.

My First Dream Synth (well... the original SC Pro-One)!

The Behringer Pro-1 is a faithful recreation of the legendary Sequential Circuits Pro-One synthesizer, beloved by musicians and producers for its iconic sound and versatile features. As a fan of vintage synthesizers, I was eager to explore what the Pro-1 had to offer, and it exceeded my expectations in many ways.

First and foremost, the build quality of the Pro-1 is exceptional. Behringer has done an excellent job of capturing the look and feel of the original Pro-One, with its sleek design and sturdy construction. The layout is intuitive and user-friendly, making it easy to dive in and start creating sounds right out of the box.

Sound-wise, the Pro-1 delivers the classic analog warmth and character that made the original Pro-One famous. The authentic VCOs (Voltage-Controlled Oscillators) and filters faithfully reproduce the distinctive sound of the original instrument, with rich basses, searing leads, and everything in between. The inclusion of additional features like oscillator sync and filter FM further expands its sonic palette, allowing for a wide range of sounds and textures.

One of the standout features of the Pro-1 is its extensive modulation capabilities. With two envelopes and an LFO (Low-Frequency Oscillator), as well as a versatile modulation matrix, I've been able to create complex and evolving sounds with ease. The inclusion of a sequencer and arpeggiator adds even more creative possibilities, allowing for intricate patterns and rhythms.

Another highlight of the Pro-1 is its connectivity options. In addition to standard MIDI connectivity, it also features CV/Gate inputs and outputs, making it easy to integrate into a modular setup or control external gear. The inclusion of USB connectivity further enhances its versatility, allowing for easy integration with modern studio setups.

Overall, the Behringer Pro-1 is a fantastic synthesizer that pays homage to a classic instrument while also offering modern features and enhancements. Whether you're a seasoned synthesist or a newcomer to the world of analog synthesis, the Pro-1 is sure to inspire creativity and exploration.

(Pro) 1 problem - getting it in tune is more difficult than catching an Unicorn... Nothin' is Perrrfect! ;)

Conclusion: BUY IT!

It was handled perfectly by the amazing team from Thomann, as always their delivery was fast and accurate.
I had the pleasure to test it as a standalone unit through headphones, monitors and inside the daw, but here the first problems arose.

Regardless of the firmware update, the arpeggiator never worked, and it was a shame since the sound reproduction and build quality was very good.

Overall, the machine was very sturdy and incredibly intuitive and fast to get on but in the end it didn't click in me in terms of usability.

It's a nice machine for the price if you're not concerned about technical details.