Anyone looking to record an instrument in a studio, at home, or live on stage needs a suitable microphone. However, buying the right instrument microphone means clarifying a few important points beforehand. While there is no single best microphone for an instrument, certain pitfalls can be avoided when making a purchase by arming yourself with the necessary information in advance. The good news is that Thomann’s **30-Day Money-Back Guarantee** also applies to instrument microphones, should the product ultimately not be right for you.
The Thomann PA team is also on-hand to help you find the right gear, ensuring that you are supported every step of the way. Our friendly specialists can be contacted directly by e-mail at studio@thomann.de, via the chat function on our website, or by phone on +49 (0)9546-9223-35. Thomann also offers an extended 3-year warranty on its products beyond the legal warranty requirements.
The standard microphone connection is XLR, a sturdy three-pin connection. Audio interfaces, mixers, external microphone preamps, channel strips, and stage or studio boxes use this socket and plug standard. For smaller mobile devices used in non-professional settings, the microphone might be connected via a jack plug measuring either 6.3 mm (1/4", or "standard jack") or 3.5mm (1/8" or "mini-jack"). Condenser microphones, in particular, require a power supply, which virtually all modern devices for XLR microphones provide in the form of phantom power. Without this power supply, these microphones will not function. Small microphones often have different plug connections, as they are frequently combined with wireless systems to enable cable-free use. These systems are available in various standards, but also with XLR adapters.
A USB microphone is an option for rehearsals or home recordings. This type of microphone is practical because it allows direct connection to a computer, although it offers only limited flexibility. For example, it can be difficult to use multiple microphones at the same time. Furthermore, USB microphones are typically designed for vocals rather than specific instruments. Mobile digital recorders with built-in microphones are also highly practical but can present positioning issues and were not explicitly designed for this purpose. However, good results are often achieved when handheld stereo recorders are used to capture acoustic guitar sounds. Clip-on microphones can be used with smartphones and tablets, and despite not quite meeting the quality standard of professional microphones, they can still produce satisfactory sound results. Are you looking to record multiple instruments simultaneously? Then, a high-quality small-diaphragm condenser microphone stereo set may prove to be a more practical investment than purchasing several individual microphones for the same overall price.
Some microphones are designed for specific instruments, while others are intended solely for vocals or speech. However, many microphones are versatile all-rounders suitable for a multitude of applications. As a result, you will find a wide range of microphones offering flexible applications across every category in our shop. This is positive news, as most instrument microphones can be used for more than just one instrument.
Microphones must exhibit specific technical and acoustic characteristics depending on the instrument for which they are being purchased. Key considerations include:
• Sound pressure compatibility: Some instruments, such as percussion instruments, brass instruments, and guitar amps, can be particularly loud. For this reason, dynamic microphones are often used – with a few exceptions.
• Level of detail: Some instruments require a particularly high level of detail, good examples of which include acoustic guitars, string instruments, and pianos. These typically require more technically sophisticated designs like condenser or ribbon microphones.
• Frequency response: Naturally, instrument microphones should be able to capture the frequency range emitted by the instrument. For example, the bass drum on a drum set and the double bass produce very deep frequencies, whereas flutes, for example, do not. In applications involving a harmonica/blues harp sound, for example, microphones that capture mid-frequency ranges are considered an advantage.
Microphones purchased for studio use are generally suitable for live performances and vice versa. However, the priorities differ. It is important to note that some microphones are less mechanically sensitive than others. While all microphones generally do not respond well to being dropped, condenser microphones are generally less robust than their dynamic moving-coil counterparts. Ribbon microphones are rarely encountered in live performances due to their high sensitivity to falls and shocks and to wind and rapid movements, which can cause damage. In the studio, sound takes precedence and the microphones can be as large and obtrusive as necessary. Bulky stands, microphones that obstruct the view of musicians, and cables that are in the way can all be perceived as disruptive, however, particularly if cameras are running. Furthermore, the operating range is limited with fixed microphones. For live performances, many instruments are often paired with microphones that are attached directly to the instrument and, in some cases, miniature microphones are used, which are almost invisible from a distance.
Mic type | Installation | Advantage(s) | Disadvantage(s) |
---|---|---|---|
classic | on a stand | no compromise on sound | instrument must stay in position |
clip microphone | on the instrument | practical, quick to install, portable | limited choice of position, risk of impact sound transmission |
• Dynamic all-round microphones: This category includes dynamic moving-coil microphones suitable for practically every instrument and typically also for vocals. Although these microphones can record virtually every signal, condenser microphones are typically preferred for particularly detailed, bright, and highly linear recordings.
• Wind instrument microphones: Wind instrument microphones are either similar to all-round microphones, bass drum microphones (for low brass), or even miniature microphones that are attached to the bell or close to the instrument. For better clarity, this category is subdivided into different instrument groups. Harmonica microphones, which are typically held by hand along with the instrument and connected to a guitar amplifier to create the characteristic blues harp sound, are a special case.
• Drum microphones: Drum microphones vary considerably, so they are further divided into subcategories to make finding the right microphone easier. Bass drum microphones have different requirements to snare and tom microphones. Hi-hat and general kit microphones (e.g. with "overheads") often take the form of condenser or ribbon microphones. The drum microphone category also includes numerous miniature microphones that can be attached to the drums by clip.
• Acoustic guitar microphones: Small-diaphragm condenser microphones are the standard for acoustic guitars; however, excellent results can also be achieved with large-diaphragm and ribbon microphones. As acoustic guitars tend to be recorded using two microphones, this category also includes a large number of stereo sets.
• String instrument microphones: Small-diaphragm microphones are the standard for string instruments, although large-diaphragm and ribbon microphones are also used on occasion. Clip microphones are typically preferred for live performances, and many sophisticated retaining systems are available for the various instruments.
• Amp microphones: Although all types of microphones can be used in front of bass or guitar amplifiers, robust dynamic moving-coil microphones are most commonly purchased for amp recording.
• Piano microphones: Stereo pairs of small-diaphragm condenser microphones are typically used to record pianos; however, other types of microphones are also suitable.
• Special instrument microphones: This category covers microphones for instruments not listed elsewhere, such as accordions, where the microphone is directly attached to the instrument. If you cannot find what you are looking for here, try viewing the dynamic all-round microphone or small and large-diaphragm microphone categories.