Acoustic Guitar Microphones

the t.bone Ovid System CC 100

Directional characteristic: Cardioid
Frequency response: 20 - 20,000 Hz
Flexible gooseneck for an easy instrument setup

Frequency range: 18 - 18,000 Hz
Incl. adhesive compound and storage box
Perfect e.g. for guitar, violin

the t.bone RB 100

Characteristics: Figure-8
Frequency range: 30 Hz - 15 kHz
Sensitivity: -54 dB

the t.bone Lucan System CC 200 RC

Easy installation with various instrument holders for many different instruments (not included)
Flexible gooseneck 120 mm for easy alignment on the instrument
Detachable cable with screw contact

the t.bone RB 500

Very warm, natural sound
Figure 8 characteristic
2” Aluminium ribbon (strength: 2 µm)

Lewitt LCT 040 MATCH stereo pair

2 Small diaphragm condenser microphones
Polar pattern: cardioid
Max. SPL: 135 dB

Cardioid polar pattern for maximum isolation of the signal source and reduced background noise
High-quality, permanently polarised condenser microphone
Linear frequency response for precise sound reproduction

1/2" capsule
Polar pattern: cardioid
Frequency range: 20 Hz - 20 kHz

Sennheiser E 914

Polar pattern: cardioid
Frequency range: 20 - 20,000 Hz
3-Step pad

Sennheiser MKH 50 P48

Supercardioid
Frequency range: 40 - 20,000 Hz
10 dB Pad

DPA 4099 Core Classic Kit 4M

4x 4099 Core microphones
4x DAD6001-BC XLR adapters
4x 1.6mm CM1618B00 cables

Sennheiser E614

Polar pattern: supercardioid
Very high sensitivity
Frequency range 40 Hz - 20 kHz

With gold sputtered 1/2" diaphragm
Cardioid
Satin nickel finish

Lewitt LCT 140 AIR Stereo Bundle

Matched Pair of Small Diaphragm Condenser Microphones
Matched pair
Polar pattern: Cardioid

Lewitt LCT 140 AIR

Pressure gradient receiver
Characteristic: Cardioid
Pre-polarised 17 mm capsule

Behringer SL 75C

Polar pattern: Cardioid
Integrated wind and pop filters
Shock Mount System suppresses handling noise

With 1/2" cardioid capsule and exchange capsule with omnidirectional polar pattern
Strictly selected stereo pair
High pass filter and 3 step preattenuation

For stage and studio operation
Elastically mounted 3/4" true condenser capsule - externally polarized
Cardioid

DPA 4099 Core Guitar

Especially for guitar
Characteristics: Supercardioid
Frequency range: 20 - 20,000 Hz with 2 dB soft boost at 10 - 12 kHz

Condenser Microphone
Polar pattern: cardioid
Ideal for recording strings, choir and acoustic guitars

the t.bone Ovid System CC 100 RC Shure

Easy installation with different instrument holders (optional - not included)
With phantom power adapter (phantom power required)
Detachable cable with screw contact

Neumann MCM 114 Set Guitar

Neumann MCM System for guitar, ukulele, dobro, acoustic bass, cello

Shure KSM 137 Stereoset

Optimized for acoustic instruments
Neutral and precise sound for stage and studio applications
Ideal for overhead, hi-hat, piano, choir and orchestra and acoustic stringed instruments

AKG C 451 B Stereo

2 x AKG C 451 B condenser microphones
The microphones differ in sensitivity and frequency response by less than 1 dB from each other
Polar pattern: cardioid

Active ribbon
Very warm natural sound
Figure 8 characteristic

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