Manley Studio and Recording Equipment
11 results. Displaying items 1–11.
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Studio Tube Condenser Microphone Cardioid, All-Tube Triode Design 12AT7, -10 dB Pad switchable, Frequency range: 10 Hz - 30 kHz, Sensitivity: 17 mV/Pa, Noise typically -120 dB ON, Peak SPL: 150dB, Output Impedance: 200 Ω, Weight: 1.02 Kg (microphone),...
- All-Tube Triode Design 12AT7
- -10 dB Pad switchable
Channel Strip Channel strip with tube input stage, Compressor, 3-Band EQ and limit section, 48 V phantom power, 120 Hz high pass filter, Phase Invert, Compressor: ELOP technology, Ratio 3: 1, Silent bypass switch, Variable attack, release and threshold,...
- Channel strip with tube input stage
- 3-Band EQ and limit section
Stereo EQ In present days, no mastering studio can pass a Massive Passive. The Massive Passive is probably the most commonly encountered equaliser in mastering studios and there is a reason. The unique sound and the unique way of...
- Mastering version with stepped potentiometers and changed filters for mastering applications
- 4 Bands per channel
- Circuit completely passive
Hi End Channel Strip on Class A tube baseThe VoxBox is also excellently suited as a high quality studio DI box for bass, guitar and synths. Legendary Manley microphone preamp (+31 dBu headroom!), Electro-optical compressor stage before...
- Legendary Manley microphone preamp (+31 dBu headroom!)
- Electro-optical compressor stage before the tube section!
- Desseer / Limiter L2A character
Dual channel compressor / limiter
Dual channel compressor / limiter Variable Mu tube input stage, HIP function raises soft dynamics without squashing louder passages, 2 transformer balanced XLR inputs, 2 electrically balanced XLR outputs, Side-chain input / output via TRS, Handmade in California, USA,...
- Variable Mu tube input stage
- HIP function raises soft dynamics without squashing louder passages
- 2 transformer balanced XLR inputs
4-Channel Microphone Preamplifier
4-Channel Microphone Preamplifier Vacuum tubes: 4x 12AX7WA dual Triode, 4 Balanced XLR inputs, 4 Balanced XLR outputs, Dynamic range: 118 dB @ LOW GAIN, 100 dB @ HI GAIN, Integrated power adapter, Design: 19" / 2 U Equipment for...
- Vacuum tubes: 4x 12AX7WA dual Triode
- 4 Balanced XLR inputs
- 4 Balanced XLR outputs
Stereo Limiter & Microphone PreampThe slam is a combination of high-quality mic preamps and...
Stereo Limiter & Microphone PreampThe slam is a combination of high-quality mic preamps and limiters with optional 192 kHz D / A and 96 kHz A / D converter. This device makes a lot of level and has a limiter...
- Completely constructed in tube technology
- Switchable 48 V phantom power and phase inversion
- Transformer-balanced inputs and outputs
2 channel EQ 4 tapes per channel, Circuit fully passive, Overlapping frequency ranges, Each band offers the possibility of Shelf or Bell, Pro Band: Cut, Boost, and Off, Tube Make-Up Gain, Passive high-pass and low-pass filters, Level +4 dBU...
- 4 tapes per channel
- Circuit fully passive
- Overlapping frequency ranges
Stereo Compressor / Limiter Complete tube, MANLEY input & output transformer with nickel lamination in mu-metal housing, Sym. Inputs and Outputs (600 Ohm), ALL-TUBE circuits each with 5670, 5751, 7044 or 5687 & 12AL5 per channel, Hard-wire BYPASS switch,...
- Complete tube
- MANLEY input & output transformer with nickel lamination in mu-metal housing
- Sym. Inputs and Outputs (600 Ohm)
Stereo Compressor / Limiter True tube compression in the style of the legendary 670s Fairchild, Dual Triode 5670 compression in Manley design, Best-selling tube-type stereo-compressor worldwide, Intrinsically balanced inputs and outputs (600 Ohm), Hard bypass, Maximum gain 35 dB,...
- True tube compression in the style of the legendary 670s Fairchild
- Dual Triode 5670 compression in Manley design
- Best-selling tube-type stereo-compressor worldwide
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