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D
le Blm du pauvre! mais super
bon produit permettant d'accéder à la technique pzm grâce à une dpa 4060
idéal pour les voitures et autres prises de son à table par exemple
pas comparable en qualité avec un schoeps blm 03c, mais rien à voir en terme de prix, de poids, de compacité, et de choix de couleurs.
(noir ou blanc)
idéal pour les voitures et autres prises de son à table par exemple
pas comparable en qualité avec un schoeps blm 03c, mais rien à voir en terme de prix, de poids, de compacité, et de choix de couleurs.
(noir ou blanc)
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F
Als Quick-and-Dirty unverzichtbar!
Habe diese Adapter immer auf O-Ton-Einsätzen dabei. Schnell verwandelt man eine Funkstrecke mit DPA Mic in eine praktische Grenzfäche und nimmt dadurch Tischgespräche oder Instrumente vor Ort wesentlich homogener auf, als wenn man das Mic einfach so in die Nähe der Schallquelle bringen würde. Für den Preis ein absoluter No-Brainer, denn wer schon DPA Anstecker in seinem Kit hat, kann hiermit schnell und einfach vor Ort die vorhandenen Mikrofone anpassen. Das Gummi ist außerdem super robust und man greift schneller zum Klebeband, als bei der teuren Schoeps-Grenzfläche. Klanglich finde ich "echte" Grenzflächen zwar noch überlegen, aber bevor ich gar keine Grenzfläche habe, benutze ich diese Adapter.
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AD
DPA-Qualität
Ich benutze den BLM6000 in Kombination mit einem 4061, hauptsächlich zur Abnahme von Bassdrums. Hiermit lassen sich hochwertige Ergebnisse erzielen. Die Verarbeitung ist gut, das Einsetzen der Mikrofonkapsel kinderleicht. Unbedingt als Hilfsmittel zu 4060/4061 zu empfehlen!
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D
cher mais de qualité
Accessoire indispensable pour transformer un micro DPA série 4000 en micro de surface (théâtre, opéra?), avec une directivité accrue et donc une modification de la courbe de réponse.
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FN
wish they made the metal option, still nice
Follow the directions about which DPA cap to use and mind the orientation.
If you put this on your microphone while monitoring, you can hear the pickup pattern change the moment it is seated and then change again when you put it on a flat surface. It is a bit astounding.
easy to hide in the shadows (stage edge, under piano lid)
I had to sand a little bit from the bottom for it to sit totally flat, and it's clear from the stress lines in the surface that the material isn't constant density throughout, but I also wouldn't be able to make something better or buy any alternative.
With all that in mind, their 4060 boundary mic (not the 4060 lav) has a metal ring and rubber gasket but then the 4060 is not removable and usable as a normal lav mic. It would be nice if the BLM6000 could have the same materials (metal and rubber, screw holes) as their metal boundary mic while still letting you remove the mic. I'd pay more for a metal-ringed version of the BLM6000.
If you put this on your microphone while monitoring, you can hear the pickup pattern change the moment it is seated and then change again when you put it on a flat surface. It is a bit astounding.
easy to hide in the shadows (stage edge, under piano lid)
I had to sand a little bit from the bottom for it to sit totally flat, and it's clear from the stress lines in the surface that the material isn't constant density throughout, but I also wouldn't be able to make something better or buy any alternative.
With all that in mind, their 4060 boundary mic (not the 4060 lav) has a metal ring and rubber gasket but then the 4060 is not removable and usable as a normal lav mic. It would be nice if the BLM6000 could have the same materials (metal and rubber, screw holes) as their metal boundary mic while still letting you remove the mic. I'd pay more for a metal-ringed version of the BLM6000.
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