Electro Harmonix Nano Deluxe Memory Man

Mis au goût du jour par cette réédition miniaturisée, cette Nano Deluxe Memory Man offre une belle alternative à de nombreuses pédales de delay.

Les réglages permettent un mix de l'effet permettant de couper le son Dry et ne laissant place qu'au son traité par l'effet, ça permet d'aller loin dans le son.

Ensuite il y a la modulation chorus/ vibe qui peuvent enrichir encore le delay, modulation que l'on peut bien sûr mettre à zéro. La pédale compte aussi un level général permettant de booster le volume ou le baisser lorsque la pédale est activée.

L'effet delay est analogique et permet de partir en auto oscillation, ce qui est toujours cool quand on veut décoler un peu !
Dernière chose : le delay est plutôt bright pour une pédale analogique, comparée aux Ibanez analog delay, carbon copy et Vapor Trail de Seymour Duncan que j'ai eu. C'est ce que je cherchais en premier dans cette Memory Man, et toutes les options en plus sont géniales (plus Switchs internes).
Un peu chère, mais elle est mon delay analogique préféré.

I bought this to see if it would work well as a gig-friendly substitute for my older, larger Deluxe Memory Man. The short answer is: yes!

More details:
I’m comparing this to the older (perhaps 80s?) version of the Deluxe Memory Man which still contains the beveled enclosure, but has a detachable power cable, and clean, cylindrical knobs (rather than the chicken-head style).

Sonically, I find the Nano to be nearly indistinguishable from its larger predecessor, which is really incredible. Both pedals impart some character and shape into your signal, and both impart that classic memory man vibe. Both pedals are also a bit noisy, which may be undesirable for your use case, but that’s also pretty typical of DMM circuits, and, there’s a similar level of noise on both the old and the new, so I’m inclined to consider that “accuracy”.

Practically, there are four major differences between the pedals:

1) The Nano doesn’t have a dedicated “direct out”, which for me isn’t a problem, since I almost never use the “direct out” on the older, larger box.

2) Like other newer (but larger) DMM iterations, the Nano has a “Date” and “Depth” knob where the older version had a switch between “chorus” and “vibrato”, and a single “Chorus/Vibrato” knob. The “Depth” knob is the same as the single knob on the old model, and the switch is replaced by the “Rate” knob, which actually makes the Nano a good bit more flexible, and, thankfully, the manual includes a note about which “Rate” positions provide the best match to the switch settings on the older pedal.

3) The Nano has a switch behind the casing to toggle between “true bypass” and “keep your delay tails”. I haven’t tried the “keep your tails” mode yet, as the other DMM I have is direct-bypass, but this adds a level of flexibility that I wasn’t expecting. With “keep your tails” activated, the pedal will not true bypass, and instead always buffers your signal.

4) The knobs are a good bit smaller than on the larger DMM. This is a fair trade-off for the smaller size, and the amount of pedal board space saved, but it does mean that it’s more difficult to play with the delay parameters in real-time. On the larger model, I managed to get pretty good at turning some of the knobs with my feet, which isn’t possible with this one.

On the whole, considering older DMMs are going for upwards of €800 on ebay, the Nano is a *much* better purchase for most use cases. Heck, you could even buy two and still save a ton of money.