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Shure Beta 91A

Shure Beta 91A
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Shure Beta 91A Condenser Boundary Microphone , half cardioit, combination of Beta 91 and SM91, switchable frequency curve for bass drum or piano/speech applications, semi-cardioid, 20Hz-20kHz, 146 Ohms, 11-52V phantom power, 155dB SPL max (2500 Ohms load), XLR male out. Weight: 480g

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Shure Beta 91A 81% bought this exact product
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€266 Add to Cart
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180 customer ratings:

Overall rating
4.9 out of 5 stars
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5 Stars
166 Customers

166 customers have given this product a 5-star rating.

Of these, 154 customers have written no texts or given their feedback in another language.

read all 12 reviews
4 Stars
13 Customers

13 customers have given this product a 4-star rating.

Of these, 13 customers have written no texts or given their feedback in another language.

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One customer has given this product a 3-star rating.

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Shure Beta 91A

Robert814, 14.02.2016

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I've been looking at the Shure Beta 91A and the low-mid cut switch at around 400Hz seems like a very useful and appropriate feature. The main doubt was the size and shape of this mic. Fortunately for me it turns out to be only about a quarter of the size I'd expected. (I didn't bother to ask). There is a rather good elastic suspension mounting kit available (not made by Shure though) which enables it to remain mounted inside the bass drum. The Thomann sound samples when compared with other bass drum mics appear to show this as a very clean and clear sounding mic. I usually find these samples very useful and if downloaded and listened to about 20 times in comparison to other mics, you get about an 80% idea of how the mic will actually sound. The technical spec pdf describes this mic as "Half cardioid" and shows a 60° angle above floor/stage pickup area, which is most appropriate and also explains why another reviewer discovered that placing this mic on the floor in front of the bass drum, but moving it back a bit further than normal picked up the whole kit, but with the bass drum strongest - great for in ear monitoring for the drummer (who didn't want too much of the other band members). I am most impressed with the sound when placed on the floor/stage in front of the bass drum at more conventional distances. That gives me the best bass drum sound I've ever achieved to date. Crisp, clean, with a well defined thump and still able to reject unwanted spill over in a live situation.

The one and only 91

Ciaran M., 23.09.2015

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This is now my go to mic for kick drum, is great when mic'ing in and out but equally stands it ground when just mic'ing in. Has great amount of attack when used on kick and can reacts very differently when using different placements within the kick drum. The eq cut can be handy if limited on eq options by mixing desk. Surprisingly good results if you stick it on the floor when recording, is good at picking up the sound of a room realistically. Also got good results inside a piano also in a live situation. A must for evey microphone pack!

Outstanding microphone

Ivan O.C, 01.02.2015

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I upgraded my microphone setup for my kick drum from a PG52 to the Shure Beta 91A and I was highly impressed by the amount of low end punch this microphone delivers. Much easier to work with in a live situation and have gotten plenty of compliments from those who've listened out front to it at gigs. Even sound engineers at venues and in studios have echoed that sentiment. It just allows for a much more precise, clear, low end sound. The frequency switch on the bottom is useful to fine tune your sound.

I give it five stars as a product, but four for features because by its nature, it's tricky to place in the kick drum without it moving around. You may need to look into a mounting solution to suit your needs within the drum to avoid it sliding around or knocking over. Consideration to padding in the floor of your drum may be a good, cheap solution though to this issue. Other than that, excellent microphone and delivers an awesome sound that you crave!

Great mic, great price

19.02.2015

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I purchased this Beta 91 to be the kick in mic on my band's kit (to use with a 52a). It sounds great. It gives a defined, punchy sound. There is a switchable EQ filter on the base which gives a cut around 400hz I believe, to remove any 'boxiness' to the sound. Leaving this out you have a more linear EQ. Response otherwise is 20-20k.

Sturdy and heavy, this mic feels very well built. It has a rubber base to help keep it stable and reduce vibration. It also has a proper XLR connector in the body - no mini XLR or other flimsy connectors, which is great.

Very Good !!!

31.03.2014

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I use this mic in the bass drum and it's the best I 've used so far, whether live or in the studio thomann . It has a very good for my taste frequency response where the upper heights are again slightly raised , and it can be a very "sharp / plastic " Metal Bass Drum pull out of it without even bring in the other percussion instruments to the signal , such as a trigger to bypassing if you thomann Dynamic yet wants to maintain . Compared to the BETA 52 Is it much clearer and neutral ( The Beta 52 is therefore not worse , has only a very own character )

The switch, which deducts 7dB at 400Hz ( on the site about sitting the ' pappige " frequency range of the bass drum ) is about a priori to have a good sound when mixing for the thomann bass drum really the Non + Ultra. Thus, one needs , in principle, a parameter of the EQ less ;) Of course, only in theory .

A part 1A and the price is justified for it! You will certainly not regret it , especially if you do thomann Live hearken unto a large plant for the first time !
€266
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item number 256092
sales unit 1 piece
available since November 2010
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in this category Rank 1
at thomann.de Rank 412
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Offers include 23% Irish VAT and are valid as long as stocks last. Shipping costs to Ireland are 15 EUR, free shipping on orders above 199 EUR. Please click here for international Shipping rates. We do not accept liability for typographical errors or inaccurate information of any kind. *RRP = manufacturer's / distributor's recommended retail price in Germany
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