Sennheiser E 602 II

176

Dynamic Large-Diaphragm Instrument Microphone

  • Directional characteristic: Cardioid
  • Frequency response: 20 - 16000 Hz
  • Impedance: 350 Ohms
  • Aluminium casing
  • Tripod mount
  • Dimensions 60 x 153 mm
  • Weight 318 g
  • Includes bag
  • Ideal for bass drum, brass, double bass
  • Lighter and improved version of the Sennheiser E 602
Tillgänglig sedan Augusti 2006
Artikelnummer 194510
försäljningsenhet 1 Styck
Condenser Microphone No
Polar Pattern Cardioid
1 729 kr
Gratis frakt inklusive moms
i lager
i lager

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Beräknat utskeppningsdatum till Torsdag, 28.03.
1

176 Kundbetyg

4.8 / 5

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97 Recensioner

E
Bästa baskaggemicken
Eriik 01.11.2021
Har provat flertalet baskaggemickar innan jag hittade rätt med denna. Den har lite av en färdig eqkurva så vill du ha en neutral mick så är det kanske inte för dig. Men enligt mig finns det ingen bättre.
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T
Overall a very good mic
TobbeF 01.08.2019
This mic has a pretty distinct frequency curve that might not be soothed for every music genre but will work well with most. It's also a great kick drum mic for live sound.
I find that it can be a bit too heavy on the lower frequencies sometimes so be careful so you don't blow up your speakers.
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Underskattad!
StockholmDrummer 19.01.2023
Den hör till de mickarna som plockar upp de lägre frekvenserna ordentligt.
Jag för min del använder den gärna tillsammans med en ytterligare mick, både i bastrumma eller till bass cab.
Testa denna tillsammans med en Beyerdynamic M99 för att micka upp en basist!
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google translate gb
Tyvärr uppstod ett fel. försök igen senare.
R
My kick drum sound
RaverZ 21.05.2019
I was looking for a relatively inexpensive solution to record demos in our rehearsal place. I was (still am) really specific about the kick drum sound I want to achieve: Modern punchy rock sound, with enough low end, without getting too much click sound at highs like a metal record would have. After 3 years of using this mic I can say I have found the best solution for my taste without busting the bank.

When it comes to drums I record it with 4 or 5 mics, using close mics only on the kick and snare. I get the best result on the kick with the E 602 II just slightly inside the port hole facing the beater. I get that "in the face kick" sound I need. It certainly has a character that is not for everyone, but for me It is perfect without the need of a subkick.

On the plus side, when we record the drums separately, I can use this one on the bass cabinet too. It gives a nice clean and powerful sound, but I would never use this mic alone when I want raw punk style bass sound.

Now the downsides:
I have some problems with the screw that holds the mount part. It is too loose or too tight. So when i set the position of the mic with the stand, a screwdriver comes handy to fix it in the right place and make sure it stays there during the session.

There is another thing I have found problematic in build quality after a while. The XLR connection lets the cable come out just enough cut the sound, but it is visually unnoticeable. It took me a little time to realize that it's not my sound card or the cable that causing the cutouts. Knowing that I just double check the connection before pressing the record button, and mostly everything is fine.

This two problems I have would not stop me buying this mic again, and the second one would come with us on tour. It looks and feels like it can handle abuse really well, but first of all: This mic gives me closest sound to what I want on the kick drum than the other industry standard kick drum microphones that are mostly used around here in venues or mid priced studios where my hobby band could go.
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