Bass Amps

Everything could be so easy, since all you want is to amp up your bass, right? This guide will provide you with an overview of what's available in the bass amp world!

Bass Amps
Bass Amps

What use is even the best base if you have no way of making people hear it? The solution is clear: get yourself an amp! But the market is very confusing, especially for those who have just taken up playing. It all used to be much simpler when things got started: Ampeg's first bass amp model, their Super 800 from 1949, was marketed at double bass players and featured a single 12-inch speaker and an "impressive" output of just about 18 Watts. 1951's successor model had grown to 20 Watts and a 15-inch speaker. Fender's Bassman, launched in 1952, is regarded as the first resounding success with e-bass players. A tube amp with respecteable 50 Watts powered a single 15-inch speaker before 1954 saw a redesign with four 10-inch speakers.

But so much has happened since those early days! There's not only a bewildering range of manufacturers covering every imaginable price range. There's also the fact that the various manufacturers work from completely different concepts, and single manufacturers often themselves offer a lot of different models. It should be much easier - after all, the only thing you want to achieve is to get some sound out of your bass, right? This guide will clear path through the amp jungle for you.

So, let's start by looking at the various ways in which a bass signal can be rendered audible. Your first choice is that between a combo amp which combines the amp with speaker(s) in a single casing on the one hand and a set made up of separate components (the amp, also called "head" or "headpiece", and the speaker) on the other. These two choices come with their specific pros and cons, so that the first thing you need to be clear on is the environment in which you will be playing your instrument.

We will introduce you to the various components in this guide, we'll explain their advantages and disadvantages, and we will point out what you should keep in mind when making your choice.

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MOTU UltraLite mk5

USB 2.0 Audio Interface With USB C connector, ESS Sabre32 Ultra DAC technology, 24 Bit / 44.1 - 192 kHz, Precise level meters for all analogue inputs/outputs with high-resolution OLED display, 2 Microphone / line / Hi-Z inputs via…

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Roli Lumi 1 Snapcase Black

Roli Lumi 1 Snapcase Black; sturdy and magnetic cover around the LUMI Keys for a slim and seamless fit; protects the LUMI Keys during transport and storage; easily folds into a stand for mobile devices; dimensions (W x D x…

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Line6 Relay G10TII Transmitter

Line6 Relay G10TII Transmiiter, 2,4 GHz plug and play Wireless transmitter for Relay G10 systems or Spider V series from Spider V 60, with internal receiver, audio frequency range 10 - 20.000 Hz, automic frequency setup, 118 dB SPL max.,…

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Kawai KDP-120 B

Kawai KDP-120 B Digital Piano - 88 weighted keys, RH-CII keyboard and Harmonic Imaging (HI), three sensors, 88-key piano sampling, 15x sounds, Shigeru Kawai SK-EX sound, Shigeru Kawai SK-EX concert grand piano sound with new low balance volume feature, which…

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Behringer S&H / Random Voltage 1036

Behringer S&H / Random Voltage 1036; Eurorack module; dual Sample & Hold /Random Voltage; internal clock adjustable from 0.03 - 300Hz; manual sample button; clock FM input with attenuator; signal input with attenuator; internal random generator with attenuator; channel A…

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SSL 500-Series SiX Channel

Solid State Logic 500-Series SiX Channel; Channel Strip; with SuperAnalogue mic preamp and 5-way LED indicator; +48V phantom power; with phase and HPF switches; separate instrument/line input on front panel with Hi-Z switch (1MO); switchable 2-band EQ with bell and…

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Otamatone Neo Black

Otamatone Neo, Electronic sound toy / synthesizer, standard size, selection of various sounds via new studio smart phone app, cross link of smart phone and Otamatone via cable, power plug for external power supply, stereo headphone jack, volume adjustable, playing…

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Arturia Pigments 3

Arturia Pigments 3 (ESD); virtual synthesizer; four sound engines with variable sound sources; Harmonic Engine with up to 512 partials; Wavetable Engine with a total of 164 wavetables; Utility Engine with sub-oscillator and two noise sample layers; Jup-8 V4 low-pass…

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Vandoren Optimum Ligature Clar Boehm PG

Vandoren Optimum ligature for Bb-Clarinet (Boehm system), precise and fast fixation, easily fixable to the mouthpiece, no lateral pressure on reed and ligature, color: pink-gold, incl. plastic cap and three different pressure plates for variety of sounds

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Harley Benton AirBorne Pro 5.8Ghz Instrument

Harley Benton AirBorne 5.8Ghz Pro Instrument, 5,8GHz digital wireless instrument system; suitable for all instruments with 6,35mm audio jack; plug-n-play transmitter & receiver; 5,8GHz band (5.729~5.820GHz); 24 bit/48KHz; 4 channels; transmission range up to 35 meter; latency 5,6ms; battery…

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Korg SQ-64

Polyphonic Step Sequencer with 4 Tracks 3 Melody tracks with 8-fold polyphony and 16 patterns of 64 steps each, Drum track with 16 monophonic sub-tracks, 64-Key matrix with illuminated buttons, OLED display, Editing modes per melody track: gate, pitch…

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Otamatone Neo White

Otamatone Neo, Electronic sound toy / synthesizer, standard size, selection of various sounds via new studio smart phone app, cross link of smart phone and Otamatone via cable, power plug for external power supply, stereo headphone jack, volume adjustable, playing…

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