Den stora Thomann Online-Rådgivaren: Recording E-Guitars

7. Hotdeals

On this page you can find our current Hotdeals on microphones for amplifiers, di-boxes, guitar preamps and amp modellers.

Mikrofoner för ampupptagning

Shure SM 7 B
Shure SM 7 B
Dynamic Studio MicrophoneThe SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hums generated by computer monitors, neon lights, and other electrical devices.@+@+The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. @+@+
  • For music and speech transmission, ideal for broadcast, radio and TV
  • Polar pattern: cardioid
  • Flat, wide-range frequency response for exceptionally clean and natural playback of both music and speech
Shure SM 7 B Dynamic Studio MicrophoneThe SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hums generated by computer monitors, neon lights, and other electrical devices.@+@+The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications. @+@+ For music and speech transmission, ideal for broadcast, radio and TV Polar pattern: cardioid Flat, wide-range frequency response for exceptionally clean and natural playback of both music and speech Bass rolloff and mid-range emphasis (presence boost) controls with graphic display of response setting Improved shielding against electromagnetic hum, especially against broadband interference from computer monitors Internal air-suspension shock absorber virtually eliminates mechanical noise transmission Highly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narration The detachable wind shield A7WS protects against popping noises and gives a close-up and warmer sound Swivel bracket with integrated tripod mount for easy installation and precise microphone positioning Frequency response: 50 - 20,000 Hz Output Impedance: 150 Ohm Open circuit sensitivity: -59.0 dBV / Pa (1.12 mV) Dimensions: 190 x 64 x 96 mm Weight: 765 g Incl. Switch cover plate and wind protection Suitable foam wind-shield: Art. #263050# (not included) Suitable replacement wind protection (Clip on cap windscreen): Art. #157230# (not included)
366 €
429 €
Shure SM57 LC
Shure SM57 LC
Dynamic Instrument Microphone@+Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.@+@+
  • Cardioid
  • Contoured frequency response for clear instrumental and sonorous vocal recordings
  • Decrease of percussion, drums and instruments amplifiers in professional quality
Shure SM57 LC Dynamic Instrument Microphone@+Dynamic cardioid microphone for recording instruments and vocals. Its bright, clean sound and carefully contoured presence rise make it the ideal tool for live performances and studio recordings. The cardioid pickup pattern isolates the source and effectively reduces the recording of background noise. In the studio, the SM57 is ideal for recording drums, guitar, and woodwinds. The SM57 is not only the first choice for professional musicians, it has also been at the podium of the US President for over 30 years. Its outstanding performance, legendary reliability, and diversity of application make it the choice of performers, producers and engineers around the world.@+@+ Cardioid Contoured frequency response for clear instrumental and sonorous vocal recordings Decrease of percussion, drums and instruments amplifiers in professional quality Cardioid for isolated signal source and reduces distracting background noise Pneumatic shock minimizes handling noise Holds even heavy use in stage use was Frequency response: 40-15000 Hz Output Impedance: 310 Ohm Open circuit sensitivity: -54.5 dBV / Pa (1.88 mV) Dimensions (L x Ø): 157 x 32 mm Weight: 284 g Incl. clamp, 3/8"Thread Adapter and Bag Matching windscreen: Art. #264694# Substitute basket: Article #149561# (both not included)
98 €
109 €
Shure Beta 57 A
Shure Beta 57 A
Dynamic Microphone@+The dynamic Beta 57A proves its exceptional versatility in its transmission of acoustic and electric instruments, as well as as a vocal microphone. Its supercardioid polar pattern extends over the entire frequency range and guarantees high gain before feedback, maximum isolation from other sound sources, and minimum off-axis sound. The completely new mesh head design of the Beta 57A facilitates better use of proximity effect. Typical areas of use for this versatile microphone range from drum sets via a guitar amplifier, brass and woodwind instruments, to vocals and speech.@+@+
  • Supercardioid polar pattern
  • Optimized frequency range for drums, guitars, vocals and wind instruments in studio quality.
  • Uniform supercardioid polar pattern for high gain-before-feedback at maximum gain, and maximum suppression of background noise.
Shure Beta 57 A Dynamic Microphone@+The dynamic Beta 57A proves its exceptional versatility in its transmission of acoustic and electric instruments, as well as as a vocal microphone. Its supercardioid polar pattern extends over the entire frequency range and guarantees high gain before feedback, maximum isolation from other sound sources, and minimum off-axis sound. The completely new mesh head design of the Beta 57A facilitates better use of proximity effect. Typical areas of use for this versatile microphone range from drum sets via a guitar amplifier, brass and woodwind instruments, to vocals and speech.@+@+ Supercardioid polar pattern Optimized frequency range for drums, guitars, vocals and wind instruments in studio quality. Uniform supercardioid polar pattern for high gain-before-feedback at maximum gain, and maximum suppression of background noise. Hardened steel mesh grille facilitates the use of proximity effect and resists wear and damage. Neodymium magnet for high output levels with minimal noise. Pneumatic shock mount protects against impact- and handling noise Frequency range: 50 Hz - 16 kHz Output impedance: 290 O Sensitivity: -51 dBV / Pa (2.8 mV) Dimensions (L x Ø): 160 x 43 mm Weight: 275 g Compact and robust design Incl. microphone clip and bag
133 €
149 €
Sennheiser E 906
Sennheiser E 906
Dynamic Instrument Microphone
  • "Evolution" series
  • Especially suitable for electric guitar, snare drum, brass
  • Characteristics: supercardioid
Sennheiser E 906 Dynamic Instrument Microphone "Evolution" series Especially suitable for electric guitar, snare drum, brass Characteristics: supercardioid 3-Position switch: hi boost, flat, hi cut Frequency range: 40 - 18,000 Hz Sensitivity: 2.2 mV/Pa @ 1 kHz Dimensions: 55 x 34 x 134 mm Weight: 140 g Incl. microphone holder MZQ 100 and pocket
188 €
Sennheiser MD441-U
Sennheiser MD441-U
Dynamic Microphone@+The MD 441 U is a microphone of an exceptional quality: its acoustic properties correspond to those of a condenser microphone. Transient response and low distortion are ensured even at extremely high sound pressure. Surface: all metal body with black imitation leather finish, sound inlet basket: nickel plated@+@+
  • Very feedback resistant
  • Super-cardioid
  • Tunable HP and HF shelve, XLR
Sennheiser MD441-U Dynamic Microphone@+The MD 441 U is a microphone of an exceptional quality: its acoustic properties correspond to those of a condenser microphone. Transient response and low distortion are ensured even at extremely high sound pressure. Surface: all metal body with black imitation leather finish, sound inlet basket: nickel plated@+@+ Very feedback resistant Super-cardioid Tunable HP and HF shelve, XLR Impedance: 200 Ohm Frequency range: 30 Hz - 20 kHz Size: 270 x 33 x 36 mm Weight: approx. 450 g Incl. clamp and storage box Suitable matching clamp: Article Nr #106538# (not included)
798 €
899 €
the t.bone MB 75
the t.bone MB 75
Dynamic Microphone
  • Specifically for instrument recording
  • For toms, amps, etc.
  • Polar pattern: Wide cardioid
the t.bone MB 75 Dynamic Microphone Specifically for instrument recording For toms, amps, etc. Polar pattern: Wide cardioid Frequency response: 40 -16,000 Hz Max. Sound pressure level: 138 dB Impedance: 560 ohms Field Sensitivity [mV / Pa]: 1.7 Field Sensitivity [dB re 1V / Pa]: -55.2 XLR output Weight: 254 g Includes 6 m XLR cable Suitable clamp: Art.#105920# (not included)
33 €
Shure Beta 56 A
Shure Beta 56 A
Dynamic Instrument MicrophoneWith its compact design, the Beta 56 A is the ideal choice for use on drum sets and other instruments. The extremely uniform supercardioid pattern throughout the entire frequency range stands for high feedback safety with the greatest possible amplification and maximum suppression of auxiliary noises. The adjustable tripod adapter of the Beta 56 A with integrated XLR connector simplifies the installation and keeps the microphone even when hit by a drumstick. Typical applications of the Beta 56 A are the close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind instruments.The Beta 56 A is the ideal choice for use on the drum set and other instruments with its compact design. The extremely uniform supercardioid pattern throughout the entire frequency range is high gain at maximum gain and maximum suppression of noise. The adjustable stand adapter of the Beta 56 A with integrated XLR connector simplifies installation and keeps the microphone even sure yet if it is struck by a drumstick. Typical fields of application of the Beta 56 A for close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind.
  • Super-cardioid
  • Ideal instrument controlling eg for toms, snare, percussion
  • Integrated, adjustable stand adapter with integral XLR connector for easy installation and maximum flexibility.
Shure Beta 56 A Dynamic Instrument MicrophoneWith its compact design, the Beta 56 A is the ideal choice for use on drum sets and other instruments. The extremely uniform supercardioid pattern throughout the entire frequency range stands for high feedback safety with the greatest possible amplification and maximum suppression of auxiliary noises. The adjustable tripod adapter of the Beta 56 A with integrated XLR connector simplifies the installation and keeps the microphone even when hit by a drumstick. Typical applications of the Beta 56 A are the close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind instruments.The Beta 56 A is the ideal choice for use on the drum set and other instruments with its compact design. The extremely uniform supercardioid pattern throughout the entire frequency range is high gain at maximum gain and maximum suppression of noise. The adjustable stand adapter of the Beta 56 A with integrated XLR connector simplifies installation and keeps the microphone even sure yet if it is struck by a drumstick. Typical fields of application of the Beta 56 A for close miking of toms and other percussion instruments, guitar amplifiers, as well as brass and woodwind. Super-cardioid Ideal instrument controlling eg for toms, snare, percussion Integrated, adjustable stand adapter with integral XLR connector for easy installation and maximum flexibility. Uniform supercardioid polar pattern for high gain before feedback with maximum gain and maximum suppression of noise. Compact design saves space on stage. Hardened steel mesh grille that resists wear and damage. Neodymium magnet for high output levels with minimal noise. Pneumatic shock mount protects against impact noise and vibration. Frequency response: 50 Hz - 16 kHz Output impedance: 290 O Open circuit sensitivity: -51 dBV / Pa (2.8 mV) Weight: 468 g Bag included
149 €
159 €
beyerdynamic M201TG
beyerdynamic M201TG
Instrument Microphone@+The dynamic moving coil microphone M 201 is suitable for professional use in radio, television and recording studios. Apart of that, it can equally well be used by orchestras and instrumentalists, if highest sound quality with optimal feedback suppression is desired.@+@+@+The microphone is particularly suited for picking up drumming, acoustic guitar and banjo sounds. Many PA distributors opt for this microphone as a real "all-round" microphone, which can be used almost everywhere with success.@+@+
  • For drums, piano, and string instruments
  • Directional characteristic: Hyper-Cardioid
  • Frequency range: 40 - 18,000 Hz
Beyerdynamic M201TG Instrument Microphone@+The dynamic moving coil microphone M 201 is suitable for professional use in radio, television and recording studios. Apart of that, it can equally well be used by orchestras and instrumentalists, if highest sound quality with optimal feedback suppression is desired.@+@+@+The microphone is particularly suited for picking up drumming, acoustic guitar and banjo sounds. Many PA distributors opt for this microphone as a real "all-round" microphone, which can be used almost everywhere with success.@+@+ For drums, piano, and string instruments Directional characteristic: Hyper-Cardioid Frequency range: 40 - 18,000 Hz Impedance: 200 Ω Sensitivity: 1.2 mV/ Pa (-58 dBV) Length: 160 mm Diameter: 24 mm Weight: 220 g Including microphone holder (MKV8), Windscreen Ws 101 and bag
195 €
235 €
Audix i-5
Audix i-5
Audix i-5 - professional dynamic microphone for snare drum (top and bottom), cardioid, 50Hz-16kHz, 150ohm, 144dB max SPL. Also suitable for bongos, quinta etc. inc Carrycase and mic clip, including thread adaptor
95 €
141,61 €
Shure Beta 52A
Shure Beta 52A
Dynamic MicrophoneThe Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments. @+@+It offers a very good response, excellent punch and delivers studio quality even at extreme volume. The superheterodyne characteristics of the Beta 52A ensure maximum isolation of the sound source and high feedback while considerably diminishing background noise. @+@+The adjustable tripod adapter with integrated XLR connector simplifies the positioning of the microphone, especially when used inside the bass drum. At the same time the snap-in tripod adapter holds the Beta 52A securely in place even in hard shocks and strong vibrations. The basket made of hardened steel provides protection against the stresses of the rough stage.*@+@+
  • Super-cardioid
  • Optimized frequency response especially for bass drum kick and low-frequency instrument pickup
  • High feedback with minimal background noise
Shure Beta 52A Dynamic MicrophoneThe Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments. @+@+It offers a very good response, excellent punch and delivers studio quality even at extreme volume. The superheterodyne characteristics of the Beta 52A ensure maximum isolation of the sound source and high feedback while considerably diminishing background noise. @+@+The adjustable tripod adapter with integrated XLR connector simplifies the positioning of the microphone, especially when used inside the bass drum. At the same time the snap-in tripod adapter holds the Beta 52A securely in place even in hard shocks and strong vibrations. The basket made of hardened steel provides protection against the stresses of the rough stage.*@+@+ Super-cardioid Optimized frequency response especially for bass drum kick and low-frequency instrument pickup High feedback with minimal background noise Portable stand adapter with integrated XLR connector for easy installation, especially in the bass drum Basket made of hardened steel protects against wear and damage Air-sprung vibration absorber protects against impact sound and vibrations Neodymium magnet for high output levels Low sensitivity against different connection impedances Transmission range: 20 - 10,000 Hz Maximum sound pressure: 174 dB SPL (up to 1 kHz, calculated) Output Impedance: 45 Ohm Noise Sensitivity: -64 dBV / Pa (0.63 mV) Weight: 605 g Tripod mount Including bag
169 €
189 €

Elgitarrer multieffekter

Line6 Helix LT Guitar Processor
Line6 Helix LT Guitar Processor
Guitar Processor
  • Next generation of Dual DSP-based HX Modeling Engine with 4 discrete stereo signal paths
  • 50 Guitar amplifiers
  • 12 Bass amplifiers
Line6 Helix LT Guitar Processor Guitar Processor Next generation of Dual DSP-based HX Modeling Engine with 4 discrete stereo signal paths 50 Guitar amplifiers 12 Bass amplifiers 37 Cabs 16 Microphones 104 Effects Imports IRs (impulse responses) up to 1024/2048 sample lengths 12 touch-sensitive foot switches Pedal Edit Mode for freehand editing Near-instant footswitch and controller assignment Up to 2 expression pedals Wide MIDI control Extensive inputs and outputs for the seamless integration of an entire rig 8 In / Out USB audio interface AES / EBU / L6 LINK (works as SPDIF with adapter) and VDI interfaces 123 dB Dynamic range at the guitar input for depth and low noise Robust construction Dimensions (W x D x H): 52.9 x 30.1 x 9.2 cm Weight: 5.44 kg
869 €
1 199 €
Boss GT-100
Boss GT-100
Electric Guitar Multi-effect
  • Floor board
  • 400 memory locations (200 User + 200 Preset)
  • 100 dB dynamic range
Boss GT-100 Electric Guitar Multi-effect Floor board 400 memory locations (200 User + 200 Preset) 100 dB dynamic range Effects: compressor, overdrive, distortion, preamp, EQ, delay, chorus, reverb 2 Illuminated LCD displays Inputs: Jack, AUX-IN (Mini jack stereo) Outputs: 2 x jack outputs (L/R), headphone FX loop AMP control (jack) USB port MIDI In/Out 24Bit / 44.1 kHz A/D converter Dimensions (HxWxD): 80 x 542 x 271 mm Weight: 4.8 kg Incl. Power supply and user manual Optional suitable bag: Art.#438098#@+*Effects:*@+@+ compressor Overdrive Distortions Preamps EQ Delay Chorus Reverb T.Wah Car wah Sub Wah Limiter Graphic EQ Parametric EQ Octaver Pitch shifter Defretter Wave Synth Sitar simulator Harmonist Phaser Flanger Tremolo Rotary Uni-V Slicer Vibrato Ring modulator Humanizer 2x2 Chorus Sub delay
377 €
449 €
Boss GT-1000
Boss GT-1000
Multi effect pedal
  • 32-bit AD / DA
  • 32-bit floating-point processor and 96 kHz sampling rate
  • New BOSS DSP engine, specially developed for audio applications
Boss GT-1000 Multi effect pedal 32-bit AD / DA 32-bit floating-point processor and 96 kHz sampling rate New BOSS DSP engine, specially developed for audio applications AIRD (Augmented Impulse Response Dynamics) brings BOSS's Tube Logic concept to a digital guitar processor Allows natural integration of external devices Extremely dynamically playable amplifiers Massive selection of effects including BOSS MDP effects such as DD-500, MD-500, RV-500 Amplifiers and effects can be interconnected serially and in parallel Fast switching of patches with delay / reverb "carryover function" Innovative stomp box features Easy operation with a large display and 6 assignable switches@+*10 Footswitches, integrated freely assignable expression pedal and coloured LEDs*@+@+ High-resolution tuner in 2 display modes Mono or polyphonic mode of operation Jack output XLR sub output with independent AIRD selection Loop-in paths for external stereo or mono effects Supports external control via footswitch, expression pedal, MIDI, and USB Bluetooth for wireless editing of iOS and Android devices USB audio / MIDI interface for computer-based recording and editing Dimensions (W x D x H): 462 x 248 x 70 mm Weight: 3.6 kg
888 €
1 099 €
Avid Eleven Rack Hardware only
Avid Eleven Rack Hardware only
Guitar rack
  • Combined guitar rack / effects system and USB 2 audio interface 24-bit / 96 kHz for live and studio
  • Extensive guitar amp emulations such as Fender, Vox, Marshall and other amps
  • Stompbox emulations like MXR, Electro-Harmonix, Ibanez
Avid Eleven Rack Hardware only Guitar rack Combined guitar rack / effects system and USB 2 audio interface 24-bit / 96 kHz for live and studio Extensive guitar amp emulations such as Fender, Vox, Marshall and other amps Stompbox emulations like MXR, Electro-Harmonix, Ibanez Convolution cabinet and microphone emulations Integrated FX loop with switch to integrate existing mono or stereo rack and stompbox effects Tuner integrated Tempo tap button LC display For PC and MAC@+*Note: Only hardware, ProTools/software not included!*@+@+*Connections:*@+@+ True-Z automatic impedance guitar input XLR Mic input with 48V phantom power and pad switch 2 Line inputs: 6.3 mm jack 2 Line outputs: XLR 2 Amp outputs: 6.3 mm jack 2 FX loop send/return: 6.3 mm jack AES/EBU and S/PDIF Digital I/O Stereo 6.3 mm headphone jack MIDI I/O USB 2.0
377 €
IK Multimedia iRig 2
IK Multimedia iRig 2
Guitar Interface for iPhone, iPod touch, iPad, Mac
  • 6.3 mm Jack instrument input for guitar, bass or other instruments
  • 6.3 mm Jack output for connecting an external amplifier
  • 3.5 mm TRRS cable (fixed) for connection to iPhone, iPod touch, iPad, Mac
IK Multimedia iRig 2 Guitar Interface for iPhone, iPod touch, iPad, Mac 6.3 mm Jack instrument input for guitar, bass or other instruments 6.3 mm Jack output for connecting an external amplifier 3.5 mm TRRS cable (fixed) for connection to iPhone, iPod touch, iPad, Mac 3.5 mm Stereo headphone jack Selector switch for direct signal or FX signal Rotating wheel for input levels Measurements: 72 x 39 x 21 mm Weight: 43 g Incl. Mounting material for microphone stands or similar (Velcro tape) Incl. Software (manufacturer dependent, download required)@+*Compatibility:*@+@+ *Apple mobile devices:* All iPhones (from 3GS), iPads and iPod Touch (Generation 3 or newer) - iOS 4.3 or later *Mac computer:* Generally all models from "late 2008" - to be sure please check the system settings for compatibility (external microphone / iPhone headset must be listed): via this Mac> more information> System> Audio *Android:* (NOTE: only recommended as an impedance transformer, no real-time effects can be used): generally all smartphones and tablets conforming to the CTIA / AHJ Wiring Standard - Please refer to the specifications of the manufacturer (Tip: HP left, Ring: HP Right, Ring: Ground, Sleeve: Mic)
33 €
48,79 €
Zoom G5n
Zoom G5n
Effects Processor for Guitar
  • Integrated drum machine with 68 rhythm patterns
  • 100 Custom-designed factory presets
  • 200 Memory locations
Zoom G5n Effects Processor for Guitar Integrated drum machine with 68 rhythm patterns 100 Custom-designed factory presets 200 Memory locations 4 LCD displays Integrated amp emulators USB audio interface 68 Built-in DSP effects Up to 9 effects can be used simultaneously 100 Pedal effects 80 Seconds looper Dimensions (L x W x H): 225 x 454 x 75 mm Incl. power supply and Zoom Guitar Lab software
219 €
355,81 €
Tech 21 Fly Rig 5
Tech 21 Fly Rig 5
Multieffect for Electric Guitar
  • SansAmp Section: Preamp with tube emulator
  • DLA: Vintage Tape Echo Effect
  • Plexi: Hot-Rod Plexi pedal simulation
Tech 21 Fly Rig 5 Multieffect for Electric Guitar SansAmp Section: Preamp with tube emulator DLA: Vintage Tape Echo Effect Plexi: Hot-Rod Plexi pedal simulation Reverb: Vintage spring reverb Hot: Booster Complete analog signal path - Reverb and delay are mixed in parallel Extremely light and small pedalboard Full backup rig Dimensions (W x D x H): 29 x 6.5 x 3.2 cm Weight: Approx. 525 g Incl. Auto-switching power adapter for voltages from 110 V - 240 V
245 €
391,51 €
Boss ME-80
Boss ME-80
Electric Guitar Multi Effects Unit
  • 9 Current COSM amps derived from the GT-100
  • 8 Categories of effects
  • Effects: phaser, tremolo, boost, delay, chorus, EQ, 3 different reverb modes, overdrive/ distortion, compressor, octaver, and more
Boss ME-80 Electric Guitar Multi Effects Unit 9 Current COSM amps derived from the GT-100 8 Categories of effects Effects: phaser, tremolo, boost, delay, chorus, EQ, 3 different reverb modes, overdrive/ distortion, compressor, octaver, and more 8 Multifunctional switches Expression pedal Manual mode for turning on and off such as with separate foot switches Memory mode for switching between complete patch setups Delay section including Looper function with up to 38 seconds of recording 2 Amp jack outputs (6.3 mm) Recording and headphones mini jack output (3.5mm) Auxiliary in USB connector Operates with 6 AA batteries or with optional power supply (Article Nr #102842# not included) Dimensions: 447 x 231 x 91 mm Weight: 3.6 kg Suitable bag: Art.#438102# (not included)
245 €
329 €
Line6 Pod HD500X
Line6 Pod HD500X
Floor Effects Switch
  • Over 100 studio and stomp effects
  • Up to 8 effects simultaneously
  • Free selectable loudspeaker and microphone modeling presets
Line6 Pod HD500X Floor Effects Switch Over 100 studio and stomp effects Up to 8 effects simultaneously Free selectable loudspeaker and microphone modeling presets 512 overwritable storages Dynamic DSP for amps and effects 2 Separate signals Numerous options of routing Professional footswitches with LED rings All necessary inputs and outputs: USB 2.0, MIDI, S/PDIF, symmetrical XLR outputs Internal microphone preamp L6 LINK connector for DT power amps and StageSource loudspeakers VDI connector for James Tyler Variax guitars Configurable expression pedal Looper function (up to 48 seconds of recording) 8 "Set list" banks Expression pedal, controlling parameters of amplifying and effects Built-in chromatic tuner Tap Tempo footswitch Robust metall chassis Protective chrome roll bar and pressure die cast expression pedal Variable input impedance Editor and librarian software available for download Incl. DC-3g power supply
422 €
549 €
Fishman Platinum Pro EQ
Fishman Platinum Pro EQ
Analogue Preamp for Acoustic Guitar & Bass
  • Class A preamp
  • Tone Shaping: 5-band EQ with sweepable mids
  • Adjustable low cut filter
Fishman Platinum Pro EQ Analogue Preamp for Acoustic Guitar & Bass Class A preamp Tone Shaping: 5-band EQ with sweepable mids Adjustable low cut filter Feedback Control: semi-parametric notch filter and phase invert switch 12 dB Boost symmetric XLR DI output with pre/ post EQ switch Built In Tuner Power supply: 9 V battery or power adaptor (Article Nr #409939# - not included) Dimensions: 158 x 143 x 54 mm
225 €
451,01 €

DI/ symmetrilåda

BSS AR133
BSS AR133
Active DI Box (Battery/ Phantom Powered)
  • Inputs: XLR and 6.3mm jack
  • Link: 6.3mm jack
  • Output: XLR
BSS AR133 Active DI Box (Battery/ Phantom Powered) Inputs: XLR and 6.3mm jack Link: 6.3mm jack Output: XLR Output with ground lift Pad: -20/ 40 dB Galvanic isolation
89 €
189 €
Palmer Pan 16
Palmer Pan 16
Passive 8-Channel DI Box with up to 16 Inputs
  • Mono summation over switchable merge in every channel
  • Switchable pad -10 dB, -20 dB, -30 dB
  • Switchable gnd lift per channel
Palmer Pan 16 Passive 8-Channel DI Box with up to 16 Inputs Mono summation over switchable merge in every channel Switchable pad -10 dB, -20 dB, -30 dB Switchable gnd lift per channel XLR and link out per channel Frequency range: 10 - 40,000 Hz Ratio (Ratio): 10: 1 Format: 19"/ 1 HE
244 €
309 €
Radial Engineering SB-5
Radial Engineering SB-5
Passive 2-channel DI-box
  • Especially for laptops
  • Reduced humming noise
  • Firmly integrated 3.5mm stereo cable (1.5 m)
Radial Engineering SB-5 Passive 2-channel DI-box Especially for laptops Reduced humming noise Firmly integrated 3.5mm stereo cable (1.5 m) 2x 6.3mm balanced jack out Mono-summed XLR out Switchable 15 dB pad Switchable ground lift Grey metal housing
105 €
128,52 €
Millenium Pocket DI 2
Millenium Pocket DI 2
Passive 2-Channel Dual / Mono DI Box
  • 2 Inputs 6.3 mm jack
  • 2 Link outputs 6.3 mm jack
  • 2 XLR Outputs
Millenium Pocket DI 2 Passive 2-Channel Dual / Mono DI Box 2 Inputs 6.3 mm jack 2 Link outputs 6.3 mm jack 2 XLR Outputs Ground / lift switch PAD switch (-20 dB / - 40 dB) suitable for keyboard, acoustic/electric guitar, bass, etc. Dimensions: 150 x 40 x 100 mm Weight: 0.5 kg
35 €
Palmer PAN 03
Palmer PAN 03
Active DI Box
  • Size: 19"/1U, 90 mm deep
  • 4 Channels
  • XLR output is also available as a parallel port on the back
Palmer PAN 03 Active DI Box Size: 19"/1U, 90 mm deep 4 Channels XLR output is also available as a parallel port on the back The active circuitry allows for a high input impedance of 1 Mohm and greater sensitivity of the input signal (typical difference between in and out: -4 dB) Max. output voltage is +10 dBu with phantom power Transformer balanced output Via a special "floating ground" circuit the ground lift switch functions even with phantom power Mains adapter is firmly connected to the device 5 Year manufacturer's warranty
255 €
349 €
ART DTI
ART DTI
Dual Transformer / Isolater
  • Hum Eliminator
  • Frequency response 10 Hz to 50 kHz
  • THD: 0.01%
ART DTI Dual Transformer / Isolater Hum Eliminator Frequency response 10 Hz to 50 kHz THD: 0.01% 2 Channels Inputs and unbalanced XLR balanced, TRS, RCA Output as balanced XLR, jack unbalanced, RCA Dimensions 44.5 mm x 107 mm x 89 mm Weight 0.34 kg
55 €
82,11 €
Palmer DACCAPO
Palmer DACCAPO
Reamping box
  • The Daccapo Box ensures optimal adjustments of impedances and prevents ground loops through the use of a transformer
  • The signal to the amplifier can be controlled by a volume control
  • Weight 0.29 kg
Palmer Reamping box The Daccapo Box ensures optimal adjustments of impedances and prevents ground loops through the use of a transformer The signal to the amplifier can be controlled by a volume control Weight 0.29 kg
71 €
90 €
Palmer PAN 01
Palmer PAN 01
Passive DI Box Direct Injection
  • 1-Channel version
  • PAD switch (0dB/-30dB)
  • Jack as an input connector
Palmer PAN 01 Passive DI Box Direct Injection 1-Channel version PAD switch (0dB/-30dB) Jack as an input connector Balanced XLR output Input impedance: 68 kOhm Output impedance: 600 Ohms Transfer ratio: 10: 1 Maximum output level: +6 dBu Dimensions: 110 x 73 x 42 mm 5 Year warranty from manufacturer
39 €
45 €
Radial Engineering Pro D2
Radial Engineering Pro D2
Passive Stereo DI Box
  • 2 Independent ProDI channels
  • 15 dB pad
  • Frequency response: 20 Hz - 18 kHz
Radial Engineering Pro D2 Passive Stereo DI Box 2 Independent ProDI channels 15 dB pad Frequency response: 20 Hz - 18 kHz Ground lift Connections: Jack in / out, XLR out Ideal for stereo sources such as keyboards, drum computers and digital recorders
185 €
195,16 €
Radial Engineering JDI Duplex
Radial Engineering JDI Duplex
Professional Stereo DI Box
  • With Jensen transformers
  • Connectors: Jack in, RCA thru in, Jack / RCA thru and XLR in per channel
  • High-cut switch: 10 kHz
Radial Engineering JDI Duplex Professional Stereo DI Box With Jensen transformers Connectors: Jack in, RCA thru in, Jack / RCA thru and XLR in per channel High-cut switch: 10 kHz -15 dB pad and merge per channel XLR in/out 180° Phase reverse per channel Ground/Lift switch
399 €
455,77 €

USB Ljudinterface

RME Fireface UFX+
RME Fireface UFX+
188 Channel USB and Thunderbolt Audio Interface
  • Up to 24 bit / 192 kHz
  • 94 input / 94 output channels
  • TotalMix FX software
RME Fireface UFX+ 188 Channel USB and Thunderbolt Audio Interface Up to 24 bit / 192 kHz 94 input / 94 output channels TotalMix FX software Integrated monitor controller SteadyClock DIGICheck Stand-alone operation with Setup Recall Colour display on the front 19" / 1U For Win 7/8/10 Mac OSX 10.6 Format: 19"/ 1U@+*Connections:*@+@+ 12 Analogue inputs (1-8 balanced jack, 9-12 balanced XLR / jack combo) 4 x Mic / Instrument Preamp (digitally controllable) with 48V phantom power individually switchable 12 Analogue outputs (1-2 Main XLR balanced, output 3-8 jack balanced, 9/10 + 11/12 stereo) 1 x AES / EBU I / O 2 x ADAT I / O (or 1 x ADAT I / O plus 1x SPDIF I / O optical) 2 x MADI I / O (optical & coaxial) Wordclock I / O 2 x MIDI I / O 1 x Thunderbolt 1 x USB 3.0
2 399 €
2 699 €
RME Fireface UC
RME Fireface UC
36 Channel USB 2.0 Audio Interface
  • 18x In- and outputs, simultaneously usable
  • 24 Bit / 192 kHz AD/DA converter
  • 2x Mic preamps with digitally controlled gain and individually switchable 48V phantom power
RME Fireface UC 36 Channel USB 2.0 Audio Interface 18x In- and outputs, simultaneously usable 24 Bit / 192 kHz AD/DA converter 2x Mic preamps with digitally controlled gain and individually switchable 48V phantom power Instrument input 8x Analog I/O ADAT I/O SPDIF I/O 2x MIDI I/O Word Clock Intelligent Clock Control SyncCheck SyncAlign SteadyClock DIGICheck and TotalMix Design: 9.5”, 1 U
898 €
1 049 €
RME Fireface 802
RME Fireface 802
USB and Firewire Audio Interface
  • 24 Bit, 192 khz
  • Incl. DSP mixer with EQ, dynamics and reverb
  • 4 Analog mic preamps with gain control
RME Fireface 802 USB and Firewire Audio Interface 24 Bit, 192 khz Incl. DSP mixer with EQ, dynamics and reverb 4 Analog mic preamps with gain control Remote control for inputs via software 8 Analog inputs and outputs bal. jack Outputs 9/10 and 11/12 as headphone outputs and line outputs 1 x AES/EBU I/O 2 x ADAT I/O (or 1 x ADAT I/O plus 1x SPDIF I/O optical) 1 x Word Clock I/O 1 x MIDI I/O 1x Firewire 400 1x Firewire 800 1x USB 2.0 TotalMix FX Standalone function with setup recall DIGICheck SteadyClock Model: 19" 1 U System requirements: Windows XP SP2, Vista, 7 and 8, Apple OSX 10.6 or later Incl. Opto-cable, USB cable and power cable
1 499 €
1 599 €
Elektron Analog Heat mkII
Elektron Analog Heat mkII
Electron Analog Heat mkII; stereo analog sound processor; 8x Stereo analog distortion circuits; Stereo analog multi-mode filter (7 filter types); 2 band adaptable stereo analog EQ; Assignable Envelope generator/Envelope Follower; Assignable LFO; 128 user preset slots; very robust and high precision encoders; large 122×32 pixel...
799 €
Steinberg UR242
Steinberg UR242
USB 2.0 Audio Interface
  • 24-Bit/192 kHz
  • 4 In - 2 Out
  • 2x D-PRE Microphone preamps
Steinberg UR242 USB 2.0 Audio Interface 24-Bit/192 kHz 4 In - 2 Out 2x D-PRE Microphone preamps 2 Analog mic / line combo inputs XLR / 6.3 mm jack - Input 1 available as Hi-Z input (guitar / bass), front side Pad Switch for Input 1 and 2 2 Analog line inputs 6.3 mm Jack balanced, back side 2 Analog outputs 6.3 mm jack 1x Headphone output 6.3 mm jack MIDI I/O USB Zero-latency monitoring with DSP-based and no-latency effects: REV-X reverb, Guitar Amp Classics and Sweet Spot Morphing Channel Strip Switchable 48V Phantom power Apple iPad support (requires optional camera connection kit) Includes Steinberg Cubase AI software (download version) Minimum system requirements: Mac OS X 10.7 or later, Apple iOS 6 or later, Apple iPad2 or later, Windows 7 or later Dimensions: 198 x 47 x 159 mm Weight: 1.3 kg
155 €
218,96 €
Steinberg UR22 MK2
Steinberg UR22 MK2
2-Channel USB 2.0 Audio Interface
  • Up to 24-bit / 192kHz
  • 2 D-PRE Class-A mic preamps with 48V phantom power
  • 2 XLR / jack 6.3 mm combo line inputs - switchable Hi-Z to channel
Steinberg UR22 MK2 2-Channel USB 2.0 Audio Interface Up to 24-bit / 192kHz 2 D-PRE Class-A mic preamps with 48V phantom power 2 XLR / jack 6.3 mm combo line inputs - switchable Hi-Z to channel 2 Line outputs 6.3 mm jack balanced Stereo headphone output 6.3 mm jack Class compliant MIDI I / O Usable with iPad USB Micro connector USB bus-powered on PC / Mac Latency monitoring hardware-based Full metal housing Compatible with Windows 7, Mac OSX and iPad (requires optional Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter) Includes: Steinberg Cubase AI software (download version)
115 €
159 €
Focusrite Scarlett 2i2 2nd Gen
Focusrite Scarlett 2i2 2nd Gen
USB 2.0 Audio Interface
  • 2 Inputs and 2 outputs
  • 2 Scarlett microphone preamps
  • 24-Bit / 192 kHz
Focusrite Scarlett 2i2 2nd Gen USB 2.0 Audio Interface 2 Inputs and 2 outputs 2 Scarlett microphone preamps 24-Bit / 192 kHz USB bus powered Dimensions (H x W x D): 4.8 x 17.5 x 11.5 cm Weight: 0.63 kg Pro Tools | First and Ableton Live Lite recording software included@+*Interface system requirements:*@+@+ Windows 7, Windows 8.1 and Windows 10 Mac OSX 10.10 Yosemite and Mac OSX 10.11 El Capitan
119 €
149,99 €
Zoom LiveTrak L-12
Zoom LiveTrak L-12
Combined mixer, audio interface and recorder
  • 12 discrete channels (8 mono plus 2 stereo channels) with XLR and 6.3 mm jack sockets
  • Simultaneous recording of up to 14 tracks
  • Playback of 12 tracks
Zoom LiveTrak L-12 Combined mixer, audio interface and recorder 12 discrete channels (8 mono plus 2 stereo channels) with XLR and 6.3 mm jack sockets Simultaneous recording of up to 14 tracks Playback of 12 tracks 24-bit USB audio interface with 14 inputs and 4 outputs Sampling frequency: 44.1 / 48/96 kHz Five powerful headphone outputs with individually adjustable monitor mixes Expand your livestream and recording with backing and click tracks from the computer Line inputs in RCA and TS jack format 48 V phantom power: channels 1 to 4 and 5 to 8 Hi-Z connections: channels 1 and 2 26 dB pad: channels 3 to 8 Integrated compressor controller: channels 1 to 8 Master mute button High-pass regulator Adjustable stereopanorama Master and monitor outputs AE Memory function for up to nine mixers 16 internal, editable delay and hall effects Integrated talkback microphone Class-Compliant operation (for iOS compatibility) SD-card slot Internal metronome Ability to automatically start and stop recording Project protection function Import and export projects via the USB 2.0 interface Latency compensation for AD conversion Compatible functions for the ZOOM FS01 foot switch Includes: power supply (AD-19), USB 2.0 cable and short manual Dimensions (W x D x H): 445 x 282 x 70.5 mm Weight: 2,53 kg
498 €
712,81 €
RME Babyface Pro
RME Babyface Pro
24-Channel USB Audio Interface
  • 24 Bit /192 kHz
  • Total 12 in- and outputs
  • All inputs digitally controlled
RME Babyface Pro 24-Channel USB Audio Interface 24 Bit /192 kHz Total 12 in- and outputs All inputs digitally controlled 4 Analog inputs for microphones (XLR), line level and instruments (6.3 mm jack) Microphone inputs with up to 70 dB gain, pad, overload protection and 48V phantom power 4 Analog outputs: 2x XLR and 2x output for high- and low-impedance headphones Optical input and output - optional ADAT (SMUX supported) or SPDIF MIDI input and output via breakout cable USB 2.0 (3.0 compatible) RME TotalMix FX software including EQ, reverb and delay AD / DA conversion with SteadyClock technology Class compliant Optimized drivers for PC and Mac Stand alone operation possible USB Bus powered Dimensions (W x H x D): 108 x 35 x 181 mm Weight: 680 g
699 €
749 €
Presonus AudioBox USB 96
Presonus AudioBox USB 96
USB Interface
  • 2 x 2 USB 2.0 interface with 24 bit / 96 kHz
  • 2 Mic / instrument inputs: XLR combo jack
  • 2x Line outputs: 6.3 mm balanced jack
Presonus AudioBox USB 96 USB Interface 2 x 2 USB 2.0 interface with 24 bit / 96 kHz 2 Mic / instrument inputs: XLR combo jack 2x Line outputs: 6.3 mm balanced jack MIDI input and output Stereo headphone output: 6.3 mm jack USB 2.0 connector 48 V Phantom power 2 Gain controls and clip LED per channel Balance knob between input and playback signal Volume control for Line output USB Powered Metal housing Dimensions: 139.7 x 139.7 x 44.45 mm Weight: 2.27 kg Includes USB cable and Presonus Studio One Artist Software + Studio Magic Plugin Suite (Mäag Audio EQ2, Eventide H910, Eventide Stereo Room, Brainworx bx-opto, SPL Attacker Freeware, Lexicon MPX-i Reverb and Arturia Analog Lab Lite)@+*System Requirements for Interface:*@+@+ Windows: 7 x64/x86 SP1, Windows 8/8.1 x64/x86, Windows 10 x64/x86 Mac: OS X 10.8.5 or higher
89 €
229 €

Firewire ljudinterfaces

RME Fireface 802
RME Fireface 802
USB and Firewire Audio Interface
  • 24 Bit, 192 khz
  • Incl. DSP mixer with EQ, dynamics and reverb
  • 4 Analog mic preamps with gain control
RME Fireface 802 USB and Firewire Audio Interface 24 Bit, 192 khz Incl. DSP mixer with EQ, dynamics and reverb 4 Analog mic preamps with gain control Remote control for inputs via software 8 Analog inputs and outputs bal. jack Outputs 9/10 and 11/12 as headphone outputs and line outputs 1 x AES/EBU I/O 2 x ADAT I/O (or 1 x ADAT I/O plus 1x SPDIF I/O optical) 1 x Word Clock I/O 1 x MIDI I/O 1x Firewire 400 1x Firewire 800 1x USB 2.0 TotalMix FX Standalone function with setup recall DIGICheck SteadyClock Model: 19" 1 U System requirements: Windows XP SP2, Vista, 7 and 8, Apple OSX 10.6 or later Incl. Opto-cable, USB cable and power cable
1 499 €
1 599 €
Universal Audio Apollo Quad Firewire
Universal Audio Apollo Quad Firewire
Audio Interface
  • 18 x 24 Firewire audio interface
  • 24 bit / 192 kHz AD / DA converter
  • Internal UAD quad core real-time processing
Universal Audio Apollo Quad Firewire Audio Interface 18 x 24 Firewire audio interface 24 bit / 192 kHz AD / DA converter Internal UAD quad core real-time processing Microphone preamp with Unison technology Analogue inputs: 4x XLR Mic-In, 8x line-in balanced, 2x DI Analogue outputs: 8x line-out balanced, 2x monitor, 2x headphones Digital inputs and outputs: ADAT I / O (Smux), S / PDIF, wordclock PC interface: FireWire 800@+*With Realtime Analog Classics Plus Bundle:*@+@+ UA 610-B Tube Preamp and EQ@+ Fairchild 670 (Legacy) UA Precision Enhancer Hz 1176SE / LN Classic Limiting Amplifiers (Legacy) Pultec Pro Equalizers (Legacy) Teletronix LA-2A Classic Leveling Amplifier (Legacy) CS-1 precision channel RealVerb Pro
1 799 €
2 441 €
MOTU 828 Mk III Hybrid
MOTU 828 Mk III Hybrid
Firewire Audio Interfaces
  • 19 "Firewire / USB 2.0 audio interface and 28/16 digital mixer with FX, 24-bit / 192 kHz
  • Integrated DSP for EQ, Compressor and Reverb
  • New CueMix Console
MOTU 828 Mk III Hybrid Firewire Audio Interfaces 19 "Firewire / USB 2.0 audio interface and 28/16 digital mixer with FX, 24-bit / 192 kHz Integrated DSP for EQ, Compressor and Reverb New CueMix Console 2 mic-guitar inputs with integrated hardware limiter, 48V phantom power 8-bit 96kHz, MIDI I / O, word clock I / O, 8-bit balanced line I / O's + 2 x XLR Main Out, 2x headphone output For Mac & PC Style: 19", 1U
739 €
999,95 €
MOTU Traveler MK3
MOTU Traveler MK3
19" Firewire audio interface
  • 8 Analog balanced inputs and outputs with 24 bit 192 kHz
  • 4 x Mic / Instr. Input (XLR combobuchse with 48V phantom power
  • 4 x line input
MOTU Traveler MK3 19" Firewire audio interface 8 Analog balanced inputs and outputs with 24 bit 192 kHz 4 x Mic / Instr. Input (XLR combobuchse with 48V phantom power 4 x line input 2 x 4 channel to 48 kHz, 2 x 4 channel to 96 kHz) switchable to S / PDIF optical (TOS Link) S / PDIF-I / O Cinch AES / EBU I / O Headphone output MIDI I / O Zero latency monitoring Even without a computer as a mixer Power supply via FireWire or external DC connector For MacOS 9.x + 10.x and Windows Me / 2000 / XP AudioDesk software for MacOS Format: 19" / 1 HU Including rack ears
755 €
859,95 €
MOTU 896 Mk3 Hybrid
MOTU 896 Mk3 Hybrid
Recording System
  • Built-in DSP effects (reverb, EQ and compressor)
  • 8 Analog XLR inputs and outputs
  • Firewire and USB 2.0 interface
MOTU 896 Mk3 Hybrid Recording System Built-in DSP effects (reverb, EQ and compressor) 8 Analog XLR inputs and outputs Firewire and USB 2.0 interface 48 V phantom power 24 Bits / 44.1 / 48 / 88.2 / 96 and 192 kHz Complex, multisegmented level display on the front For all inputs and outputs and clock modes with peak holding times configurable via the software CueMix FX allows latency-free monitoring Including AudioDesk software ADAT I / O ADAT Sync AES / EBU Word Clock input and output Headphone output Input for foot switch for punch-in / -out Format: 2U Driver for Mac & PC, (ASIO / WDM / Wave / SoundManager driver)
1 055 €
1 379,95 €
MOTU Track16
MOTU Track16
USB and Firewire hybrid audio interface
  • 24 bits 192 kHz
  • 8 analog inputs and outputs
  • Inputs for microphones (including phantom power)
MOTU Track16 USB and Firewire hybrid audio interface 24 bits 192 kHz 8 analog inputs and outputs Inputs for microphones (including phantom power) Guitars and line signals 1x ADAT / S / PDIF input and output Sym. and unsym. Input / Output 2 headphone outputs (3.5mm and 6.3mm) Standalone function - operating as a 16 channel digital mixer without computer MIDI input and output DSP mixer with EQ and compressor for each input / output channel 4 x 14 LED display 10 backlit buttons Extensive software for real-time analysis and more SMPTE timecode Computer connection: 1x Firewire 400 (Type B - Bus powered) and 1x USB 2.0 (without bus power) Including power supply Windows and Mac drivers with 32 and 64 bit (requires Windows as of Vist SP2 Mac 10.5.8 - PPC G5 and Intel)
499 €
719,95 €
Metric Halo LIO-8
Metric Halo LIO-8
Firewire Audio Interface
  • 8 Analog inputs and A / D converter
  • Analog send / return loops
  • Two extremely high-impedance DI instrument inputs
Metric Halo LIO-8 Firewire Audio Interface 8 Analog inputs and A / D converter Analog send / return loops Two extremely high-impedance DI instrument inputs Flawless AD and DA converters 44.1 - 192 kHz 8 AES - EBU inputs / outputs 2d DSP Power with many plug-ins Flexible panel with calibrated level meters BNC / Word Clock, SMPTE and MIDI interfaces Firewire 400 connection Installation height: 1U Weight: 2.7 kg
2 199 €
2 601 €
MOTU 4 Pre Hybrid
MOTU 4 Pre Hybrid
USB / Firewire Audio Interface
  • 6x8 With four microphone preamplifiers
  • 24-bit / 96 kHz
  • Inputs: 4x XLR / Jack Combo (Line / Mic)
MOTU 4 Pre Hybrid USB / Firewire Audio Interface 6x8 With four microphone preamplifiers 24-bit / 96 kHz Inputs: 4x XLR / Jack Combo (Line / Mic) 2x Jack 6.3 mm 2x Hi-Z instrument Outputs: 4 x 6.3 mm jack balanced 2x Headphone output with separate control S / PDIF input and output coaxial Firewire 400 + USB 2.0 connector SMPTE Syn In / Out 48V Phantom power -20 dB pad Incl. Power supply For Win Vista / 7 / MAC OSX 10.5 or higher
483 €
641,25 €
RME Fireface UCX
RME Fireface UCX
36-channel USB 2.0 & FireWire 400 audio interface
  • 18 Inputs and outputs can be used simultaneously
  • 24-Bit/192kHz AD/DA converter
  • 2 Mic preamps with digitally controlled gain and individually switchable 48V phantom power
RME Fireface UCX 36-channel USB 2.0 & FireWire 400 audio interface 18 Inputs and outputs can be used simultaneously 24-Bit/192kHz AD/DA converter 2 Mic preamps with digitally controlled gain and individually switchable 48V phantom power Instrument input 8 x Analog I/O ADAT I/O SPDIF I/O 2x MIDI I/O Word clock Intelligent clock control SyncCheck SyncAlign SteadyClock DIGICheck TotalMix Class compliant mode allows connection to Apple iPad/iPad2 (TM) Design: 9.5"/1 U Incl. TotalMix FX (with UFX effects engine) and MIDI breakout cable BO9652
1 199 €
1 299 €
MOTU Audio Express
MOTU Audio Express
Firewire / USB 2.0 audio interface
  • 24-bit / 96 kHz
  • 2 Instrument / MIC inputs (XLR / TRS jack) with 20 dB pad (switchable)
  • 48 V phantom power (switchable) and high impedance guitar input
MOTU Audio Express Firewire / USB 2.0 audio interface 24-bit / 96 kHz 2 Instrument / MIC inputs (XLR / TRS jack) with 20 dB pad (switchable) 48 V phantom power (switchable) and high impedance guitar input Stereo Line In: 2x stereo jack balanced 2x Stereo Out: 4x stereo jack balanced S / PDIF I / O MIDI I / O Headphone out with its own volume control Audio analysis tools (FFT display, correlation display, oscilloscope) Firewire bus-powered WDM / ASIO / CoreAudio drivers CueMix software Including power supply and MOTU Audiodesk sequencer software for MAC
425 €
559,95 €

Attenuator mm.

Universal Audio OX Amp Top Box
Universal Audio OX Amp Top Box
Analog Loadbox
  • Analogue reactive loadbox for guitar tube amplifiers
  • Five tuned guitar amp attenuation levels
  • Rig control for pre-set microphone and loudspeaker emulations
Universal Audio OX Amp Top Box Analog Loadbox Analogue reactive loadbox for guitar tube amplifiers Five tuned guitar amp attenuation levels Rig control for pre-set microphone and loudspeaker emulations UA Dynamic Speaker Modeling accurately models the behavior of a speaker and membrane resonances Integrated UA EQ compression, delay and reverb effects Ohm operation selectable (4, 8, and 16 ohms) Connections: Line output 6.3 mm jack balanced S / PDIF Headphone output: 6.3 mm jack Pairing via Wi-Fi with OX mobile or desktop app to edit and save presets (macOS, Sierra or High Sierra only)
1 222 €
1 546 €
Harley Benton PA-100 Power Attenuator
Harley Benton PA-100 Power Attenuator
Power Attenuator
  • Useful tool for rehearsal room, live and recording applocations
  • Tube amplifiers as they sound best - high output level with reduced and controlled volume
  • Can also be used as a dummy load
Harley Benton PA-100 Power Attenuator Power Attenuator Useful tool for rehearsal room, live and recording applocations Tube amplifiers as they sound best - high output level with reduced and controlled volume Can also be used as a dummy load Input power up to 100W LED with overload indicator Quiet fan Controls: Speaker Level and Line Level Inputs: 4/8/16 Ohm Balanced speaker output XLR DI output with speaker simulation Dimensions: 19 x 14 x 11 cm Weight: 1.5 kg
99 €
Jet City Amplification Jettenuator
Jet City Amplification Jettenuator
Attenuator and Loadbox
  • Suitable for tube amps up to 80 W
  • Suitable for 4, 8 and 16 Ohm loudspeaker output
  • Dummy load for operating with amp without loudspeakers
Jet City Amplification Jettenuator Attenuator and Loadbox Suitable for tube amps up to 80 W Suitable for 4, 8 and 16 Ohm loudspeaker output Dummy load for operating with amp without loudspeakers Volume knob for connected loudspeakers Additional line level knob 6.3 mm Line output for connection of other power amps Symmetrical XLR output with loudspeaker simulation
129 €
Two Notes Torpedo Captor 8 Ohms
Two Notes Torpedo Captor 8 Ohms
Loadbox/Attenuator/Speakersim/DI Box
  • All-in-one solution
  • For making perfect recordings of guitar and bass sounds, on stage and in the studio
  • Reactive load resistance
Two Notes Torpedo Captor 8 Ohms Loadbox/Attenuator/Speakersim/DI Box All-in-one solution For making perfect recordings of guitar and bass sounds, on stage and in the studio Reactive load resistance -20 dB power reducer Analogue speaker simulation DI Box 8 Ohm version Maximum amplifier power: 100 W RMS Fan-cooled Solid metal case Compact size Perfect for pedalboards Front side: Output Level Switch, Ground Lift, Instrument and Phase Switches, Line Output Jacks, Balanced DI Output & Power Adapters (9 - 24V DC / 5mA - Power Supply not included) Rear side: Sockets for Speaker Thru, Speaker Attenuator and Amplifier Input Dimensions: 175 x 126 x 62 mm Weight: 1 kg Includes "Wall of Sound III" plug-in with 16 free virtual cabinets (after registration of the product)
229 €
272,51 €
Rivera RockCrusher Recording
Rivera RockCrusher Recording
Attenuator and Load Box for Tube Amps
  • Load Box and attenuation for amplifying power up to 120 W RMS
  • Analogue speaker simulation
  • Graphic 11-band EQ
Rivera RockCrusher Recording Attenuator and Load Box for Tube Amps Load Box and attenuation for amplifying power up to 120 W RMS Analogue speaker simulation Graphic 11-band EQ Switch for EQ, input gain and speaker impedance Natural sound at every volume Impedance: 8 and 16 Ohm selectable Reactive internal network for true amplifier/ load interaction High thermal capacity ensures cool running and long life Tight impedance tolerances XLR and unbalanced line outputs with level control Low and high frequency equalization selection Full bypass capability with no insertion loss
799 €
Tube Amp Doctor Silencer 8 Ohms Black
Tube Amp Doctor Silencer 8 Ohms Black
Power attenuator
  • Power Attenuator, Silencer and Load Box
  • To be connected between the amplifier speaker output and speaker (cabinet)
  • 8 Ohm
Tube Amp Doctor Silencer 8 Ohms Black Power attenuator Power Attenuator, Silencer and Load Box To be connected between the amplifier speaker output and speaker (cabinet) 8 Ohm 2 db Attenuating steps from -2 db to -16 db 'Fine' control from -16 db BITE and PUNCH boost switch LOAD position operation without speakers possible Adjustable line out F.A.N.T.A. -out speaker emulation, low impedance, balanced Dimensions: 245 x 120 x 200 mm Weight approx .: 2.5 kg Colour: Black Made in Germany
389 €
419 €
Fryette Power Station PS2
Fryette Power Station PS2
Power Attenuator
  • With built-in 40 W power tubes (6L6 power tubes)
  • The power station can be mainly used for three applications: Power reduction of powerful amplifiers without the disadvantages of conventional power attenuators; as a gain for small amps; and as a high-quality, adjustable reactive load for silent recording
  • Stepless power reduction
Fryette Power Station PS2 Power Attenuator With built-in 40 W power tubes (6L6 power tubes) The power station can be mainly used for three applications: Power reduction of powerful amplifiers without the disadvantages of conventional power attenuators; as a gain for small amps; and as a high-quality, adjustable reactive load for silent recording Stepless power reduction Effects loop Line In for preamps, laptops, MP3 players etc. Line Out 4/8/16 Ohm separately switchable amp input and loudspeaker output, so that any amplifier and speaker can be matched Reduce or increase the power of small amps Effective sound control for adjusting the sound to a strong reduction Natural playing feel via the reactive load - dynamic feel of the amp is retained Input level range switch is well suited for use with vintage non-master volume amp heads XLR balanced out Silent direct recording via unbalanced out Weight: 6.8 kg Dimensions (H x W x D): 91 x 355 x 228 mm Optional transport bag: Art.441103 (not included)
888 €
1 099 €
Two Notes Torpedo Reload
Two Notes Torpedo Reload
Attenuator/ Loadbox/ Loudspeaker Simulator
  • Attenuator, Speaker and microphone simulator and reamping unit in one device
  • EQ and effects section
  • Impedance: 4, 8, 16 Ohm
Two Notes Torpedo Reload Attenuator/ Loadbox/ Loudspeaker Simulator Attenuator, Speaker and microphone simulator and reamping unit in one device EQ and effects section Impedance: 4, 8, 16 Ohm Integrated power supply Dimensions (W x D x H): 304 x 184 x 89 mm Weight: 4 kg Incl. Wall of Sound III plug-in@+*Anschlüsse:*@+@+ Hi Z instrument input on the front Reamping "replay" unit: line in and amp out 6.3 mm jack connectors 6,3 mm Klinke Speaker-Eingang (max. 100 W) 2x Speaker output: 6.3 mm jack Loadbox output: XLR symmetrical DI output: XLR symmetrical
699 €
831,81 €
Suhr Reactive Load
Suhr Reactive Load
Load Box with DI
  • Simple solution to take up the warmth and dynamics of your sound without putting microphones to a speaker during a gig or studio recording
  • Connected to tube amp instead of loudspeaker and loads it with 8 Ohm
  • Generates a symmetrical as well as assymmetrical signal (without loudspeaker simulation) to be connected to recording devices, effects and power amps
Suhr Reactive Load Load Box with DI Simple solution to take up the warmth and dynamics of your sound without putting microphones to a speaker during a gig or studio recording Connected to tube amp instead of loudspeaker and loads it with 8 Ohm Generates a symmetrical as well as assymmetrical signal (without loudspeaker simulation) to be connected to recording devices, effects and power amps Recommended max. amp power: 100 Watt RMS Dimensions (W x D x H): 22.35 x 22.6 x 9.6 cm Weight: 3 kg
479 €
Rivera RockCrusher
Rivera RockCrusher
Attenuator and Load Box for Tube Amps
  • Load Box and attenuation for amplifying power up to 120 W RMS
  • Natural sound at every volume
  • Impedance: 8 and 16 Ohm selectable
Rivera RockCrusher Attenuator and Load Box for Tube Amps Load Box and attenuation for amplifying power up to 120 W RMS Natural sound at every volume Impedance: 8 and 16 Ohm selectable Reactive internal network for true amplifier/ load interaction High thermal capacity ensures cool running and long life Tight impedance tolerances XLR and unbalanced line outputs with level control Low and high frequency equalization selection Full bypass capability with no insertion loss
499 €
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Recording E-Guitars översikt

Arturia DrumBrute Impact Daslight Light Rider Wifi DMX Interface Gator iMac 27" Tote Bag Arturia KeyLab MkII 61 Black Korg D1 Aston Microphones Swift Audient iD44 EQ Acoustics Spectrum 2 L5 Tile Black Universal Audio Apollo Thunderbolt 3 Card Cameo Studio PAR DTW IK Multimedia UNO Synth Presonus Studio 1810
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Arturia DrumBrute Impact

Analog drum computer; 10 sounds: Kick, Snare 1, Snare 2, Tom Hi, Tom Low, Cowbell, Cymbal, Closed Hat, Open Hat and FM; 64 patterns with up to 64 steps each; accentuation and switchable color tone coloring per instrument and step;...

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Daslight Light Rider Wifi DMX Interface

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Gator iMac 27" Tote Bag

Nylon bag for 27" Apple iMac Good hold and protection with adjustable foam blocks and hard-panel reinforcement in the front cover, Foldable sun and dust protection, Double zipper, Cable bag inside, Outer accessory pocket for keyboard, mouse, SD cards...

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Arturia KeyLab MkII 61 Black

Arturia KeyLab MkII 61 Black; USB Midi-Keyboard with 61 Keys; velocity and Aftertouch; 16 RGB-backlit performance pads; 9 fader, 9 rotary knobs, LCD-Display; Category Function; Pitch- and Modulation-Wheel; Chord and Transpose Function; Transport Buttons; Connections: 5 Expression Control Inputs; 4x...

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Korg D1

Digital Piano 88 Keys weighted RH3 keyboard (Real Weighted Hammer Action 3), 5 Sensitivity curves, Stereo PCM sound generation, 120 Voice polyphony, 30 Sounds, 30 Demo songs, Key-Off simulation, Damper resonance, 3 Effects, Metronome, 2x Line out 6.3 mm...

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585 €
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Aston Microphones Swift

Aston Microphones Swift; Universal Mic Mount without Rubber Bands; fits Mics from 40 bis 60 Diameter; two quick release spring clips; made of Aluminium, grade glass-fill nylon polymer and medical grade latex ("ShockStar" suspension); Dimensions: 145 x 60 x 170...

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Audient iD44

20-in / 24-out desktop audio interface Fully metallic desktop housing, Control knobs made of solid, hand-milled aluminium, 4 Class A Audient console mic preamps, 60 dB gain, AD / DA converter of the highest class, 2 ADAT inputs and...

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EQ Acoustics Spectrum 2 L5 Tile Black

Acoustic Absorber Material of the absorber's core: 100% polyester with textile cover, Very robust, Non-allergenic and doesn't contain irritants, Odour-free, Good efficiency in the medium and high frequency ranges, Wall and ceiling mounting is possible with the flexi-system (hook...

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Universal Audio Apollo Thunderbolt 3 Card

Universal Audio Apollo Thunderbolt 3 Card; Expansion Card for Apollo Rack Interfaces; two Thunderbolt 3 Ports, 5 W bus power for all connected Thunderbolt 3 peripherals; up to 40 Gbit/s; System requirements: macOS Sierra/High Sierra or Windows 10 with Fall...

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Rekommenderat
Cameo Studio PAR DTW

White light LED PAR With variable colour temperature and dim-to-warm function, Professional LED PAR for use on theater and drama stages or for object lighting, Dim-to-warm function ensures a dark orange light colour in the low brightness range by...

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333 €
(5)
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IK Multimedia UNO Synth

Monophonic analog synthesizer with step sequencer, arpeggiator and effects section Classic setup with 2 VCOs and noise generator, multimode filters, amps, 2 envelopes and LFO, Waveform VCOs Triangle, sawtooth and variable pulse width rectangle, Multimode filter with 12 dB...

Till produkter
229 €
(1)
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Presonus Studio 1810

18 x 8 USB 2.0 audio interface 24 bits / 192 kHz, 2 front combo inputs Mic / Line / Inst (XLR / jack), 2 front combo inputs Mic / Line (XLR / jack), 4 XMAX Class A mic...

Till produkter
399 €
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