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Portable 6-Track Audio Recorder

  • 24 Bit / 96 kHz
  • Up to 6 channels can be simultaneously recorded
  • Changeable clip-on microphone (optional)
  • 4 XLR/jack microphone-/line inputs, expandable to 6 inputs (optional I/O module)
  • 6/2 Channel USB audio interface
  • Supports SD/SDHC cards up to 32 GB, as well as SDXC cards up to 128 GB
  • Colour LCD
  • Built-in loudpspeaker
  • Powered via 4 AA batteries or USB
  • Dimensions without microphone (W x D x H): 77.8 x 152.8 x 47.8 mm

Delivery:

  • Zoom H6
  • X/Y- and Mid-Side microphone
  • 2GB SD Memory card
  • Foam wind shield WSH-H6S
  • USB Connector cable
  • Cubase LE software (download code)

Informações adicionais

Integrated Stereo Microhone Yes
Recording Tracks 6
Microphone Inputs 4
48 V Phantom power Yes
Line Inputs 4
Storage Medium SD/SDHC Card
Headphone connection Yes
Integrated Speaker Yes
Resolution max. 24 bit
Max. Sample Rate 96 kHz
Limiter Yes

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Zoom H6 + Thomann SD Card 16GB Class 4 + Thomann SD Card 16GB Class 4 + Superlux E523/D +
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Zoom H6 + Thomann SD Card 16GB Class 4 + Zoom APH-6 + Zoom APH-6
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Oferta Bundle 1

Poupança de € 55
€ 369

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€ 369 Para a cesta de mercadoria
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292 Classificações de clientes:
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4.8 / 5.0
  • manuseio
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  • som
  • acabamento
170 classificações escritas Ler todas as reviews
Total
manuseio
características
som
acabamento

Funcional e Portátil

08.10.2016
Muito bem feito. Fácil de utilizar. Vem com software. Portátil.
Muitas ligações e transformações possíveis.

Não é um gravador de estúdio super profissional, mas é concretiza uma grande máquina prática e útil....

On the go.... All the time ;)
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Total
manuseio
características
som
acabamento

Super field recorder and more!

Ian1617, 26.02.2014
I've had my Zoom H6 for around 4 months now. It has been working flawlessly and beyond my expectations.
i use the Zoom H6 both as a field recorder and an I/O device in conjunction with my laptop.
My older equipment included an industry standard CF card recorder and a coveted, but no longer available Filmtek location mixer. My standard microphone is a Neumann RSM 191.
I have used the recorder with this microphone in very diverse situations.
Recording foley for sound tracks reveals how much effort has been put into the completely re-designed microphone pre-amplifiers. I really expected to need an external mixer to get the best out of my lovely microphone, but even in situations where I needed a large amount of gain from the H6 preamps they performed admirably.
Using the device as a sound-card is a doddle. I've engineered several recording sessions with the H6 connected to my laptop. The H6 monitor mixer performs well in this situation and the fact that there is a headphone output and a line output means that it is possible to perform reasonable monitoring functions with ease.
The color LCD display is well thought out and easy to read. The rear panel has a standard 1/2" mount which makes mounting the H6 on a camera rig very easy. Despite the fact that the H6 is a very sturdy device, it is light enough to be stable on a camera rig without adding too much extra weight. On my rig it is attached to a ball head. This way I can adjust the angle to get best view of the display, or I can swing the H6 forward on an arm and use the appropriate microphone to record as I film.
The included microphones are really not to be underrated. The stereo capsule is far more dynamic than I expected and has very acceptable self noise characteristics despite its ability to record very high sound levels with low distortion. It can also be configured at 90 or 120 degrees for a wider stereo image and has a stereo line input on 3.5mm jack.
The mid-side capsule is equally good. If a user is new to using mid-side recording techniques it might be worth pointing out that by virtue of design, even the best mid-side microphones can appear more susceptible to self noise. This is because the side capsule should be recorded at -3dB compared to the front capsule to maintain an accurate stereo image. In these circumstances the mid-side capsule holds up very well. If recording in MS RAW mode it is possible to record the output from the 'Side' element and 'Front' element without processing. This way it is possible to adjust the width of the image on mix-down to get the most appropriate mix. MS recordings are absolutely mono-compatible. This technique is much favored by broadcasters.

In conclusion I have to say that the Zoom H6 easily surpasses my expectations at this price point. It is carefully thought out and designed. It has a very sturdy feel. Operation is logical and straight forward. the included microphones sound great. The feature set is good. I think that this will be a modern classic in its field.
I've also bought the optional EXH-6 unit which provides for 2 more XLR or 1/4" Jack inputs. This is equally as sturdy.
It would be difficult to buy a pair of microphones with the quality of those provided, without spending as much as the entire cost of this product.
In my eyes this is clearly the best unit of it's type at even a much higher price point. Buy it!
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€ 369
Poupança de % 25,99 (€ 129,61)
Preço com IVA incluído e portes de envio gratuitos
Disponibilidade imediata
Disponibilidade imediata

Este artigo encontra-se em stock e pode ser enviado imediatemente.

Informações sobre o envio
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Tel: +49-9546-9223-30
Fax: +49-9546-922328
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Resultado do teste:
Todos os preços são apresentados com 23% de IVA português e válidos até ruptura do stock. Os portes de envio para Portugal continental têm o valor de 20,-EUR. Para encomendas de valor igual ou superior a 199,-EUR os portes de envio serão gratuitos. Para mais informações sobre o envio e entregas para outros locais, por favor clique aqui. Não assumimos responsabilidade por eventuais erros tipográficos ou informação imprecisa de qualquer tipo. *UVP = Preço de venda recomendado pelo fabricante / distribuidor para venda na Alemanha.
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