the t.bone SCT 2000

275

Studio Tube Large Diaphragm Microphone

The flagship of the t.bone large diaphragm microphone range. It features a 9-point polar pattern selector switch located on the external power supply, allowing the user to choose between standard omnidirectional, cardioid and figure-8 (bidirectional) characteristics with the respective intermediate stages. The resulting versatility allows for use in almost any recording application.

With its 24K gold-sputtered diaphragm (1.07"), the SCT2000 achieves excellent low-frequency response and high sensitivity. The microphone is equipped with a replaceable 12AX7B tube and has a very low self-noise compared to other microphones of its kind. Due to its warm sound and character, the SCT2000 with its vintage technology is a microphone of choice for engineers and solo artists.

  • Very warm sound
  • Replaceable 12AX7B tube
  • Polar patterns: Omnidirectional, cardioid, figure-of-eight and 6 intermediate levels adjustable at the power supply, selectable via power supply module
  • Incl. deluxe case, spider and mains supply

Technical Specifications:

  • Frequency response: 20 - 20,000 Hz
  • Sensitivity: 14 mV/Pa OR-38.5+/-2 dB (0 dB=1V/Pa 1000 Hz)
  • Impedance: 200 Ohm
  • Equivalent noise level: 16 dB (A weighted)
  • Max. SPL for 0.5 % THD @1000 Hz: 130 dB
  • Special power supply in external box
  • Connectors: 7-pin XLR
  • Size: max. diameter: 60 mm x 205 mm
Disponível desde Março 2002
número de artigo 152308
unidade de venda 1 peça(s)
Tube Yes
Switchable Polar Pattern Yes
Omnidirectional Yes
Cardioid Yes
Figure-8 Yes
Low Cut No
Pad No
shockmount included Yes
USB Microphone No
€ 242
Envio gratuito, IVA incluído
Disponível em 3-4 semanas
Disponível em 3-4 semanas

É previsível que este artigo entre brevemente e stock e o despacho poderá ser feito de imediato.

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275 Avaliações de clientes

4.5 / 5

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185 Críticas

L
bom para o preco que se paga
Leeleo 22.04.2021
Bom microfone para o preco que eles cobram.

os componentes sao de fraca qualidade, mas o rendimento do microfone nao e nada mau.

eu comprei, mas recomendo a qualquer um que comrepe este microfone a mudar a valvula. isto vai fazer que o mic tenha muito mais qualidade.
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MV
Muito bom
Miguel Valentim 19.03.2020
Boa construção, acessórios de qualidade e som bastante bom tendo em conta o preço. Traz uma mala robusta.
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AH
boa alternativa, consegue ser mulher e amante ao mesmo tempo.
André Horta 22.03.2024
a marca tem apresentado, boas alternativas a preço acessível, deste gosto muito, uso todos os dias, já usei outros mais caros, no entanto volto a este tem sido um cavalo de batalha, vale o investimento. somos uns felizardos, vivemos num tempo em temos boas alternativas a preços mais confortáveis.
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google translate gb
Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
AD
Impressed and a bit dissapointed...
Alex Djuran 16.10.2019
So... you decided to purchase a tube mic for your studio and this particular mic has caught your eye? READ THIS!

So upon doing some research, I found that this mic is actually an OEM of the very 1st version of the sE Electronics Z5600. I have never used any of those mics before, but I figured the sound can't be that far off. I was also told to replace the chinese 12AX7 that it came with to ensure lower noise and better sound quality.

Before we even get to the mic, I feel the need to mention everything it comes with and in. The briefcase it came in was just awesome. Sturdy and just plain cool, however I've had major issues to set the lock code, as the instructions were terribly unclear. The power supply and cables were fine, however I have to caution everyone with the shockmount!
It's reaaaaally poorly cut, i cut my fingers 2ce on the sharp edges as I was screwing it onto a mic stand! You are given some spare bands for the shockmount, which is a nice gesture, but I'd rather see the shockmount be well cut and not needing those.

On to the mic itself. It comes in a wooden case that weighs nothing, and would not protect the mic from anything. The mic itself felt like it was going to fall apart when I was pulling it out, as the metal casing is really really shitty. After replacing the tube, I plugged the mic into it's power supply, let it warm up for about 10 minutes, plugged that into into a Warm Audio WA273 into a 1176 clone and went to town.

Looking beyond the shady worksmanship, the sound of the mic was honestly super impressive. The rich bottom end, creamy mids and super crisp clear and sharp top end really let you hear the intimacies of any voice.
I put up the mic next to my Warm Audio WA87 and while the mics are very different, for many voices, I'll be reaching for the SCT2000 quite a bit!

But for real thomann, that shockmount needs work. I'll be needing industrial gloves when I handle that thing.
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