the t.bone SC 1100

Large diaphragm studio microphone

  • With a 1.07" double diaphragm, switchable polar pattern (omnidirectional, cardioid, eight) and high-pass filter, the SC1100 is suitable for all studio situations.
  • Switchable polar pattern: Omni-directional, figure-eight and cardioid
  • Low cut switch
  • Frequency response: 20 - 20,000 Hz
  • Sound pressure limit: 123 dB
  • Sensitivity: 39.4 mV/Pa
  • Output impedance: 200 Ohm
  • Distortion: < 0.5% at 125 dB SPL
  • Equivalent noise level [dB(A)]: 8.2 (ball)/ 6.8 (super-cardioid)/ 6.7 (eight)
  • Power supply via phantom power 48 V (±4 V)
  • Weight 941 g
  • Includes aluminum case and new shock-mount
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Exemplos de som

 
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  • Ballad
  • Soul
  • Ballad Male
  • Soul Male
  • Ballad Male Dry
  • Soul Male Dry
  • Ballad Dry
  • Soul Dry
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Informações adicionais

Tube No
Switchable Polar Pattern Yes
Omnidirectional Yes
Cardioid Yes
Figure-8 Yes
Low Cut Yes
Pad No
shockmount included Yes
USB Microphone No

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ART Tube MP + the t.bone SC 1100 +
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SPL Goldmike 9844 + the t.bone SC 1100 + Cordial CAM 6 BK +
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the t.bone SC 1100
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the t.bone SC 1100
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Rode NT1-A Complete Vocal Recording
9% compraram Rode NT1-A Complete Vocal Recording € 185
the t.bone SC 400
7% compraram the t.bone SC 400 € 49
the t.bone SC 450
6% compraram the t.bone SC 450 € 79
the t.bone SCT 2000
4% compraram the t.bone SCT 2000 € 222
Os nossos mais populares Microfones de membrana grande
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Nuno Garcia, 14.01.2019
Microfone de muita boa qualidade.
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I hate blind A/B tests
gordonliv, 23.05.2016
There's a little trick I do from time to time to compare different products. It's good fun and you can learn a lot. What I do is set up blind A/B comparisons and compare two or more products to see which one's better. I don't limit this activity to audio products - I do it with wines, cheeses, coffees and teas... even fabrics. Sometimes the results are really astonishing. If you can't tell the brand name of the thing you're listening to/tasting/feeling... then you have to decide your preference on what your senses are telling you.

Most of the time I do this test on audio products, though. I've done pre-amps, mics, reverbs, keyboards, snare drums...

I've actually done blind A/B testing with some other T.Bone mics - the MB75 and the MB85 - and the reviews are up here on the Thomann website.

Anyway, I've just finished doing my blind A/B test on this mic (the T.Bone SC-1100) and another (how shall I put this?) er... "very well known" large diaphragm condenser mic. I won't mention it by name, but you know which one it is.

Well, the T.Bone mic won. Yes it did. Admittedly, I only tried the A/B test on vocals, but after all that's mostly what I'll be using this mic for. It beat the other, much more famous, mic; not by a huge amount - it was close - but it definitely came out on top. This mic has a warmer, smoother and less "middly" sound than "the other one". It also responds better to plosives (although that's not really an issue for either mic if you use a pop shield). The output of this mic did seem to be slightly lower than the other one, but again that's not an issue when you have a nice clean pre-amp and can turn up the input gain (you wouldn't have to turn it up by much anyway).

And the most astonishing thing - given that this mic WON the blind A/B test - is the price. A quick calculation brigs this mic in at 5.3% of the cost of the other one. A TWENTIETH of the price!

This is why I hate blind A/B testing. You learn a lot. Sometimes you learn too much!

I'll probably still use the other mic for outside clients in the studio. It's by no means a bad mic! And that's the mic that clients expect to see when they come in to record a vocal session, so that's the one I'll use - especially given thatI've spent SO much money on it! But for recording my own vocals, and other instruments, I'm using the T.Bone SC-1100. It's a better sounding mic.

In fact I'm placing an order for another one right now. :-)
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€ 119
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