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Tascam Model 12

127

Mixer

  • With multi-track recorder, audio interface and DAW control functions
  • 10-Channel mixer
  • 12-Track recording in WAV/BWF format onto SD/SDHC/SDXC cards up to 128 GB possible
  • 44.1 / 48 KHz
  • 16 / 24 Bit
  • 1-Button compressor for all input channels
  • Switchable low-cut
  • 3-Band EQ with tunable mids for all mono channels
  • Master EQ
  • Overdub recording
  • Punch-in/out
  • Integrated audio interface for 12 channels (10 inputs plus stereo sum)
  • LCD display
  • 12-Segment LED meter
  • Integrated effects processor
  • Switchable phantom power +48 V
  • Power adapter included
  • Dimensions: 343 x 99 x 360 mm (W x H x D)
  • Weight: 4.3 kg
  • Suitable protective cover: Article Nr. 497194 (not included)
  • Suitable case: Article Nr. 504823 (not included)

Connectors:

  • 8 x Microphone/Line input combo XLR/jack 6.3 mm (channels 1-6, 7, 9 can be used as instrument inputs)
  • 2 x Line output XLR
  • 2 x Sub-output 6.3 mm jack
  • 2x AUX output: 6.3 mm jack
  • 2 x Insert 6.3 mm jack (channel 1 + 2)
  • Footswitch input: 6.3 mm jack
  • Click output 6.3 mm jack with tap tempo function
  • 2x Stereo headphone output: 6.3 mm jack
  • MIDI input and output
  • USB
Disponível desde Maio 2020
número de artigo 483453
unidade de venda 1 peça(s)
Recording / Playback Channels 12x12
Number of Mic Inputs 8
Number of Line Inputs 10
Instrument Inputs 8
Number of Line Outs 4
Headphone Outs 2
Phantom power Yes
Number of S/PDIF Connectors 0
Number of ADAT Connectors 0
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Ethernet 0
Other Connectors USB
MIDI interface Yes
Word Clock No
Max. sample rate (kHz) 48 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 2.0
Width in mm 343 mm
Depth in mm 360 mm
Height in mm 99 mm
Connection Format USB port Type C
Max.number of input channels 10
USB 1
Number Of Tracks 12
Simultaneous Recording: Amount Of Tracks 12
Microphone Inputs 8
Bluetooth 1
5-pole DIN MIDI 1
Effects 1
Analog Line Inputs 10
Analog Line Outputs 2x Jack, 2x XLR
Storage Medium SD/SDHC
XLR Connectors 8
Digital Inputs 0
Fader 12
Rotary Encoders 12
Digital Outputs 0
Jack Connectors 8
Audio I/O 1
RCA Connectors 1
Transport Function 1
MIDI Interface 1x In, 1x Out
Footswitch connection 1
USB connection 1
Digital Connections USB
Computer interface USB
Miscellaneous Connectors Foot Switch
MIDI-interface 1
Special Features Recording on SD Card
Headphone connection 1
Options -
Additional Features Mixer and Multitrack Recorder
Included in delivery Power Supply (Tascam PS-M1524), USB Type C to USB Typ A cable, TRRS cable, manual
Zero latency monitoring 1
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€ 629
Todos os preços incl. IVA
Em stock
Em stock

Este produto encontra-se em stock e pode ser enviado imediatamente.

Informações sobre o envio
Entrega gratuita prevista entre Terça, 15.10. e Quarta, 16.10.
1

127 Avaliações de clientes

4.7 / 5

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84 Críticas

d
Perfeito para pequenos home-studios ou setups ao vivo
danguer 11.09.2023
Se o número de entradas não incomoda, é um dispositivo perfeito.
Som límpo, mixer versátil e fácil de usar.
Como interface funciona como esperado.
É intuitivo na sua maior parte, com a única queixa sendo a complexidade do menu de controlo da DAW integrada.

Simples o suficiente para iniciantes, mas versátil o suficiente para quem já tem mais experiência.

Saliento que o one-knob compressor incluído é verdadeiramente incrível.
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Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
S
Magic Mix
Stephen662 30.07.2020
'Brilliant build quality' was the first thing I said to myself as I popped the box. Having read the manual back to front many times whilst waiting on delivery, I found that in half an hour I had set up and ready to go - card formatted, click track working, synced to BFD3 and USB audio streaming out of BFD into a pair of channels.

All I can say is that Tascam have really nailed it with this one, and if they put MIDI etc on the 24 track it would be a truly pro workhorse. However, 10 track recording (and 2 master track) are adequate for my needs; primarily used out of my studio to record jam sessions with buddies.

If you want to get really picky then here's the dirt:

1/ Only two insert points (but appreciate the cost implications of putting them on all channels). I must say though a pair of master inserts would have been nice.

2/ Only 2 fx sends. Again a cost issue - also no dedicated simple returns. If you use the built in FX you are good to go, but if you patch in a box then you are going to lose 2 channels for a stereo return.

3/ Tascam must be the master if syncing to other gear or your DAW. Does not worry me.

EVERYTHING else is just brilliant and a lovely sounding machine it is. Tascam have a certain magic, especially with digital gear. Blindfold, you would swear it is analogue, but to be fair its better than that.

Conclusion, money well spent. Great value, simple to use, and all you need to do is RTFM :)
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HP
Class Compliant Great, But...
HDS Productions 15.07.2024
I purchased the Model 12 for two big reasons.

1. To use as class compliant gear with my MPC
2. To be a (dawless) home studio mixer and recorder

First, the Model 12 works very well with the MPC, being able to create separate tracks from the MPC and then mix each one before recording. I also loved the Tascam's ability to do overdub recording. However, when it came time to mix a couple of hardware synths and vocals for output, the unit's limitations became glaringly obvious. Vocals especially mixed very low, even with gain up to a maximum. In my opinion there is absolutely no way to create a completed recording with the Model 12 without a good deal of time and work in a DAW. While this may not be an issue for some, I personally just don't see the point with owning a mixer with such limitations when it comes to music production.

I think this is a good case for 'you get what you pay for', but ask yourself what your expectations and goals are, because apart from natural talent the gear you own and use needs to support where you are trying to get to. And, with that old adage; I did end up switching to an RME audio interface that costs twice as much, but is twice as much and more in superiority.

With that said, there are other audio interface options at lower price points that can do the job from manufacturers like Motu, Arturia and SSL to name a few.
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Overall great
markkus 31.07.2021
Pro: Works great stand alone, when recording capabilities do not exceed the available 12 tracks
Con: Not as analog as it looks (like de model 16/24), but not as flexible as it's digital relative (DP24/32); be sure to check how it fits your use-case. (Edit 2021): class compliant for the 12 tracks, not for DAW control, but I don't use this anyway, I use it on Linux.
MTR capabilities are limited to the physical tracks and once you have recorded the track you can only bounce it to a free track, there are no extra tracks like in the DP24. For live use this is no issue, but when trying to layer some parts you could quickly run out of tracks in a stand-alone mode, so be aware of these limits and how they possibly affect your workflow.
It's hard to tell if I would buy it again, I would probably for this price try other options, for now I have not really had an issue I couldn't work around by going outboard, even went as far as adding a mixer/router on the subs and sacrificing two inputs (stereo) for the returns.
My use case for now was aimed at playing and recording music, in future I'd like to test the broadcasting capabilities with e.g. OBS.
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