Studio Projects B1

289

Large diaphragm condenser studio microphone

  • 1” capsule with cardioid characteristic
  • Transformerless circuit
  • +48 V phantom power required
  • Frequency range: 20-20000 Hz
  • Sensitivity: -34 dB (0dB=1V/Pa)
  • Output impedance: <200 Ohm
  • Max SPL 132 dB
  • Inherent noise: 12dB(A)
  • Incl. wind shield, shock mount and zipper bag
Disponível desde Maio 2005
número de artigo 180703
unidade de venda 1 peça(s)
Tube No
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut Yes
Pad Yes
shockmount included Yes
USB Microphone No
€ 140
IVA incluído, € 20 de portes de envio adicionais
Em stock
Em stock

Este artigo encontra-se em stock e pode ser enviado imediatemente.

Informações sobre o envio
Entrega entre aprox. Quinta, 13.10. e Sexta, 14.10.
1
G
Good for starters
Ginete 03.08.2020
Good choice for your first large condenser. Not the best but certainly not the worst large condenser mic. Nice features, a little harsh on the highs but no biggie. If you wanna start recording an you're on a budget this is a good choice. Well built, good looking. Nice price.
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C
Highly reccomended
CameronJ 26.10.2020
Solidly built, worked great with my interface out of the box, the shock mount fits perfectly and securely. As for sound quality, it is premium for what you pay and the incorporation of the rolloff switches prove to be really useful. Totally reccomended for the price.
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AG
Andrew Garin 26.10.2019
I am guitarist and I'm happy with this mic!
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N
Good For The Price
Nyli 13.02.2014
I have had my Studio Projects B1 for a little over a few months now, using it often in my home studio and for location recordings. For the price this is probably one of the best large-diaphragm condenser mics available. I've never heard the kind of low- or mid-range muddiness that seems to plague some comparably-priced condensers. The mic sounds clear and accurate through the pre-amps in my M Audio Fast Track Ultra 8R.

I've been using the B1 primarily for vocals (singing), but it works for a lot of things: acoustic guitar, hand percussion, and as a room/ambience mic. I've also used it on a guitar amp with satisfying results. To my ears the mids and highs have pretty good clarity and detail without getting harsh; and the pads and high-pass filter switches are handy things, offering more options for getting a better sound at the source rather than trying to "fix" things in the mix with EQ

While there are certainly microphones on the market that have better overall clarity and presence, they tend to cost much, much more than this.

In my opinion

- You will need/benefit from a pop filter if you will be using it for vocals. The B1 ships with a foam windscreen, but it won't be any good for recording vocals.
- The included shockmount has some shortcomings. At times it is difficult to insert and remove the microphone - you have to pry the plastic open then grunt and cuss at it for a while before it finally works. With all that rough treatment the little bungee things get stretched out, although SP gives you a replacement set. Finally, the hinge is somewhat flimsy.
- The faux leather zippered case is okay (but unpadded), so you may want to think about buying a cheap flightcase, or other suitable protection, if you plan to move it around, or just keep it very safe and secure.
That said, if you are purchasing this mic, you are at a certain level, and i think for hobbyist-semi pro, with care taken to prepare instruments, rooms, performers, you should get good results. If you don't its not the mics' fault........
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