Stairville Hz-200 Compact Hazer DMX

No geral cumpre. para uma utilização numa sala de teatro ter em atenção o ruído, não sendo muito alto é no entanto audível embora aceitável . Para um palco de +/- 10x10m c/ 8m de altura é aconselhável duas máquinas e uma ventoinha para o fumo poder "encher" melhor o espaço.
O controle básico de intensidade de fumo e ventoinha por dmx são bons.
A qualidade de construção é razoável e pode durar muito tempo se tratado com certo cuidado.
Após uma série de espectáculos as duas máquinas que adquiri não apresentaram qualquer problema e o consumo de liquido é baixo

Esta máquina é fantástica, tendo em conta o seu preço.
O desempenho é bastante bom e adequado para pequenos e médios espaços, dando grande destaque às luzes da tua festa. É realmente um equipamento que pode melhorar a qualidade do ambiente festivo.
Perder um pouco de tempo a ler o manual poderá ajudar a dominar o sistema de regulação de fumo e velocidade da ventoinha. Pelo preço este equipamente é realmente surpreendente.

So I?ve waited a couple of months before writing this review so I can update on the problems I found

I play in a typical 5 piece pub band so venues can vary from small little pubs where we?re shoved in a corner to occasional functions / weddings etc in larger halls. Using haze really makes a huge improvement to the visual aspect of the band, we don?t have many lights and only cheaper ones but haze just makes them pop out and really gives atmosphere.

The 1st gig we did with haze was a very large pub/club with their own built in lights and it was incredible, using the unit stand alone with the supplied remote control to vary amount of haze and interval. The haze was fine and light, no adverse effects on the singer.

The next gig was a small-ish pub and I couldn?t get the hazer to produce a low enough level of haze, even on minimum settings it was too much for the small pub so I had to keep switching it on /off during songs (on the remote) no major problem but was a pain. we only want a very fine level of haze not a thick fog type effect.

I then decided to go to DMX control from the laptop, which we always have on for playing background music before, in between and after sets. A £5 dmx cable, freestyler software (free) and ½ hour working out how to do DMX and I can now have much better control of the haze and get it really low for very small venues. This problem is only relevant in SMALL pubs, the sort of place that is a squeeze for a 5 piece band. I?d seriously recommend running DMX as its so much more controllable than the handset but the handset does work ok.

Now we?re running haze via DMX we use it at every gig and we absolutely love it! We?re looking into better lights and lasers now to make the most of it. It uses hardly any fluid, I can?t believe how little it uses. 5ltrs will last so many gigs. Without DMX we couldn?t use it at every gig and the review would be worse, but still good. I think this low output is a problem on all budget hazers and for £5 to run DMX its worth doing.

Seems pretty decent so far.
Tested it yesterday during a 3h+ band rehearsal in a room of about 75m3 of stage space. I used it mostly faded on DMX mode.
It doesn't take long to warm-up. If you use it cued, however, expect a small delay between tracks.
It's a bit noisy but not as much as to be a problem while the band plays its calm parts. There was a repeated pulse-like knock while both dip-switched and remote controled but nothing other than the usual operating noise while faded.
The amount of haze is very satisfying. When on 100%, the effect you get is more fog-like at first but if faded, you get a very pretty haze that lingers on.
After about 2 hours of continuous use, I can't see the change on its fluid levels. It should last for a few shows, even if abused.
The box looks good and sturdy, like it could last for quite a few in and outs if treated properly in the hands of a touring band.
Considering its price and category, I think it's a good choice.