RME Fireface 802

USB and Firewire Audio Interface

  • 24 Bit, 192 khz
  • Incl. DSP mixer with EQ, dynamics and reverb
  • 4 Analog mic preamps with gain control
  • Remote control for inputs via software
  • 8 Analog inputs and outputs bal. jack
  • Outputs 9/10 and 11/12 as headphone outputs and line outputs
  • 1 x AES/EBU I/O
  • 2 x ADAT I/O (or 1 x ADAT I/O plus 1x SPDIF I/O optical)
  • 1 x Word Clock I/O
  • 1 x MIDI I/O
  • 1x Firewire 400
  • 1x Firewire 800
  • 1x USB 2.0
  • TotalMix FX
  • Standalone function with setup recall
  • DIGICheck
  • SteadyClock
  • Model: 19" 1 U
  • System requirements: Windows XP SP2, Vista, 7 and 8, Apple OSX 10.6 or later
  • Incl. Opto-cable, USB cable and power cable

Informações adicionais

Recording/Playback Channels 30/30
Number of microphone inputs 4
Number of Line Inputs 12
Number of instrument inputs 4
Number of Line Outs 8
Headphone Outputs 2
Phantom power Yes
S/PDIF Connectors 0
ADAT Connectors 2
AES/EBU Connectors 1
MADI Connectors 0
Ethernet 0
Misc. Connectors No
MIDI Interface Yes
Word Clock 1xIn, 1xOut
max. Samplerate in kHz 192 kHz
Max. Resolution in bit 24 bit
Bus-Powered No
Incl. power supply Yes
Firewire Version 800
Width in mm 483 mm
Depth in mm 242 mm
Height in mm 44 mm

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RME Fireface 802
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RME Fireface 802
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€ 1.379 Para a cesta de mercadoria
Focusrite Scarlett 2i2 3rd Gen
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RME Fireface UC
6% compraram RME Fireface UC € 845
Focusrite Scarlett 18i20 3rd Gen
6% compraram Focusrite Scarlett 18i20 3rd Gen € 439
Os nossos mais populares Interfaces de áudio USB
104 Classificações de clientes:
  • 5
  • 4
  • 3
  • 2
  • 1
4.9 /5
  • manuseio
  • características
  • som
  • acabamento
Comentários para este artigo estão ainda apenas disponíveis noutra língua
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Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
Total
manuseio
acabamento
características
som
This is the example of how you should build an AI
03.02.2016
I bought this AI for 3 reasons: stability, quality preamps, low latency. And good reviews. A lot of good reviews. I guess this will be one of them, but i managed to find some... specificities.

First of all, i got all three of these traits i mentioned.
Preamps are really clear, and they have this kind of clarity in very low end and very high end that makes sound very juicy, very rich and big. If you're recording decent instrument, that is. I have Radial DI box, which everybody consider a really good one, and DI input on this AI sound way more sexy with this Gibson SG of mine. I hope it does say something, since if i'd were to buy 4 of these Radial DI's, i'd spend 400$. One third of a price of that AI. And this AI have much more than just DI preamps. So it REALLY does worth more than it costs on Thomann.

Stability. Well, i have almost none comments on that - and that means everything is smooth as hell. If you're doing things in a right way, that is - be sure to use separate USB/Firewire controller for this AI. Separate from other devices, i mean. I plugged it in on the controller i had an iLok and a USB keyboard Oxygen 61 on at first - after one week Fireface suddenly started to give me really bit-crushed signal on the outputs. This effect of distortion were gone after turning AI off and on again, but it was back again after half an hour or so. Moving AI to other USB controller solved the problem. I don't really blame the device - digital sound is a touchy thing and problems like that are usual in AI field, you just need to be sure you're keeping risks on minimum on your end.
My motherboard is asus maximus VII hero.

Low latency. Well, it's really better than on my previous AI Scarlett 6i6. Like, i can load twice as much stuff on project and still record on twice as lower latency than with 6i6. Still, i expected more for some reason, but hey, it's not like i need so much stuff on a recording project - song turns out best when it was recorded awesomely and mixed good, not when it have been recorded meh and awesomly fixed.

About TotalmixFX, the driver for this AI. First of all, it was waaay more easy to understand than drivers of other AI manufacturers. Simplier than driver for 6i6 i mentioned, even, and 6i6 means that there's only 6 inputs and 6 outputs.

There is some specificities though. First - there is FX send here, but FX are not true-bypass and FX's are full wet. That means you can't use this send as unaffected by effects send. Second, a loopback feature could have been implemented in a more flexible way - you can loopback, let's say, output "Analog 3" only to input with the same number, only to "Analog 3" input. And if you turn loopback on, that means you won't hear what you'll send to physical "Analog 3" input. They could have implemented a small slider for mixing these two signals together, if you ask me. It'd help me slightly.

Again, it's really awesome interface. I feel like i won't need to change it for at least a decade. Expand it, yes, but not replace with something.
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gbReview original (Mostrar tradução)
Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
Total
manuseio
acabamento
características
som
Great interface
Myrtillus, 01.05.2020
I have it for almost two months now and I love it. I have it on a small studio for electronic music production. It does everything as expected, works flawlessly, with beautifull functional included bundled software. It is a joy to work with, specially those almost endless audio routing possibilities which are so useful for electronic music production when needed. Through software you will have access to lots and lots of useful functions and different settings, this interface is quite vast in configurability.

The only thing that could be better out of the box is that you have to set the main volume via software, or buy the ARC remote to do it, there simply are no phisical knobs/faders or buttons that can do this directly on the interface, which is somewhat to expect in this kind of products, even though I do not use it in a rack mount.

The two independent headphone jacks on the front are quite useful for A/B stuff, and they can drive high impedance headphones (DT 880 Pro 250 Ohms for example)

The Ipad Ios integration is perfect in the remote version or the paid version (4.99 euros at the time). You get full access to the board inside your Ios device just like in the desktop version of TotalMix and much more configurable settings in a separate menu . I tested with some apps like Cubasis and all channels become available just as expected.

I would say I would buy it again, and the truth is that I had :) I had the Fireface 800 more than a decade ago, and yes, this new model is even better. 5 Stars
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RME Fireface 802
(104)
RME Fireface 802
Para o artigo
€ 1.379

USB and Firewire Audio Interface 24 Bit, 192 khz, Incl. DSP mixer with EQ, dynamics and reverb, 4 Analog mic preamps with gain control, Remote control for inputs via software, 8 Analog inputs and...

RME Fireface UC
(235)
RME Fireface UC
Para o artigo
€ 845

36 Channel USB 2.0 Audio Interface 18x In- and outputs, simultaneously usable, 24 Bit / 192 kHz AD/DA converter, 2x Mic preamps with digitally controlled gain and individually switchable 48V...

RME Fireface UCX
(171)
RME Fireface UCX
Para o artigo
€ 1.099

36-channel USB 2.0 & FireWire 400 audio interface 18 Inputs and outputs can be used simultaneously, 24-Bit/192kHz AD/DA converter, 2 Mic preamps with digitally controlled gain and individually...

€ 1.379
Envio gratuito, IVA incluído
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Todos os preços são apresentados com IVA português, à taxa em vigor e válidos até ruptura do stock. Os portes de envio para Portugal continental têm o valor de 20,-EUR. Para encomendas de valor igual ou superior a 199,-EUR os portes de envio serão gratuitos. Para mais informações sobre o envio e entregas para outros locais, por favor clique aqui. Não assumimos responsabilidade por eventuais erros tipográficos ou informação imprecisa de qualquer tipo. *UVP = Preço de venda recomendado pelo fabricante / distribuidor para venda na Alemanha.
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