Behringer Powerplay P16-M Personal Mixer

Personal Mixer

  • 16-Channel mixer for many applications
  • Useful desktop housing
  • Adjustable EQ
  • Volume and pan (balance) per channel
  • 16-Channel selection buttons with LEDs
  • Solo and mute per channel
  • Master volume
  • Master EQ and pan
  • Alternative Cat5 power possible via P16D and P16i
  • Optional stand holder P16-MB available
  • Line out for additional monitoring
  • MIDI In
  • RJ45 In/ thru
  • Dimensions: 63 x 257 x 134 mm
  • Weight: 0.8 kg
  • Including power adapter
  • Optional matching case: Art. 268319 (not included)

Informações adicionais

Powered by: Power Supply
Integrated Mixer Yes
Limiter Yes

Estas são outras escolhas de clientes:

Os clientes que viram este artigo adquiriram os seguintes:

Behringer Powerplay P16-M Personal Mixer
51% compraram este artigo
Behringer Powerplay P16-M Personal Mixer
Disponibilidade imediata
Disponibilidade imediata

Este artigo encontra-se em stock e pode ser enviado imediatemente.

Informações sobre o envio
€ 215 Para a cesta de mercadoria
Behringer Powerplay P2
20% compraram Behringer Powerplay P2 € 36
Behringer Powerplay P16D Ultranet
8% compraram Behringer Powerplay P16D Ultranet € 109
Behringer Powerplay P1
8% compraram Behringer Powerplay P1 € 46
Behringer Powerplay P16-I Module
5% compraram Behringer Powerplay P16-I Module € 195
Os nossos mais populares Monitorização In-Ear com fio
205 Classificações de clientes:
  • 5
  • 4
  • 3
  • 2
  • 1
4.7 /5
  • características
  • conforto
  • som
  • acabamento
gb Traduzido automaticamente (Mostrar original)
gbReview original (Mostrar tradução)
Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
Total
conforto
características
som
acabamento
P16-M Personal Monitor
UK Beachboys, 18.08.2014
I've had this over a year now, so can repot on how it has faired being trucked about the country, and been pretty poorly treated. In short, it's been flawless. It's not that complicated a device - and in my band (A Beach Boy Tribute band) our main monitoring issues is the fact that we have to be able to cope with festival and theatre stages that allow decent separation between us, and other venues who have ridiculously small performance areas forcing us to be far too close to each other. We all play and we all sing, and because of the harmonies we all want very different things in our mixes. In ears for me and the drummer are real life savers - mainly so we can shut out the things that put us off. For me - I want my voice, my bass and the keys. A little of the other voices is all I want. No drums and no guitar! The others need the sound guy to sort their monitors, one at a time, and with the P16, I can dial up what I want so quickly. If, as happens, somebody gets quieter or louder, I can tweak it so quickly. The other handy feature few people seem to mention is that each input to the P16 can be panned left and right - so me and my bass are on the left in my ears and everyone else on the right. The device is simple and just works. The only annoyance isn't really it's fault, but how I'm using it. I have the CAT5 feed to it, but then have left and right returns that go to my in-ear transmitter - three cables is a bit of a pain, but liveable with. I'm about to buy another three. Two of the band have resisted in-ears for ages, but have recently started to use smaller mic stand mounted monitors in an effort to keep stage volume down - they are getting on with these pretty well, so it should now be simple to add more P16s and let them mix their own.

I bought the mic stand mount, but haven't used it, finding it simpler to put the P16 on it's own mic stand. The concept of personal mixing is so much better than relying on somebody to do it for you, and all that up a bit, down a bit which at a distance always causes grief, so I'm a very happy user. 3 more will make my life a lot easier.

I left the 'comfort' category as very good because operation is nice and simple - as I couldn't work out how a mixer has a comfort feature!


Don't forget that you have powering choices - the P16-D which powers them over the CAT5 cable or you can power them individually via the mains PSU supplied - keeping in mind the 2 pin Euro connector. Easy to use an adaptor to UK 13A, and a wrap or two of tape keeps them secure.
An easy product to recommend to people.
Útil · Não útil · Reportar a crítica
Denunciar classificação…

Acredita que esta classificação seja por alguma razão imprecisa ou incaceitável?

Reportar
gb Traduzido automaticamente (Mostrar original)
gbReview original (Mostrar tradução)
Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
Total
conforto
características
som
acabamento
Perfect product with badly designed accessories
Good job, 09.08.2017
No complaints about the device itself it's a lifesaver. Handy, useful and what not. It works flawlessly. Recommend it big time to anyone who still uses stage wedges (really, just cut this already - it's just a bad habit).
My only gripe is about the way Behringer / Thomann have worked out the transportation issue: the aluminium case that Thomann recommends with it is only 50% useful - you see PM16 needs a "shoe" that connects to it underside. This metal plate , once screwed onto the device, makes the whole case unusable (read: it will not fit into the case anymore. So I have been srcewing and unscrewing this plate EVERY FREAKING GIG and it's driving me crazy! The tiny screws that come with it are almost unique - I have no idea what to do if I lose them (tbh already lost one). So somebody should pay more attention to the transportation issues next time. So far I have not been able to find a ready-made, 100% fitting solution for this problem. But again, this has nothing to to with the product directly, although it affects directly the user experience...
Útil · Não útil · Reportar a crítica
Denunciar classificação…

Acredita que esta classificação seja por alguma razão imprecisa ou incaceitável?

Reportar
B-Stock from € 199 disponível
€ 215
Envio gratuito, IVA incluído
Disponibilidade imediata
Disponibilidade imediata

Este artigo encontra-se em stock e pode ser enviado imediatemente.

Informações sobre o envio
Partilhe este produto
O seu contacto
Tel: +49-9546-9223-35
Fax: +49-9546-9223-24
Guias online
In-Ear Monitoring
In-Ear Monitoring
In-Ear monitoring - reasonable prices since a few years only - a real bliss for any live musician. Why? Find out here..
 
 
 
 
 
 
 
 
 
 
Resultado do teste:
Todos os preços são apresentados com IVA português, à taxa em vigor e válidos até ruptura do stock. Os portes de envio para Portugal continental têm o valor de 20,-EUR. Para encomendas de valor igual ou superior a 199,-EUR os portes de envio serão gratuitos. Para mais informações sobre o envio e entregas para outros locais, por favor clique aqui. Não assumimos responsabilidade por eventuais erros tipográficos ou informação imprecisa de qualquer tipo. *UVP = Preço de venda recomendado pelo fabricante / distribuidor para venda na Alemanha.
(1)
Vistos recentemente
Behringer RD-6-SR

Behringer RD-6-SR; Analog Drum Machine; 8 Drum-Sounds: Bass Drum, Snare Drum, Low Tom, High Tom, Cymbal, Clap, Open Hi-Hat und Closed Hi-Hat; volume control for all instruments and the Accent track; build-in distortion effect with controls for intensity and tone;...

Vistos recentemente
Presonus AudioBox 96 Studio Ult 25th An

USB Audio Interface Recording Set Consists of AudioBox USB 96 25th Anniversary Edition, Studio One Artist + Studio Magic Plugin Suite (Ableton - Live Lite, Arturia - Analog Lab Lite 3 and many more) (ESD download), Eris E3.5 active...

(2)
Vistos recentemente
Harley Benton Dullahan-FT 24 Roasted IB

Headless Electric Guitar Ergonomically shaped alder body, Bolt-on neck: Roasted Canadian flamed maple, Roasted maple fretboard, Fretboard inlays: Black offset dots, Neck profile: Modern C, Fretboard radius: 350 mm, 24 Stainless steel jumbo frets, GraphTech Tusq XL nut, Nut...

Vistos recentemente
Omnitronic TRM-202 MK3

Omnitronic TRM-202 MK3; 2-channel rotary mixer with 3-band frequency isolator for DJs; classic rotary mixer with 2 input channels and integrated 3-band frequency isolator for DJs; gain control, 2-way equalizer (Highs/Lows) and phono/line switching per channel; dedicated boost and kill...

Vistos recentemente
Magma CTRL Case MPC One

Magma CTRL Case MPC One, suitable for Akai MPC One, 6 mm thick and rigid Durashock molded EVA foam and water rejecting polyester exterior shell, Sturdy zipper, Including practical cable organizer panel, Incl. removable egg-foam padding, Compatible with Decksaver cover,...

Vistos recentemente
beyerdynamic T1 3rd Generation

beyerdynamic T1 3rd generation high-end Tesla headphones, open back, over ear design, frequence range 5 - 50000 Hz, impendance 32 Ohms, nominal sound pressure level 100 dB (1 mW ), power handling capacity 300 mW, max. SPL 124 dB (300...

Vistos recentemente
Thomann ComboDesk88 - designed by Zaor

Producer Workstation Designed by Zaor, Ideal for home and project studios, Extremely sturdy and ergonomic construction, 19" Racks with a total of 3x 3 U, Includes cover plates for 19" racks for expanding the table surface and rack rail,...

(2)
Vistos recentemente
Behringer RD-6-AM

Behringer RD-6-AM; Analog Drum Machine; Acid Smiley Edition; 8 Drum-Sounds: Bass Drum, Snare Drum, Low Tom, High Tom, Cymbal, Clap, Open Hi-Hat und Closed Hi-Hat; volume control for all instruments and the Accent track; build-in distortion effect with controls for...

Vistos recentemente
RME HDSPe AIO Pro

RME HDSPe AIO Pro; 30-channel PCI Express audio interface; 192 kHz / 24 bit; ADI-2 Pro converters AK5572 and 2 x AK4490; the entire analog input range relies on the circuit design of the ADI-2 Pro (+24 / +19 /...

Vistos recentemente
Larry Carlton H7 STR

Electric Guitar Semi-hollow design, Maple body, Flamed maple top, Mahogany neck, Set-in neck attachment, Ebony fretboard, Square fretboard inlays, C Neck profile, 22 Medium jumbo frets, Scale: 627 mm (24.7"), Fretboard radius: 305 mm (12"), Nut width: 42 mm...

Vistos recentemente
Rane Mag Four Fader

Rane Mag Four Fader, Compatible with RANE Seventy, Seventy-Two MKII und Seventy-Two, Contactless Fader-technology, with additional Hall-sensor, customizable magnetic field voltage, Exclusive Fader Cap developed by RANE, incl. DeoxITFaderLube F100 Fader spray

Vistos recentemente
Audio-Technica ATH-M50 XBT PB

Bluetooth Headphones Special edition, Closed, Circumaural, 45 mm driver with neodymium magnet system and CCAW voice coils, 90° Swiveling ear cups, Control buttons on the headphones, Bluetooth version 5.0, Up to 40 hours of operation, Frequency range: 15 -...

Diga-nos o que pensa
Feedback Encontrou um erro ou pretende dar-nos a sua opinião sobre esta página?

Estamos ansiosos pelo seu contacto e ajudaremos na resolução de qualquer problema o mais rápidamente que pudermos