Behringer F1320D Monitor

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Monitor

Powerful 300 W RMS, 2-way monitor system
Class-D amplifier technology
Adjustable feedback filter and integrated limiter
Sound processor
Extremely low-noise mic/line input with level control and clip LED
3-Band EQ
12" Driver for deep basses and high SPL
1" HF Driver for brilliant treble reproduction
Proprietary horn design for ultra-wide sound dispersion
Internal switched-mode power supply
Integrated 35 mm stand/tripod flange mount
Dimensions (H x W x D): 360 x 580 x 406 mm
Weight: 15.7 kg
Optional protective cover: Article Nr 291556 (not included)

30 30 dias dinheiro de volta

3 Thomann garantie de 3 anos

Disponível desde Julho 2011

número de artigo 259429

unidade de venda 1 peça(s)

Bass Speaker in Inch 12"

Ways 2-Way

Colour Black

Weight 15 kg

Housing Material Wood

Analog Inputs 1

Microphone Input 1

Line Out XLR

Media Player No

Remote Control No

Effects No

Low Cut No

Monitor Angle Yes

RMS Power 300 W

Width 580 mm

Depth 406 mm

Height 360 mm

Sound Pressure in dB 118 dB

Number of HT Speakers 1

Number of HT Speaker 1

Number of Midrange Speaker 0

Midrange Speaker in Inch without

Number of Bass Speaker 1

Number of Bass Speakers 1

Accu No

Stand Flange 35 mm

Flyable No

Construction Floormonitor

Line Input Yes

EQ per Channel 1

Main EQ 1

Master EQ 1

Beam Angle Ver 70 °

Handheld / Headset No

Frequency Range (-10dB) from 300 Hz

Frequency Range (-10dB) to 6000 Hz

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€ 298

Envio gratuito, IVA incluído

145

Posição de vendas

em Altifalantes activos de gama total

258 Avaliações de clientes

5 132 Clientes 4 82 Clientes 3 38 Clientes 2 4 Clientes 1 2 Clientes

4.3 / 5

manuseio

características

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141 Críticas

Santiago magalhaes 02.03.2022

Excelente coluna de som! Potente e som bem encorpado!

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inedita2019 09.03.2021

Deve ser dificil ter algum outro nesta gama de preço com as mesmas caracteristicas.

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mcristiano 08.01.2022

Som forte, excelente relação preço/qualidae

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Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.

Good sound but unreliable and underpowered

Anónimo 21.01.2016

I have a live music venue with music every night. I bought four of these monitors four years ago and in that time I've only had all four working for about two weeks and that was in the beginning. One of them arrived damaged and had to be repaired straight away and they've all had to be repaired more than once for various reasons. Now only one remains in good working order and the other clips frequently and will soon fail completely. The other two monitors we've canabalised for spare drivers and preamps. The power amps seem to be the weak link, they're not big enough for the task required of them and clip frequently and fail often.

I was advised before buying these active monitors that it would be better to buy passive monitors with a separate amp because equipment failures would be less likely and less expensive and I can see that this was good advice now. It's great to be able to have separate channels/mixes for each monitor, but if you only have one or two working monitors what's the point? Might as well buy some passive monitors and an amp and send the same mix to all the monitors and save a bunch of headaches.

The sound quality is quite good, plenty of bass, but they can't achieve sufficient volume to be heard over an enthusiastic drummer. The feedback filter we never use.

Anyway, I guess that's what happens when you choose cheap and fancy over expensive and solid. It's better to have two high quality monitors you can depend on than four low quality ones that will certainly let you down. If you just want them for practicing with your band mates they might be ok, but I wouldn't recommend them for a professional setting like a live music venue, in my experience.

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