the t.bone RM 700

Ribbon Microphone

  • Sensitivity: 2mV/Pa (-55dB)
  • Characteristic: Figure 8
  • Nominal impedance: 600 Ohm
  • Max. SPL: 148 dB 1% THD
  • Frequency range: 20 - 10000 Hz
  • S/N ratio: 70 dB
  • Equivalent noise level: 18 dB (A-weight)
  • Weight: 794 g
  • Dimensions: 76 x 165 mm
  • Incl. Shock mount, wooden case and aluminium case
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próbki dzwiękowe

 
0:00
  • Bossa Dry
  • Bossa Processed
  • Strumming Dry
  • Strumming Processed
  • Blues Amp
  • Hazey Amp
  • Shaker
  • Woodblock
  • więcej

Dalsze informacje

shockmount included Yes

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the t.bone RM 700
49% klientów kupiło dokładnie ten produkt
the t.bone RM 700
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98 € Do koszyka
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Najpopularniejsze Wstęgowe Mikrofony Wokalne
285 Oceny klientów
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Bardzo ciekawy mikrofon
VoiceStudio.pl, 20.11.2017
Kupiony do studia juz dwa lata temu - uzywam go rzadko, bo ma bardzo charakterystyczne brzmienie, jest dosc ciemny. Ale lubie wykorzystac go do instrumentów d?eych.
Jeden drobny minus - sruba dociskowa w pajaku pekla po kilku uzyciach, stad jedna gwiazdka mniej. Poza tym bardzo przyzwoicie :)
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klaud1975
klaud1975, 02.09.2020
Bardzo dobry mikrofon do instrumentów dętych
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gb Oryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
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T Bone RM700 Ribbon mic - relatively average budget mic with one special trick up it's sleeve!
Cirrus, 28.01.2014
This is an interesting mic. My understanding is that they're made in China and branded with the T-Bone name for sale in the EU, and also sold in America under a different brand name.

It's a budget ribbon mic, most likely aimed at people who might have a low end condenser, a couple of '57s, and are curious about the "third kind of mic". It's very well built; despite its lollipop construction it's all metal, feels sturdy and comes with a good shock mount, wooden carry case AND a padded aluminium flight case!

As with most Ribbons, the RM700 has a figure of 8 pickup pattern which makes application and placement quite critical - it hears equally well in both directions, so the room sound is as important as the direct sound. Ribbons tend to exhibit strong proximity effect - a low end build up as you move it closer to the sound source - so care must be taken to utilise this effect well. While most ribbons have low output, the RM700 seems relatively powerful thanks to its onboard transformer, however this is at the expense of some sound quality - while most Ribbons are quite dark sounding, the RM700 is even more mellow than most, and it lacks some of the snappy low and midrange detail that more expensive Ribbons such as the Coles 4038 and Royer 121 possess. HOWEVER - given the price points, it would be churlish to compare them too much.

Ribbons tend to be very sensitive to wind blasts from vocals, kick drum holes, bass ports etc. The RM700 seems to be more rugged than most though, and is rated to withstand high SPL levels. I found that the treble can be improved by opening the mic up and removing some extra pop shields that are taped in place. However as this makes the ribbon less protected and voids the warranty I'd not recommend it unless you're feeling particularly brave!

The mic has one strength that I think makes it very worth the money: The low-mid range. While on its own it can be quite dull, I absolutely love it when paired with another mic on guitar cabs. Alongside an SM57 on a guitar speaker, the RM700 brings out a really thick but rich lower midrange that adds depth and power to clean and distorted tones. It's my go to setup for recording my Vox AC30, and has also worked wonders on higher gained rigs too.

For that reason alone I think this mic justifies its existence in my collection, and I'd recommend it to anyone looking for a second mic for guitar amp duty.
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gb Oryginalna ocena (Pokaż tłumaczenia)
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Good for Acoustic Mandolin
Steve301, 20.12.2020
I like the sound this mic gives me with several different mandolins. It sounds natural and very musical.

Previously I'd been using condenser mics, which are often tuned for vocals, with a peak in the upper frequencies. The condenser-mic recordings I made of mandolin were detailed but shrill, harsh, painful at times, and not really resembling the original instrument. I took a gamble on the RM700 as a low-cost introduction to ribbon mics. I was not disappointed - if anything it has exceeded my expectations. When I listen to recordings with this mic, there doesn't seem to be anything missing, at least everything I want to be there is captured, with none of the harshness.

The microphone works pretty well straight into my recorder (Tascam DR100III) though the gain has to be turned up quite high. Adding a preamp of the 'cloudlifter' type would help - I went for a very low-cost option and it seems ok. Even without anything extra, the recordings are loud enough to not have any obvious preamp noise.

The only sense in which it is slightly inappropriate for my needs is the generous low-frequency response, going down to subterranean frequencies, but that is easily handled with a bit of low-cut. The Tascam is helpful in that respect, offering several different settings.

Overall, I'm pleased, I like the sound of the RM700 with my acoustic instruments.
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Dostępny B-Stock od 91 €
98 € 448,29 zł
Zawiera podatek VAT, nie zawiera kosztów wysyłki 15 €

Cena w PLN podana jest w celach orientacyjnych

Artykuł dostępny w magazynie
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Szacowana dostawa pomiędzy Środa, 28.07. and Czwartek, 29.07.

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Ribbon Microphones
Ribbon Microphones
Ribbon microphones sound full, rich, and smooth. Seasoned engineers love their unique sound.
 
 
 
 
 
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