These lamps are very good value for money. They provide very strong primary colours with light intensity roughly equivalent to a 500W sealed beam unit with a primary colour gel.
They have a range of automatic and manual setting options but I use them with DMX control. The dimming range is a bit limited though and they suddenly come on at a low level as the fader is raised.
They are excellent lights in FOH or as rear FX lights particulalry in live sound stage use. For theatrical use they have some limitations as the beam is quite wide and the on-board fan is a little noisey.
I have used some of these lights for a couple of years now and just purchased a load more. They are pretty reliable but I have had a couple of failures.
All in all probably the most LED lumens per pound/dollar/Euro available at present.
These par cans are brilliant, nice and bright. Colours that the LEDS produce are nice and vibrant to.
The par itself feels really well built, the first gig I did with these was outside and they had no issues with that.
There nice and lightweight which is really handy. The thing I like about these compared to some LED pars on the market is they have a gel frame meaning you can stick bit of frost Gel in there to defuse the light bit and take the glare of the LEDS.
They have multiple built in features to, so you can use them as standalone of DMX them.
Wan't to look at purchasing some more of these at some stage, well worth the money.
LED PAR Spotlight Specially designed for the event area, Stands up to the "On the Road" test, 18 Piece 3 W tri-colour LEDs with very high quality lenses, Perfect colours on stage and in the club...
LED PAR Spotlight The LED PAR 64 18x3W has been developed especially for the event area and stands up "Road" bet, 18 x 3W Tri-Colour LEDs are equipped with extremely high-quality lenses and provide...
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