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Shure P2R PSM-200 S5

In-ear UHF pocket receiver

  • Limiter
  • Cable operation or wireless possible
  • Low battery LED
  • Frequency range: S5 855.275 - 864.850

Dalsze informacje

Incl. Earpieces No
3 Oceny klientów:
  • 5
  • 4
  • 3
  • 2
  • 1
4.3 / 5.0
  • obsługa
  • właściwości
  • dźwięk
  • wykończenie
Aktualnie ten produkt posiada ocenę tylko w innym języku.
Liczba pisemnych ocen 3 Wszystkie oceny
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
obsługa
właściwości
dźwięk
wykończenie

Perfect Sound, Easy Handling

meikii, 28.02.2014
The reason why we bought the system is pretty simple: In our Rock Band we move around the stage a lot when playing live. With a wireless guitar rig you might say so far so good. However the constant struggle was the monitoring that - depending on where exactly you just are on stage - was good or bad. In our case we found ourselves out of the monitoring volumes too many times. Therefore we bought the PSM 200 system. It is extremely simple to use. Once plugged to the mixer you can start setting up the individual receivers and you are almost ready to go. Just find the right volume level for your particular set and that's it. The big advantage is the individual setting you can do: You would like to have the total mix louder? Just turn up the volume on your set and you can hear everything louder, while all other band members will still enjoy the volume levels, they have dialed into on their set. You would like to hear the drums better? Just adjust the mix at the mixer to higher level etc. etc. And last but not least: It really protects your ears from the high peaks of the live playing and direct output of the drums, guitar speakers etc. I would have preferred a metal housing for the system, but that is rather "poetry"....
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Tel: +49-9546-9223-35
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In-Ear Monitoring
In-Ear Monitoring
In-Ear monitoring - reasonable prices since a few years only - a real bliss for any live musician. Why? Find out here..
 
 
 
 
 
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