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Shure Beta 52A

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Dynamic Microphone

The Shure Beta 52A is a dynamic microphone with high output power and a transmission range specially optimised for maximum bass drum punch and accommodating other low-frequency instruments.

It offers a very good response, excellent punch and delivers studio quality even at extreme volume. The superheterodyne characteristics of the Beta 52A ensure maximum isolation of the sound source and high feedback while considerably diminishing background noise.

The adjustable tripod adapter with integrated XLR connector simplifies the positioning of the microphone, especially when used inside the bass drum. At the same time the snap-in tripod adapter holds the Beta 52A securely in place even in hard shocks and strong vibrations. The basket made of hardened steel provides protection against the stresses of the rough stage.

  • Super-cardioid
  • Optimized frequency response especially for bass drum kick and low-frequency instrument pickup
  • High feedback with minimal background noise
  • Portable stand adapter with integrated XLR connector for easy installation, especially in the bass drum
  • Basket made of hardened steel protects against wear and damage
  • Air-sprung vibration absorber protects against impact sound and vibrations
  • Neodymium magnet for high output levels
  • Low sensitivity against different connection impedances
  • Transmission range: 20 - 10,000 Hz
  • Maximum sound pressure: 174 dB SPL (up to 1 kHz, calculated)
  • Output Impedance: 45 Ohm
  • Noise Sensitivity: -64 dBV / Pa (0.63 mV)
  • Weight: 605 g
  • Tripod mount
  • Including bag
Condenser Microphone No
Polar Pattern Supercardioid
Microphone Clamp Yes
Dynamic Microphone Yes
Complete Set No
Numer artykułu 105760
166 € 757,62 zł
Zawiera podatek VAT, nie zawiera kosztów wysyłki 15 €
Cena w zł podana jest w celach orientacyjnych
Artykuł dostępny w magazynie
Artykuł dostępny w magazynie

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Szacowana dostawa pomiędzy Czwartek, 21.10. and Piątek, 22.10.
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PZ
Bardzo polecam.
Przemysław Zera 18.05.2020
Mikrofon świetny, jedyne ale to to, że jest zbyt dużym mikrofonem, powinni zmniejszyć obudowę. Sam w sobie brzmi świetnie, jest ciężki, masywny, stabilny, tylko gdyby był trochę mniejszy, to byłoby idealnie.
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_Krzysiek_ 15.07.2018
ciezko oceniac cos co jest klasyka, dziala swietnie
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Polecam
Paweł Zadworny 12.04.2017
Krótkim zdaniem, nie ma bardziej uniwersalnego mikrofonu do stopy.
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google translate gb
Wystąpił błąd. Proszę spróbować później.
SS
Smith Smith 21.03.2020
I have used this mic in the studio with good results for kick drum, floot tom, electric bass cabinet.

Kick drum:
I had trouble recording kick drums at first. I've read that this mic has a mid scope and thought it sounds kind of flat and lacking punch of a "real kick sound"
Long story short... I tried buying new heads and started experimenting with positioning. I found that tuning my drums was the main issue. I do use a kickport in rear and Remo CS clear (going for EQ3 or something smilar next time) with my 22"x18" and a small pillow.

With this setup i found tuning my kick drum without the need of black belt in tuning drums. Just a tip that worked well for me. So now it sounds better than the weaker papery "plack"-sound that I got before. Now it's definitivly a "boom" when placing the BETA 52A inside an inch or two aiming a bit above dead centre. I do use the Autix D6 in addition for kick drum recording. I place the D6 halfway in and get boomier kick with high frequency click. I like the D6 more, but that's another story to tell.

Pros
Legendary mic. Good starting point if buying first kick drum mic if you don't know what to aim for. This mic is great with floor tom if upgrade the kick drum mic to something else.
Cons
- Has mid scope. You should'nt be afraid to use heavy EQ to shape the sound. Consider Audix D6 if you think or know you want more low end, less mids and bit high frequency click out of the box. They are both excellent and in the same price range.

Floor tom
SM 57 is the mic i usually end up using. If i have a spare SM52 i definitivly want it with floor tom. The Beta 52A sounds great on floor compared with sm57 and the low end it lacks. The Beta 52A just adds a lot more "punch in your face"-lows compared to a SM57.
Pros
- First and only mic i used with Beta 52A
Cons
- None so far

Electric bass guitar cabinet
Beta 52A is the mic i usually end up using. It delivers good low end sound. I do sometimes use additional SM57 for a track with overdrive. I found line in more useful fot that purpose.
Pros - Gives great low end and sounds good when recording in high volume situations.
Cons - I usually need additional track from line or SM57 when recording bass for a fuller sound in the hi-end depending on music style and taste at the moment.

Overall
Great for kick drum, floor tom and electric bass cabinet. The mid scope is an issue for me with kick drum, but can easily be eq:d to sound more youi want it to. Sounds amazing in combination wuth Audix D6. I would choose Beta52A as a first kick drum mic to buy and try it out since it is a great mic as floor tom in case you buy another one. Tuning might be a problem regardless of mic used and should be a concerm to fix before recording and jiugdning, specially if there is no power in the sound.. Audix D6 is a heavy pre-EQd mic and might suit you betterif you know you more low end and a bit high freq click. Beta 52A ijs a safe bet and worth trying if you are unsure of what you want. It's built to last.
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