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RME Babyface Pro

24-Channel USB Audio Interface

  • 24 Bit /192 kHz
  • Total 12 in- and outputs
  • All inputs digitally controlled
  • 4 Analog inputs for microphones (XLR), line level and instruments (6.3 mm jack)
  • Microphone inputs with up to 70 dB gain, pad, overload protection and 48V phantom power
  • 4 Analog outputs: 2x XLR and 2x output for high- and low-impedance headphones
  • Optical input and output - optional ADAT (SMUX supported) or SPDIF
  • MIDI input and output via breakout cable
  • USB 2.0 (3.0 compatible)
  • RME TotalMix FX software including EQ, reverb and delay
  • AD / DA conversion with SteadyClock technology
  • Class compliant
  • Optimized drivers for PC and Mac
  • Stand alone operation possible
  • USB Bus powered
  • Dimensions (W x H x D): 108 x 35 x 181 mm
  • Weight: 680 g

Dalsze informacje

Number of analog inputs 4
Number of analog outputs 4
Microphone inputs Yes
Phantom power Yes
Hi-Z input Yes
Digital input Yes
Digital output Yes
MIDI interface Yes
Headphone jack Yes
Word Clock No
Zero latency monitoring Yes
Max. resolution in bit 24 bit
Max. sample rate (kHz) 192
USB Bus-Powered Yes
Incl. power supply No

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RME Babyface Pro + Image-Line FL Studio Fruity Edition 12 + Toontrack EZ Drummer 2 + Samson MediaOne BT3 +
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RME Babyface Pro + the t.bone SC 300 + the sssnake SM6BK + Millenium MS-2005 +
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RME Babyface Pro 45% klientów kupiło dokładnie ten produkt
RME Babyface Pro
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688 € Do koszyka
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Najpopularniejsze Interfejsy USB 
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Aktualnie ten produkt posiada ocenę tylko w innym języku.
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Finally: at home everywhere!

Daniele T., 10.09.2016
I just waited and postponed for months the decision to try and buy the RME Babyface Pro, as I couldn't commit to spend the money it costs.

At the other end of my life, I use a Fireface UCX on my job, which I love in each and every detail. But I've never plugged my guitars into it, because that's job, you know, corporate realm, business land.

I was afraid the Babyface Pro was still just toy room stuff compared to the UCX, though at a price tag that still required serious (and honest) questioning within myself.

I play guitar in a noise / drone / ambient setting, and I'm heavily dependent on a tableful of digital effects (mostly Strymon and Eventide) which isn't exactly travel-friendly.

I want to start dig into Cycling74's Max and and learn how to "build" my own sound effects chain in there, explore ppooll and elevate Ableton Live from recording workbench to realtime processing tool.

All of this requires a portable front-end for guitar of unquestionable neutrality in tonal response, together with the lowest possible transport latency.

RME Babyface Pro delivers what it says on the box, and then some, too. I had to switch the routing off within TotalMix to be convinced I was hearing my through-path signal, for how negligible latency (on a 2015 MacBook Pro i7) is.

I've added a hefty psu, even if Babyface Pro works like a charm just with the USB bus, without external power, because it sounds so pristine, so transparent, so... like there isn't anything on the path, that I want to exploit all the headroom it can handle.

I find the DSP-based reverb and delay pretty usable for my training schedules at hotel rooms, and the output stage can really drive even the most current-hungry headphones of my arsenal to life, real life.

Just be warned, though, of something you may just ignore until you hold the Babyface Pro in your hands: size-wise it's tiny and compact, but weight-wise it's a brick, due to the seriously "Made in Germany" construction. It'll get into your laptop shoulder bag easily, but it will laugh at every penny you've spent for light-weight equipment.

It's pleasure to touch and operate, beside what it'll make of your most precious sound sources in audible terms, and RME are renown for the relentless work they put on refining their (already winning) drivers even further. Whoa, they promised Babyface Pro would have been a major leap from the previous hardware... and word was followed by facts.
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