I bought this mic with the intention of using it it primarily as a dialogue recording microphone for tv productions indoors where a shotgun picked up too much reflection from rear walls.
In comparison to my shotgun (an MKH416) this microphone probably isn't quite as clear and crisp (they definitely have different high frequency response) but it handles the reflections of an interior space superbly.
The sonic differences between the two aren't too drastic that you can't match them in an edit.
The box it comes in is nice but I can't understand why you would sell the pack with the foam windshield without providing space in the box for it.
There are better hypercardioid microphones for film and tv dialogue recording but nothing at this price point.
I use this microphone as a production sound recordist as my primary weapon for indoor dialog recordings with an Ambient boom pole, Rycote Invison mount and Rycote Baby Ball Gag windshield. I recommend those accessories if you want to use this on a boom pole, because the provided foam windshield and metal mount are worthless if you plan on using this on a boom pole.
The mic is really small, but has a sturdy metal housing and the build quality and connections are excellent. The only downside is that it's really sensitive to RFI and that can cause problems, if you don't have the chance to eliminate the sources.
I love the flexibility of having multiple capsules,that are. easy and quick to exchange and the included high pass filter is a nice addition, however I have my concerns regarding the build quality of that. If you look inside its a simple RC circuit made from cheap industrial materials. It does the job and helps a lot with wind and handling noise but I wonder how well those components are selected and measured.
The mic sounds great, clean, really low self noise, it's overall a really great microphone for a low price.
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