Nektar Pacer

39

MIDI Footswitch Controller

  • Robust metal housing
  • Track and transport control with Nektar DAW integration
  • Support for e.g. Bitwig, Cubase, GarageBand, Logic, Nuendo, Reason, Reaper and Studio One
  • MCU for all common DAWs and Pro Tools Setup
  • Fully programmable MIDI controller
  • 24 Presets - banks A-D per memory 6 presets
  • Up to 16 MIDI commands can be sent per Preset
  • 10 Programmable footswitches
  • 4 Programmable external footswitches (optional)
  • 2 Programmable external expression pedals (optional)
  • 4 Programmable relays
  • 1 Programmable encoders
  • The footswitches can be programmed to send up to 6 commands when activated or in sequence (one after the other)
  • RGB LEDs offer multicolour status displays (freely programmable)
  • Dedicated icons for Nektar DAW integration
  • MIDI Machine Control (MMC)
  • MIDI output for external hardware control or for use as USB-MIDI interface
  • USB Class Compliant (no driver needed)
  • Powered by USB host or USB power adapter
  • Connection for external 9 V power supply (middle negative)
  • Presets for popular guitar MIDI devices such as Line6 Pod and Helix, Avid Eleven, Kemper Profiler and AxefX
  • MAC (OS X 10.5 or higher) and PC (Windows XP, Vista, 7, 8, 10 or higher) and Linux (Ubuntu)
  • Nektar DAW integration on Windows Vista, 7, 8, 10 and Mac OS X 10.7 or higher
Produkt dostępny od Maj 2018
Numer artykułu 436177
Ranking sprzedaży 1 szt.
Amount Of Switches 10
Number Of Pedals 0
Display Yes
Connector For Expression Pedal Yes
USB 1
5-pole DIN MIDI 1
Pads 10
Diplay 1
Rotary Knobs 0
Fader(s) 0
Pokaż więcej
199 € 929,14 zł
darmowa wysyłka, zawiera podatek VAT.
Cena w zł podana jest w celach orientacyjnych
Dostępny za 1-2 tygodnie
Dostępny za 1-2 tygodnie

Produkt będzie za niedługo dostępny i natychmiastowo gotowy do wysyłk.

Informacje dotyczące wysyłki
1

39 Oceny klientów

30 Opinie

fg
great product
freaky guitarist 31.08.2021
the best midi controller on the market
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google translate gb
Wystąpił błąd. Proszę spróbować później.
W
Very Impressed!
Woiperdinger 13.03.2020
I use this foot controller for controlling Ableton Live primarily. For launching clips, guitar looping and playing notes with my feet (synth bass etc...).

The build quality is excellent. It feels great, you know when you have depressed one of the buttons and the chassis seems like it is built to last on the road. I can not tell if the buttons/keys themselves are plastic, they are solid and do not feel like plastic, more like aluminium. Either way, they are very robust and have a solid feel when depressed.
The only thing I would worry about is the large data encoder, it is also well built, but seems like it could handle less abuse than the rest of the controller.
Programming it was a bit tedious but straightforward. Not difficult, just repetitive.
I would say it is a huge improvement over the standard foot controller everyone is using (you know the one).
The ability to colour code the pedals is great for knowing what everything does and what preset you are in.
There are enough presets (26) that you can control a wide variety of devices without having 100 presets you forgot about.
Great for studio and live use!!!
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3
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Wystąpił błąd. Proszę spróbować później.
S&
Great for controlling software synthesizers
Szymon Łukowski 26.09.2019
Overall, this is a great product, I use it as a footswitch controller for software synths in MainStage. Works flawlessly with various expression pedals. Recently the editor became available ( it really helps getting desired results MUCH faster. I've tried various MIDI footswitches including Behringer FCB1010, Roland FC300 and this is most versatile controller I've used. Highly recommended.
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google translate gb
Wystąpił błąd. Proszę spróbować później.
TO
excellent buy.
Thomas O. 713 09.03.2022
Easy to use , I mainly use it to control my daw so worked straight out of the box for reaper , I will use it for midi switching as well , which I believe it is excellent at and a lot easier to program etc. pedals seem like good quality. very happy.
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