MOTU 8A AVB

Audio Interface

With Thunderbolt and USB 3.0 connection as well as AVB connection

24 bit / 192 kHz

On-board DSP with digital mixer and effects - Classic reverb, compressor (modeled LA-2A), EQ (modeled British analog console EQ)

324 x 24 LCD display

8 Line inputs: 6.3 mm jack

8 Line Outputs: balanced 6.3 mm jack

2 ADAT inputs and outputs with S-MUX

Word clock input and output

Web Access Control (remote control via laptop, tablet or smartphone possible)

AVB Ethernet Port

Including Audiodesk 4 Software

Dalsze informacje

Recording / Playback Channels	128x128
Number of Mic Inputs	0
Number of Line Inputs	8
Number of Instrument Inputs	0
Number of Line Outputs	8
Headphone Outs	1
Phantom Power	No
Number of S/PDIF Connectors	0
Number of ADAT Connectors	1
AES/EBU Connectors	0
Number of MADI Connectors	0
Ethernet	1
Other Connectors	No
MIDI Connectors	No
Word Clock	No
Max. Samplerate	192 kHz
Max. Resolution in Bit	24 bit
Bus-Powered	No
Incl. Power Supply	Yes
Windows Thunderbolt driver	No
Thunderbolt Version	2
Width in mm	220 mm
Depth in mm	175 mm
Height in mm	45 mm

Recording / Playback Channels

128x128

Number of Mic Inputs

Number of Line Inputs

Number of Instrument Inputs

Number of Line Outputs

Headphone Outs

Phantom Power

Number of S/PDIF Connectors

Number of ADAT Connectors

AES/EBU Connectors

Number of MADI Connectors

Ethernet

Other Connectors

MIDI Connectors

Word Clock

Max. Samplerate

192 kHz

Max. Resolution in Bit

24 bit

Bus-Powered

Incl. Power Supply

Yes

Windows Thunderbolt driver

Thunderbolt Version

Width in mm

220 mm

Depth in mm

175 mm

Height in mm

45 mm

Tłumaczenie automatyczne (Pokaż oryginał)

Oryginalna ocena (Pokaż tłumaczenia)

Wystąpił błąd. Proszę spróbować później.

Hollywood loudness!!!

insulaner, 25.08.2018

It is used in my production studio. All inputs I use are optical and synced with my preamp. 8A is my master. I bought 3rd party AVB switch and I can use any room in my house as silent room being able to connect my preamp via LAN I created inside house ethernet network.

I use it these days to make my tracks louder. I mean Rihanna or H.Zimmer loud. My analog synths paint crazy loud patterns on phase plot monitor. I rarely see that on .wav files recorded from my friends. There are only reference series of ESS Sabre 32 DA converters with 135db, I have no idea what card has them installed, that are louder than these or TE Burr Brown DACs. Every track I save is louder than from my colleagues. :)

I tried it also instead of NI AudioDJ 8 to get 4 stereo channels to Xone 92. I wish I could get balanced signal to the mixer and gently use DSP compression. It should get really loud for every one questioning why Antelope, DB25 cables & Model 1 are main choice for big festivals when loudness exceeds allowed levels for short periods but enough to make peaks of the day. :)

I am buying second screen monitor to keep mixing console on and control it with midi motorized faders. 64 channels would be a lot of API components and patch cables. <3

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