Harley Benton CST-24T Paradise Flame

Electric Guitar

  • Deluxe Series
  • Body: Mahogany (Swietenia meliaceae)
  • Arched top: Flamed maple
  • Neck: Mahogany (Swietenia meliaceae)
  • Neck attachment: Set-in
  • Fretboard: Jatoba
  • Fretboard inlays: Pearloid dot
  • Binding on the neck and body
  • Neck profile: C
  • Fretboard radius: 350 mm
  • Scale: 635 mm
  • Nut width: 42 mm
  • Nut: Graphite
  • Frets: 24 Medium
  • Pickups: 2 x Roswell HAF AlNiCo-5 open coil humbuckers
  • 3-Way switch
  • Controls: 1 x Volume & 1 x Tone control with push/pull function for coil split
  • Hardware: DLX chrome
  • Tremolo: Wilkinson WVPC
  • Machine heads: DLX
  • Strings: D'Addario EXL-110 .010 - .046
  • Colour: Paradise Amber Flame
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próbki dzwiękowe

 
0:00
  • Blues
  • Metal
  • Rock

Dalsze informacje

Colour Bernstein
Body Mahogany
Top Maple
Neck Mahogany
Fretboard Jatoba
Frets 24
Scale 635 mm
Pickups HH
Tremolo Standard
incl. Bag No
incl. Case No

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Harley Benton CST-24T Paradise Flame
29% klientów kupiło dokładnie ten produkt
Harley Benton CST-24T Paradise Flame
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219 € Do koszyka
Harley Benton CST-24T Emerald Flame
8% klientów kupiło Harley Benton CST-24T Emerald Flame 219 €
Harley Benton CST-24 Paradise Flame
8% klientów kupiło Harley Benton CST-24 Paradise Flame 198 €
Harley Benton CST-24T Ocean Flame
8% klientów kupiło Harley Benton CST-24T Ocean Flame 219 €
Harley Benton CST-24T Black Flame
6% klientów kupiło Harley Benton CST-24T Black Flame 219 €
Najpopularniejsze Modele ST
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Great Guitar
Roger6897, 20.07.2015
I recently purchased a CST24T Harley Benton. I was extremely pleased with it except for a few minor things. I really don't like the telecaster knobs on this guitar - they are too tall to look good on an arch top. This cheapens the appearance of a good guitar - they should be using "speed knobs" and mine have already been changed (amber looks best!) The guitar I received did not have the Indian Rosewood fingerboard specified, but a smooth ebonol (man-made ebony substitute) fingerboard. As I actually prefer ebony fingerboards to most rosewood, I was prepared to accept this change to the advertized material. The frets were not perfect and needed some work to seat, level and polish them, but I guess this is to be expected at the price. There was one small wiring issue which meant I had to postpone the guitar's first gig - the earth wire from the tremolo claw had not been threaded through the tunnel from the trem cavity or connected to the electrics, which caused the inevitable loud buzz through my high gain Laney amp. After I took the guitar home and finished the factory's soldering work for them, I took the CST24T on another gig and it performed excellently all night (two and a half hours gig, non-stop, all on the new guitar.) My back-up instrument - a PRS SE EG with EMG pickups - stayed in its case all night! I doubt anyone will believe this, but it actually happened - a guitarist in the audience came up to me afterwards and said "those (big name American guitar company) guitars are really costly, but they're worth every penny, aren't they?" He honestly thought I had been playing a "real" USA-built guitar. I am now extremely pleased with the guitar and I have ordered the hollow-body version. I have owned many guitars with this appearance, some made in the USA, some by the USA company's Korean production and some made in Asia and marketed by a well-known wholesaler in the UK. This, in my opinion, has more of the flavour and quality feel of the USA guitars than do any of the others. The important things - the finish, the Wilkinson pickups, the operation of the volume and tone controls, the lovely smooth Wilkinson trem and (after the frets were smoothed and levelled) the action of my guitar are all excellent - no upgrades urgently needed. Very playable and so nice to look at I am still taking it out of it's case just to take another look. Owner satisfaction is so high it's easy to ignore how little I paid for it - there is an old saying (usually to justify paying a stupidly high price) "quality is remembered long after price is forgotten". With this guitar, that saying is still correct. One small suggestion (although the electrics are surprisingly versatile as the tone and volume actually WORK on this guitar) - if they used the four-wire Wilkinson humbuckers and a push-pull tone control for split-coil sounds it wouldn't cost much more to produce and would bring it even closer to the performance expected from this type of guitar. Surely this could be done and still keep the guitar incredibly affordable. Verdict - I'm very pleased. Thanks Thomann.
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gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
właściwości
dźwięk
wykończenie
Just F***in Wow!!
02.04.2016
So many people have already said just how good this guitar is, it seems ridiculous to say more, but hell this thing is good. And it 'is' worth saying more, because people should know the quality is constant. Having said that, I think mine must be of older stock, that or the manufacturer has gone back to rosewood fret boards, because mine is definitely 'not' ebonol, it's rosewood. And, it came exceedingly dry and undernourished. Soon sorted with lemon oil though. The body of mine is one piece mahogany, no lamination and is finished in a translucent rose' red, as is the neck which is 5 piece affair with scarf joint, with a lovely shallow d profile, which I like. Again set up was questionable. I'm not that bothered as I do my own (as should everyone), but if you aren't up to this and don't know how, remember to factor in the price of a set up at your local guitar tech or dealership. My CST24-T came with super lite XL string on, my god are they light? 9 to 41 (41???). Anyway as usual who ever put the strings on didn't 'lock' them off (again) so slipping strings is what you get, and no chance on earth of using the trem without total loss of tuning. This is all incidental as the guitar is amazing after a good set up. And you do need to do one. The CST24-T is a time machine, yep! I lost 4 hours with it, you just can't put it down. I own a CS custom as well and was delighted that the CST24 is voiced so differently (you 'can' get those Santana tones). It has a much brighter voicing with its PU's than the custom, but it can still do lovely bluesy tones. The pots work well allowing for good tonal changes and the volume is smooth, allowing clean sounds from my valve amp to break and dirty up nicely as the volume is increased.
As for looks. Well...... Mine is a lovely honey mustard colour running out to a gorgeous rose' translucent red. I was worried I may have got an 'acidic' or 'toxic' looking one (I've seen a few on YouTube) but all is 'very' well it looks stunning. The only thing (aside from the set-up) I have done is change the chrome knobs for 'amber' speed knobs and swap out the 'black' toggle switch cap for cream to match the PU surrounds. And, once the lemon oil has fully dried in (about a week from now) I will be putting on my 'bird decal' fret markers to complete 'a certain look'. Thomann. Your a great company, keep doing what you do. All the best to your team, except that guy who does the set-ups. I saw him on Rob Chapman's YouTube vid. I'm learning German as fast as I can, I'll do his job and lock of the strings properly :)) (only joking) (Or am I)
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