Harley Benton AC PRO 60 B-Stock

B-Stock with Full Warranty

Slight traces of use

Acoustic Combo

  • Power: 45 W
  • Equipped with: 1x 8" speaker (8 Ohm) and 1" tweeter
  • 2 Inputs: Jack and jack / XLR combo
  • Channel 1: Controls for gain, bass, middle, treble, switch for high / low and contour
  • Channel 2: Controls for gain, bass, treble, switch mic / line
  • All FX Balance CH1 / CH2
  • Mode switch: Hall, Plate, Chorus/Room Delay
  • Level
  • Master volume
  • AUX input
  • MP3 input
  • Tuner output
  • Effect loop
  • Line output
  • Balanced XLR DI output
  • Headphone output
  • Foot pedal connector: Effect on/off (article nr 260691 - not included)
  • Dimensions: 346 x 280 x 346 mm
  • Weight: 11 kg
  • Matching dust cover: Article number 283229 (not included)
No JavaScript? No Audio Samples! :-(

próbki dzwiękowe

 
0:00
  • Acoustic Duo
  • Acoustic Duo Line
  • Bossa
  • Bossa Line
  • Strumming
  • Strumming Line

Dalsze informacje

Power in Watts 45
Speaker size 1x 8", 1x 1"
Channels 2
Reverb Yes
Effects Processor Yes
External FX Loop Yes
Microphone Input Yes
Line Input Yes
Battery Operation No
Footswitch connection Yes
Incl. Footswitch No
13 Oceny klientów:
  • 5
  • 4
  • 3
  • 2
  • 1
4.5 / 5.0
  • wykończenie
  • właściwości
  • dźwięk
  • obsługa
Aktualnie ten produkt posiada ocenę tylko w innym języku.
Liczba pisemnych ocen 13 Wszystkie oceny
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
wykończenie
właściwości
dźwięk
obsługa
Astounding little amp. A real gem!
markodarko, 11.01.2015
Firstly, just to clarify my "status" as a guitarist, if there is such a thing. I've been playing guitar - acoustic and electric - for over 30 years. Sheezus, I'm old. Anyway... Suffice to say I've played through a gamut of different amps and PA systems over the years and currently own a Marshall AS50D acoustic amplifier (I used to own an AS100D) and a Yamaha Stagepas 500 PA and I bought this little amp for my son to get him gigging.

Well, what can I say. Impressed is not the word. Well, it is, but if you could incorporate impressed and surprised into one word, that would be the word - imprised?

The tone is not really like the AS50D - in some ways it's a better tone, in different ways not. For example, it has a mid on the guitar input which the AS50D does not so you can alter the tone quite a lot there even if you have an EQ on your acoustic. Also, the AS50D just has one reverb setting while this has 2 plus a delay and a chorus. The AS50D wins on the chorus stakes though as it has a dedicated chorus function, however it's handy having a delay - I actually prefer delay over reverb if given the choice of one or the other - although the delay on the amp is not adjustable in any way other than level, it's useful all the same.

Those differences aside, if comparing them side by side I'd say that the Marshall has more of a spectrum to the sound, but the Harley Benton is somehow "clearer", more of a focused sound, especially when finger picking. In isolation they are both excellent and there's not a whole lot between them if you EQ them to sound similar and when in isolation you'd be happy with either.

I've had both the AS50D and the AC Pro 60 on a Thomann amp stand (which is also excellent) cranked up with a guitar and Shure SM58 plugged in and seated within 1.5 metres of the amp and feedback is minimal - in fact it's a lot worst on the Marshall - to the point where they have a "feedback elimination" control, but it's not needed on the Harley Benton at all!

Cranked up they are both clear and distortion free - providing you're careful to turn down the bass at high volume levels of course. I'd be totally happy gigging with this amp with no problems at all, and if my Marshall gave up the ghost I wouldn't hesitate in replacing it with one of these. All you need for a small acoustic pub gig.

Incidentally, I'm pretty sure that this is identical to the Tanglewood T6 amplifier. Certainly looks it, and that's had rave reviews, except this is a third of the price!

Highly recommended. Grab yourself a bargain.
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
wykończenie
właściwości
dźwięk
obsługa
Thumbs Up !
Martyn T., 04.09.2015
In summary- a seriously good amp at a seriously good price. But without detracting from it, there is I feel a worthy alternative- read on.

To start, I would say that I agree with all the other comments, except that I haven't heard the Roland. So I will limit my comments to mainly new areas.

I bought this amp with the intention of upgrading the speaker to that used in the AER Compact 60. That would not be a cheap option, but it would then still cost less than a Tanglewood T6 or well under half the price of an AER. But now I've got it I don't see the point of upgrading. It sounds different to an AER Compact 60- if I'm picky marginally inferior when doing a simple side by side test and trying to hear differences. But at a noisy gig with the volume turned up, reverb on, and the sound fighting against the rest of the instruments plus the mikes, any differences are just too marginal. And when you bear in mind that it's well under a quarter of the price of the AER.........But sound quality aside, I would have to say it just can't push out the the volume of the AER. I appreciate that AERs have a reputation for producing volume- could be their amp design or simply using a more efficient speaker, but it does lead to the comment already made that although Thomann market this as a 60watt amp and that is the quoted spec in the manual, the output as stamped on the amp itself is 45 watts. So what's going on ?

By design, it's never going to be an electric guitar amplifier. Sure you can run an E guitar through it, but both the amplifier section and the speaker in any acoustic amp are just too clean for an e guitar. But I can suggest an economical way round this.

For 33 euros you can buy a Behringer X V-amp LX1-X. This footswitch can model many classic amps, and can product a gambit of stomp box pedals. You can even set it up 'totally clean' and simply use the foot pedal as a volume control for your electro acoustic- handy when you want to up the volume for a solo ! Be aware that these are superseded, so its at a sell off price, and I presume stocks are limited.

But as the worthy alternative? For a little extra, you can buy a TC Helicon. That is primarily a monitor, but being so clean it is great for an acoustic. It's 150 watts, weighs only 3 kg, and is very small. It can even effectively amplify a bass! I've got both.

Enjoy your playing !

I
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
173 € 745,64 zł
Zawiera podatek VAT, nie zawiera kosztów wysyłki 15 €

Cena w PLN podana jest w celach orientacyjnych

Dostępna mała ilość w magazynie.
Dostępna mała ilość w magazynie.

Artykuł jest dostępny od ręki.

Informacje dotyczące wysyłki
Powiadom innych o tym produkcie
Twój asystent sprzedaży
gb
Tel: +49-9546-9223-20
Fax: +49-9546-9223-24
Poradniki online
Acoustic Guitar Amps
Acoustic Guitar Amps
Before buying an acoustic amp, it’s important to consider exactly what you want it to do.
Poradniki online
Guitar Setups
Guitar Setups
The range of available guitars and amps has never been greater than it is today, and a huge variety of sounds are easily accessible.
 
 
 
 
 
Podsumowanie:
* Ceny zawierają podatek VAT. Do ceny artykułu(ów) należy doliczyć koszty wysyłki. Oferty ważne do wyczerpania zapasów. Za błędy w opisie i innego rodzaju pomyłki nie ponosimy odpowiedzialności. CK=Cena katalogowa produktu
(1)
Ostatnio obejrzane
Roland MC-707

Roland MC-707; Groovebox; ZEN-Core Sound Engine with up to 128 voices polyphony; 8 parts; 8-track sequencer with 128 steps maximum; 16 clips per sequencer track; up to 8 Loop tracks with Time Stretch and Pitch Shift; 3000 preset tones and...

Ostatnio obejrzane
Harley Benton TE-20MN BM Standard Series

Electric Guitar Bolt-on neck, Body: Basswood, Maple neck with modern C-shape, Maple fretboard, Fretboard radius: 350 mm, Dot-inlays, 22 Frets, Scale: 648 mm, Nut width: 42 mm, Dual action truss rod, 2x TE-style single coil pickups, Electronics: 1 Volume...

Ostatnio obejrzane
Thon Case Kemper Prof. Stage + EP1

Flight Case Suitable for the Kemper Profiler Stage plus a suitable Mission Engineering EP1 expression pedal (Article Nr 367866 (not included)), Material: 6.8 mm Coated birch plywood, 22 x 22 mm Aluminium edges, 2 Small, spring-loaded butterfly latches,...

Ostatnio obejrzane
Yamaha PSS-A50

Keyboard 37 Velocity-sensitive slim keys, 32 Voice polyphony, 42 Voices (instruments), 138 Arpeggio types, Phrase Recorder, Motion effect, USB MIDI connection, Battery and USB bus power supply (USB power adapter sold separately), 1.4 W speaker, Headphone jack, USB to...

Ostatnio obejrzane
Thomann KBH-400BKM

Thomann KBH-400 BKM metal frame, hydraulic adjustable piano bench (420 - 560 mm), seat face: 640 x 330 mm, rack: black matte, seat: synthetic leather black, weight 9,4 kg

Ostatnio obejrzane
Toontrack SDX Decades by Al Schmitt

Toontrack SDX Decades by Al Schmitt (ESD); expansion pack for Toontrack Superior Drummer 3 (item 419735); produced and recorded by Al Schmitt at the Capitol Studios in Hollywood / Los Angeles; 5 complete drumsets and a and a large selection...

Ostatnio obejrzane
Sennheiser HD-600 New Version 2019

Headphones Vibrant, Open, Circumaural, Impedance: 300 Ohm, Sound pressure level: 97 dB, Transmission range: 12 - 39,000 Hz, Two-sided cable routing, 3 m Cable with 3.5 mm jack connection, Weight without cable: 253 g, Weight with cable: 309 g,...

Ostatnio obejrzane
Fender CN-140SCE Thinline Natural

Classical Guitar Build: Thinline with cutaway, Top: Solid spruce, Back & Sides: Ovangkol, laminated, Neck: Mahogany (Swietenia macrophylla), Fretboard & Bridge: Walnut, 18 Frets, Nut width: 43 mm (1.69"), Scale: 643 mm, Fretboard radius: 305 mm (12"), Fishman pickup...

Ostatnio obejrzane
Audio Sprockets ToneDexter Acoustic Preamp

Effect pedal For instruments with a piezo pickup, Restores the missing corpus sound on an instrument when a piezo pickup is used, ToneDexter stores WaveMaps from your studio microphone sound, which can be recalled when only the pickup is...

(2)
Ostatnio obejrzane
Korg Volca Nubass

Analog Bass Synthesizer With tube oscillator and sub-oscillator, Analog drive circuit with tube distortion, Classic ladder filter design for typical acid sounds, 16-Step sequencer with motion sequencing and pattern chain function, Accent, slide and transpose functions, Multitouch keyboard /...

Ostatnio obejrzane
Fender SQ LTD Bullet Strat TTQ

Electric Guitar Limited edition, Body: Poplar, Neck: Maple, Fretboard: Indian Laurel, Neck profile: C neck profile, Scale: 648 mm, Fretboard radius: 241 mm, Nut width: 42 mm, 21 Medium jumbo frets, Pickups: 3 Single coils, Standard synchronised tremolo, 5-Way...

Ostatnio obejrzane
Yamaha PSS-F30

Keyboard 37 Mini keys, 32 Voice polyphony, 120 Voices (instruments), 114 Styles and Smart Chord Function, 30 Songs, Free digital songbook, Various functions (sustain, metronome and more!), Power supply via battery or USB bus (USB power adapter sold separately),...

Twoja opinia
Zgłoś błąd Zauważyles błąd i chciałbys nas o tym powiadomić?

Dziękujemy za Twoją wiadomość, zostanie ona przetworzona najszybciej jak to możliwe.