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G&L Asat Classic FR USA

Electric Guitar

  • Body: Alder
  • Bolt-on neck: Maple
  • Fretboard: Rosewood (dalbergia latifolia)
  • 22 Frets
  • Scale: 648 mm
  • Nut width: 41.3 mm
  • Pickup: 2 G&L MFD Single Coils
  • 3-Way toggle switch
  • 1 Volume- and 1 tone knob
  • Chrome-plated hardware
  • Cream coloured dashboard
  • Painted headstock
  • Colour: Fullerton red
  • Deluxe case included
  • Made in USA
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próbki dzwiękowe

 
0:00
  • Country
  • Funk
  • Indie

Dalsze informacje

Colour Red
Pickups SS
Fretboard Rosewood
Tremolo None
Body Alder
Top None
Neck Maple
Frets 22
Scale 648 mm
Incl. Case Yes
Incl. Bag No
2 Oceny klientów:
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5 / 5.0
  • właściwości
  • dźwięk
  • wykończenie
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Soooo glad I bought this guitar.

jimmythedog, 09.05.2015
I bought this guitar back in January of this year and it has fast become my go to guitar for just about everything. The body comfort balance is superb and fingering is easy and fluid. The body and neck wood quality and fretting are probably contributive to a long sustain; I did a one-note sustain test against a Mexican Fender Tele (Nashville Deluxe) I own and the sustain was about half as much again as that of the Fender. Playable straight out of the box, the factory set-up was spot-on; the action was medium-low (just how I like it on T-models) and there was no need to play about with the saddle settings to get exact octave tonality. The guitar came factory-fitted with D'Darrio EXP's which meant they rang out quite a bit before I had to use fast-fret on them. Now, as to the sound, this guitar looks like a Tele, but a Tele it ain't. It still has a jingly-jangly tone on the neck pick-up (though less than the Fender) but more precise and much more gutsy. Switching to the mid position gets you a real rock-out tonality you wouldn't expect from single coil pick-ups. You don't have to change the amp setting to get extra crunch as playing the guitar with a bit more attack is enough to ensure this. The string volume is fairly equal and the neck pick-up has a sweetness my Nashville tele lacks. I've played it straight through a 70's Marshall 100W Lead Combo, an 80's Peavey VT series amp and modelling-wise through a Line 6 pod and it definitely packs more punch than my Tele can, while maintaining a sweetness at lesser attack and lower volume. I rarely use the tone control, so I can't really comment on it. One very slight niggle would be that if the strings are going to go out of tune, it's going to be the G-string for some reason; the machine heads are great on all the other strings and it's just the one string that takes a bit of fiddling. However, once in tune, it doesn't really go out of tune very much, unless the room temperature varies a lot in the course of playing. The colour? Well, Fullarton Red seemed a bit like a a cut-price (Fender) Candy Apple Red, but the finish is so good, I've warmed to it. What's not to like about it?
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