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Fischer Amps In Ear Amp 2

Fischer Amps In Ear Amp 2 - high-quality in-ear headphone amp, class A MOSFET headphone amp with integrated limiter, switchable impedance for in-ear phones and headphones (>250 Ohms), two headphone outputs (jack and male XLR), 9.5" housing with switchable power supply (115V or 250V AC), switchable 80Hz lo-pass filter (24dB/oct.), 3x modes (stereo, mono-mix and mono), bass-shaker output, two balanced inputs with XLR/jack combi connectors, XLR output, stereo aux line-in, ground lift switch, includes 19" rackmount and 3m headphone cablel 3,5mm stereo jack + Adapter 6,3mm

Dalsze informacje

Integrated Mixer Yes
Limiter Yes

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Fischer Amps In Ear Amp 2 + the t.bone EP 2 + pro snake 20090 + Thon Accessory Case 54x21x33 BK +
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21 Oceny klientów:
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5 / 5.0
  • właściwości
  • komfort noszenia
  • dźwięk
  • wykończenie
Aktualnie ten produkt posiada ocenę tylko w innym języku.
Liczba pisemnych ocen 9 Wszystkie oceny
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
komfort noszenia
właściwości
dźwięk
wykończenie

Why didn't i buy one of these sooner?

Michael W. 860, 19.05.2013
I decided to use in-ear monitors , because of the size of band I play with, there are so many open mics that wedge fold back causes so many sound issues. I looked at wireless in ear, but the frequency response is poor compared to wired, (unless you send BIG money), because I'm a drummer wireless wasn't really necessary . After comparing specs of just about every wired system I could find, I chose the Fischer Amp2. The ability to pan the channels or just have a mono mix, was ideal for separating the band so I have a more natural soundstage in my ears. There is an aux input, so I can add a click track without using up a stereo channel, and I can adjust the aux level independently of the main mix. There is an output for a low frequency transducer ( ButtKicker )with a built in crossover.
I use this amp with the Fischer remote volume control ( worth the extra outlay), which allows me to keep the amp in a rack with all my other electronics to the side of the stage, and adjust the volume from a belt-clip.
When I purchased this amp, I wasn't certain how I would get on with in-ear monitoring, so I paired it with Shure 215 monitors( so not too much money wasted if I didn't like it).
But, now I can say I am a convert to in-ear, the sound quality is amazing, the adjustability is fantastic, the ability to control MY fold back volume is superb.
THE best thing is that everything is done at a lower volume, so my ears don't ring at the end of a gig, or practice anymore. I wish I had gone down this route sooner, maybe I wouldn't have tinnitus now.
If you are still reading this review, you are serious about in-ear monitors, look no further you have just found what you need.
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In-Ear Monitoring
In-Ear Monitoring
In-Ear monitoring - reasonable prices since a few years only - a real bliss for any live musician. Why? Find out here..
 
 
 
 
 
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