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Fender SQ VM Modified Bass VI 3CSB

6-String Bass Guitar

  • Body: Basswood
  • Neck: Maple
  • Neck profile: Modern C
  • Nut width: 42 mm
  • Fretboard: Rosewood
  • Radius 9.5"
  • 21 Medium frets
  • Pearloid block inlays
  • Scale: 762 mm
  • Pickups: 3 Custom Jaguar single coils
  • 4 On/off slide switches for pickup and tone circuit
  • 3-Ply tortoiseshell pickguard
  • Vintage style bridge with non-locking floating tremolo
  • Vintage style machine heads
  • Strings: Fender 250B6 .024 - .084 (Article Nr. 314986)
  • Colour: 3-Colour Sunburst
  • Corresponding case: Article Nr 177638 (optional - not included)
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próbki dzwiękowe

 
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  • Funk
  • Jazz
  • Metal
  • Rock

Dalsze informacje

Colour Sunburst
Body Basswood
Top None
Neck Maple
Fretboard Rosewood
Frets 21
Scale 762 mm
Pickup System SSS
Tremolo Yes
Incl. Case No
Incl. Gigbag No

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Fender SQ VM Modified Bass VI 3CSB
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06.03.2016
Bardzo malo komfortowy instrument, twardy. Bez solidnego doinwestowania u lutnika raczej nie nadaje sie do gry.
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Squier Bass VI

Peter8591, 29.05.2014
I regularly gig as a string bass, bass guitar and guitar player in a country band and a 50s / 60s rock and roll beat groups and I have loved the Fender twang since my formative years of the 1960s when Jet Harris appeared on the scene with the original Fender version of this guitar. So when Squier introduced it to their range at such an affordable price, temptation got the better of me.
Mine is the sunburst version, which is nicely finished. I suppose the butt jointing of the body slabs is more apparent than I would prefer, but I am not complaining at this price. If this is an issue, I recommend going for and Olympic White or other opaque finish. Sunburst was high on my priorities and I have no regrets.
There are many criticisms of this guitar out there on the internet, but I am inclined towards pragmatism, given the price and an appreciation that some of the issues raised could equally apply to the original Fender models which now command sky high prices.
The main criticism is the finishing of the nut and I agree entirely with this. Bottom E is too close to the edge of the finger board and some reviewers have found that the string slips over the edge of the board. While I appreciate that this could be a problem, I find my soft style of playing allows me to not push the string out of alignment.
The tremolo arm works well. The guitar is stays in tune and it sounds great. Nice block markers and a bound fingerboard add a touch off class to what really is a budget guitar.
There seems to be a propensity for replacing the stock strings with expensive La Bella flat wounds. I did exactly that and, guess what?... changed them straight back again to the round wounds. I play with flat wounds on all my guitars and basses, but this is the one guitar I prefer round wounds on. I think this is to do with my playing style. I play a sort of (bumbling) Chet Atkins style using chords and arpeggios with an underplaying bass riff and the round wounds make the chords sing. The flats make it sound more like a normal bass and too muddy on the chords, but it will never be a Jazz / Precision Bass - it's not meant to be. You will have to live with a high enough action to eliminate fret buzz, so just adjust your playing style to suit. Remember, the originals of these had dampers at the bridge (as did all Fender basses up to the early 60s) so a bit of palm muting helps - as does slab of foam under the strings at the bridge.
This is great for duo work where I can do bass lines behind another guitar player and then fill the sound out with chords as well, when he's soloing. Don't buy this guitar if you are a bass player wanting to play a bit of lead, or if you are a guitar player wanting to dabble with the bass. This is what the guitar magazines will tell you it's for and they are wrong. You need to approach it as an instrument which stands on it's own and explore it's possibilities for your own creative ends. Or.... you could just do some revamps of Besame Mucho, Main Title Theme, Diamonds...
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