Electro Harmonix Microsynth

Guitar Mono Synthesizer

Electro Harmonix has always been an experimental company and so it is not surprising that once again a very special pedal has been offered in the "Microsynth".

A typical analog filter which can be adjusted easily via the 10 sliders, enabling wild and modern creations typical of the fat Moog sounds. Simply experiment and look forward to discovering ever more new sounds. Only your keyboardist might end up a bit jel ....

  • Vintage analog sounds (Moog-like)
  • Octave Up, Sub Octave, Square Wave
  • Resonant filter section
  • 10 Sliders for setting the sound
  • From percussive up to soft bowed effects
  • Dimensions (WxDxH): 120 x 145 x 64 mm
  • Incl. power supply
No JavaScript? No Audio Samples! :-(

próbki dzwiękowe

 
0:00
  • Bass Synth1
  • Bass Synth2
  • Guitar Synth

Dalsze informacje

Effect Types Synthesizer
51 Oceny klientów:
  • 5
  • 4
  • 3
  • 2
  • 1
4.5 / 5.0
  • obsługa
  • właściwości
  • dźwięk
  • wykończenie
Liczba pisemnych ocen 27 Wszystkie oceny
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
obsługa
właściwości
dźwięk
wykończenie
Zak K., 12.08.2014
Kudos to Electro Harmonix for reducing the physical size in this new version. The dimensions are 143 x 119 x 60 mm (5.6 x 4.7 x 2.4 inches) -- for some reason it was impossible to find the actual pedal's dimensions listed anywhere online! It came with its own power supply, but with the 9 V negative-center DC setting, I was able to daisy-chain it to the power supply of my other pedals without any problem.

I have always loved this pedal from the time I first played the predecessor version way back in the day. It has some really cool features that allow you to compete with or completely replace the lame keyboardist in your band ;-) Think the solo on Queen's "I Want To Break Free" -- it can easily be replicated with the MicroSynth! And although it is ideal to have an amp set up that is capable of responding to the frequencies it generates, it will still sound great in smaller amps and less-than-ideal set ups. You will have to change your playing to adapt to this pedal, which is a good thing. It'll keep you aware of your legato technique and phrasing, which can only expand your musicality.

There is however one drawback in the current design. The pedal essentially works on unity-gain levels. In most of the live situations I'm in, I need to have a drastic rise in volume when switching from rhythm to solos. The pedal has no general volume boost available, which potentially renders the pedal unsuitable for live situations. I have tried combining it with boost pedals at the pre/post stage, with varied results. Like a fuzz pedal, it works better with some than others or may not work at all. In certain combinations, can sound really awful when the square wave is engaged. Although I consider the pedal to be an excellent one and there is nothing else like it out there, in its current design, based on my particular needs for volume boosts, I would have to relegate it to studio and practice situations.
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
gb Tłumaczenie automatyczne (Pokaż oryginał)
gbOryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
obsługa
właściwości
dźwięk
wykończenie
Death to Ming!
McCaldin, 25.08.2014
This pedal sounds great. You can get the swirling, sub-octave synth sound of the Ming's Palace theme by Queen from the Flash Gordon soundtrack which, in itself, was enough reason for me to buy it.

It took a while to get used it and I find that, compared to fuzz, vibrato, and the more usual fx units, it can be quite difficult to dial up a new sound that sits well on the fly during a gig. To counter this I wrote a few of the settings that provided cool sounds on the handy record sheet that comes with the unit and am now quite comfortable with it.

The starting tone slider broke quite easily within the first month of having it and i now need to keep a ready supply of tooth picks handy to slide between the gap in order to change this parameter. It has the usual, sturdy metal chassis of an Electro Harmonix FX pedal

You get a lot of control with the unit leading it to the kind of versatility that makes it very good value for money.

The sound quality of the Electro Harmonix Microsyth improved greatly when i added a compressor before it in my FX chain and it sounds fearsome with my Strymon Echo pedal after it.

Without the compressor, long sustained notes can die with a bristly farting sound at a moments notice, depending on how you set the trigger. This was fixed by the compressor and allows for some far out, 70's Sci Fi film sounds.

I've never really managed to get a clean guitar to sound nice with a compressor so I intend to get a line selector and keep the Compressor->Synth->Echo on a separate line so i can turn them all of at once(much easier than trying to turn off all three in succession while changing guitar parts).
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
Dostępny B-Stock od 280 €
299 € 1 276,48 zł
darmowa wysyłka, zawiera podatek VAT.

Cena w PLN podana jest w celach orientacyjnych

Artykuł dostępny w magazynie
Artykuł dostępny w magazynie

Artykuł jest dostępny od ręki.

Informacje dotyczące wysyłki
Powiadom innych o tym produkcie
Twój asystent sprzedaży
Tel: +49-9546-9223-20
Fax: +49-9546-9223-24
Poradniki online
Modulation Effects Pedals
Modulation Effects Pedals
The term ‘modulation’ in its broadest sense covers a range of sonic effects, from the subtlest chorus to ear-bending ring modulation.
 
 
 
 
 
 
 
 
 
 
Wideo
Electro Harmonix Microsynth
4:49
Electro Harmonix Microsynth
Rank #200 in Pozostałe Efekty Gitarowe
 
 
 
 
 
Podsumowanie:
* Ceny zawierają podatek VAT. Do ceny artykułu(ów) należy doliczyć koszty wysyłki. Oferty ważne do wyczerpania zapasów. Za błędy w opisie i innego rodzaju pomyłki nie ponosimy odpowiedzialności. CK=Cena katalogowa produktu
Ostatnio obejrzane
Antares Auto-Tune EFX+

Antares Auto-Tune EFX+ (ESD); pitch correction plugin; software for automatical or manual correction of pitch and intonation; Retune-Speed control for fine tune the desired effect from subtle natural pitch correction to the Auto-Tune Vocal Effect; humanize function reduces artefacts; Auto-EFX...

Ostatnio obejrzane
Numark Scratch

Numark Scratch, 2-channle Scratch Mixer for Serato DJ Pro with DVS-license, Serato NoiseMap-compliant with use of Control Vinyls or CDs (optional obtainable), InnoFader Scratch Crossfader with Reverse- and Slope-control, 6 effect choice switches with two Paddle-trigger and Dry-Wet FX-control, 8...

Ostatnio obejrzane
Reloop Spin

Reloop Spin, Portable Turntable, Out of the Box: Comes with 7 '' Scratch Vinyl, Pre-Assembled 45mm Crossfader & Pickup System, Built-in Speaker, Bluetooth Audio Receiver, Bluetooth Audio Streaming: Wirelessly Transfer Music or Beats to Turntable, Smart USB Recording: Direct recording...

Ostatnio obejrzane
Tech 21 Fly Rig 5 v2

Multi-Effects Pedal for Electric Guitar The same analogue SansAmp circuit, plexi distortion and delay of the first version plus some additional features, such as switch between Plexi and Cali distortion mode, an independent reverb with adjustable room size, an...

Ostatnio obejrzane
Varytec Hero Spot Wash 140 2in1 RGBW+W

Varytec Hero Spot Wash 140 2in1 RGBW+W, 2in1 LED Spot Wash Moving Head, the "MacGyver" of the Moving Lights is the universal lighting tool for all heroes, combines two devices in one housing, saves time and space in the rig,...

Ostatnio obejrzane
Marshall Acton BT II Black

Acton BT II Black portable Bluetooth Speaker, 1x 30 W woofer, 2x 15 W tweeter, class D amplifier, bass reflex enclosure, 50 - 20000 Hz, bluetooth standard V 5.0, 3.5mm input for MP3 players etc, controls for volume bass and...

Ostatnio obejrzane
Playtime Engineering Blipblox

Synthesiser for Children Suitable from 3 years, Simplest operation for playful learning of sound synthesis, Oscillator with 12 mixed sounds from various waveforms, PWM, Sync and FM, 2 Oscillator modulation sources selectable with adjustable intensity, Modulated low-pass filter, 2...

Ostatnio obejrzane
Steinberg Cubase Elements 10

Audio MIDI Sequencer (DAW) Classic Sequencer Software for Beginners and Smaller Projects, Supports Up to 48 audio and 64 MIDI tracks as well as 24 instrument tracks, 16 Group channels and 8 send and return channels, A maximum of...

Ostatnio obejrzane
MXL AC-360-Z V2 Black

MXL AC-360-Z V2 Black; Conferencing Microphone; USB microphone for conferences and webinar applications; 12 internal condenser capsules for full 360° audio pickup; compatible with Zoom Video Communications software; connection via USB-C cable; no driver installation required; audio pickup radius: >...

Ostatnio obejrzane
Meris Hedra Pitch-Shifter

Effect Pedal for Electric Guitar Pitch shifter, 3 Harmony voices / delay lines with rhythmic time offset, Tap Tempo function and synchronisation, 12 Diatonic harmonies and chromatic pitch shifting, Up to 16 presets via MIDI, 24 Bit AD /...

Ostatnio obejrzane
Alto Uber FX

Portable battery-powered PA box Power: 100 W (peak), Equipped with: 8" woofer, 3" tweeter, Two line / mic channels with XLR / 1/4" combo inputs, Wireless audio streaming via any Bluetooth device, NFC pairing and 3.5mm stereo AUX channels,...

Ostatnio obejrzane
Modal CRAFTsynth v2.0

Monophonic Wavetable Synth 40 Waveforms with morph function (between waveforms of a bank), Oscillators per voice, Virtual analogue, digital and generative waveforms (including Modal 002 Waves), Cross, FM, and phase modulation, hardware and window sync, ring modulation, Derez /...

Twoja opinia
Zgłoś błąd Zauważyles błąd i chciałbys nas o tym powiadomić?

Dziękujemy za Twoją wiadomość, zostanie ona przetworzona najszybciej jak to możliwe.