DBX 286 S

Microphone processor

  • Studio / Live microphone preamp
  • 48V Phantom power, de-esser, enhancer, compressor and expander gate
  • Design: 19", 1U
No JavaScript? No Audio Samples! :-(

próbki dzwiękowe

 
0:00
  • Guitar
  • Snare
  • Vox

Dalsze informacje

Channels 1
Number of microphone inputs 1
Instrument input No
Tubes No
Compressor/Limiter Yes
Equalizer No
De-Esser Yes
Phantom power Yes
Phase Reverse No
External effect loops Yes
Analogue Outputs Jack
Digitale Outputs None
Headphone connection No
Level Meter Yes

Wybierz produkty z zestawu i kupuj taniej

Jeśli kupisz ten artykuł w zestawie razem z innymi produktami możesz zaoszczędzić do 5 % !
DBX 286 S + the t.bone SCT 700 +
kolejne 4

Tak wybrali inni klienci

Klienci, którzy oglądali ten artykuł kupili:

DBX 286 S
79% klientów kupiło dokładnie ten produkt
DBX 286 S
Artykuł dostępny w magazynie
Artykuł dostępny w magazynie

Artykuł jest dostępny od ręki.

Informacje dotyczące wysyłki
155 € Do koszyka
Klark Teknik 76-KT
5% klientów kupiło Klark Teknik 76-KT 245 €
Behringer MDX2600 V2
2% klientów kupiło Behringer MDX2600 V2 118 €
Behringer MDX4600 Multicom Pro-XL V2
2% klientów kupiło Behringer MDX4600 Multicom Pro-XL V2 118 €
DBX 266 XS
1% klientów kupiło DBX 266 XS 118 €
Najpopularniejsze Kompresory / Bramki / De-essery
386 Oceny klientów
  • 5
  • 4
  • 3
  • 2
  • 1
4.7 /5
  • obsługa
  • właściwości
  • dźwięk
  • wykończenie
gb Oryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
obsługa
właściwości
dźwięk
wykończenie
Professional value at affordable price
Steve Galloway, 06.04.2020
I use voice recording in an office/studio which operates a lot of electrical equipment and and having a hardware sound chain and preamp in one channel strip like the dbx 286 S Microphone Processor helps me cope with white noise and outside traffic noise while coping with anything from Office 365 Teams telephony and professional voice production.

Packaged in a 19" rackmount form factor may terrify those who are new to audio production, but the unit enjoys plenty of professional YouTube commentary to help understand the learning curve and configure this workhorse. The unit is excellent for those moving up from entry level microphones to prosumer and professional tools. Also, a hardware sound chain like the dbx 286 S may be quicker to get to grips with than learning audio processing software to achieve the same results in tools like Audacity, Reaper, and other post processing apps.

I can disable the sound processing chain and record raw mic input for post processing, and I can always fall back to preconfigured settings for telephony/rush recordings, casting etc. In this respect the High Pass filters and Expander/Gate really help cope with outside neighbourhood noise and suppressing electronics fans etc.

I marked down the the "Features" by one star because the unit does not have a power on/off button. This means having to unplug the unit from my rackmount power strip, and it is a feature I would be very pleased to see included in future iterations.
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
gb Oryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
obsługa
właściwości
dźwięk
wykończenie
Perfect for improving audio during video meetings!
mrozzzz, 10.07.2020
I bought the DBX during the COVID lockdown primarily for video meetings, because I wanted to have a better audio when using my Rode NT1A microphone.

At first I tried various digital workarounds (microphone routed through DAW with noise reduction/gate plugins, compressor, EQ, and looped back) but I had loads of problems that way. Sometimes it worked perfectly, other times my coworkers complained about all sorts of problems that I didn’t hear on my end, not to mention the extra latency.
Eventually I gave up and started looking at hardware options. After watching loads of reviews online I decided on the DBX and it worked great! The compressor and noise gate were especially helpful.

I think that for video meetings/calls or for streaming the DBX is the best choice for this price. However for the usual audio recordings (vocals or voice over) I use it only as a preamp with processing bypassed and then do all the post processing in my DAW afterwards, because that gives me more wiggle room to process the recordings anyway I want.
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
gb Oryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
obsługa
właściwości
dźwięk
wykończenie
Great for voice overs
Zahn, 17.03.2021
A radio station I worked at before had one of these, but, I always felt it was under-utilized as it had very subtle settings dialed in for the processing. And now, I finally got around to investing in one for myself to improve my home studio output, and I couldn't be happier to maximize it for my particular voice.

I plugged this into my signal chain as soon as I got it out of the box, and used it right away to record a commercial VO. It sounded like I was finally maximizing my mic's potential, and I enjoyed the "fuzzy" analog tone I was getting from it.

Up until today, I was relying on plug-ins in post to "mold" the right tone in for my VO work. The 286s now helps me do that as I record, saving me time and effort.

It can get a little tricky trying to find the "right" processor settings for your voice, but a little Googling brings up useful tips on better understanding of what each dial actually does and some good baseline settings. The only drawback is that you can't make presets for different mics. I guess taking a picture of your best settings for each mic would help.

Oh yeah, like a lot of folks, I also wish it had an actual power switch. I would recommend hooking it up to an automatic voltage regulator to keep it from ever getting fried by electrical spikes.

Overall, it's a really great add-on to your gear if you've been hooking your mic up directly to a USB interface. And you won't have to break the bank to get it.

P.S. The folks at Thomann give awesome customer service. They shipped it well and fast, and their chat support is very friendly and helpful.
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
gb Oryginalna ocena (Pokaż tłumaczenia)
Wystąpił błąd. Proszę spróbować później.
Łącznie
obsługa
właściwości
dźwięk
wykończenie
I am satisfied
Zhenis Davletov, 01.05.2021
Hello. Thank you for this device, I am pleasantly surprised and impressed with its work. I wish I'd bought it earlier. In his work, I heard a significant gain for my condenser microphone. Unlike a simple sound card with its gain knob, 2 input and output knobs on the preamp, allow you to get a significant gain of the signal from the microphone, while all the same, the sound received in the daw is very clean and detailed without distortion and artifacts, I also note a very useful button for cutting low frequencies, and I can not help but note the work of 4 dynamic processors, which allow you to set dynamic sound processing, before it gets into the daw. This is definitely what I needed. Although this device is not required, everything can be written and processed in the daw and without it. But I don't regret the purchase. Minor drawbacks, no on / off button. The device is powerful, you need to set the parameters very carefully. Thank you Thomann!
Przydatne · Nieprzydatne · Zgłoś nadużycie
Zgłoś nadużycie...

Czy ta opinia powinna zostać usunięta?

Wyślij
155 € 705,60 zł
Zawiera podatek VAT, nie zawiera kosztów wysyłki 15 €

Cena w PLN podana jest w celach orientacyjnych

Artykuł dostępny w magazynie
Artykuł dostępny w magazynie

Artykuł jest dostępny od ręki.

Informacje dotyczące wysyłki

Szacowana dostawa pomiędzy Czwartek, 13.05. and Piątek, 14.05.

Powiadom innych o tym produkcie
Twój asystent sprzedaży
Tel: +49-9546-9223-30
Fax: +49-9546-922328
Tel: +49-9546-9223-35
Fax: +49-9546-9223-24
* Ceny zawierają podatek VAT. Oferty ważne do wyczerpania zapasów. Tabela z kosztami wysyłki znajduje się tutaj. Nie ponosimy odpowiedzialności za jakiekolwiek niezgodności i błędy. Faktury wystawiana są w języku angielskim i walucie EUR.
2
(2)
Ostatnio obejrzane
MOTU UltraLite mk5

USB 2.0 Audio Interface With USB C connector, ESS Sabre32 Ultra DAC technology, 24 Bit / 44.1 - 192 kHz, Precise level meters for all analogue inputs/outputs with high-resolution OLED display, 2 Microphone / line / Hi-Z inputs via…

1
(1)
Ostatnio obejrzane
Roli Lumi 1 Snapcase Black

Roli Lumi 1 Snapcase Black; sturdy and magnetic cover around the LUMI Keys for a slim and seamless fit; protects the LUMI Keys during transport and storage; easily folds into a stand for mobile devices; dimensions (W x D x…

Ostatnio obejrzane
Line6 Relay G10TII Transmitter

Line6 Relay G10TII Transmiiter, 2,4 GHz plug and play Wireless transmitter for Relay G10 systems or Spider V series from Spider V 60, with internal receiver, audio frequency range 10 - 20.000 Hz, automic frequency setup, 118 dB SPL max.,…

Ostatnio obejrzane
Kawai KDP-120 B

Kawai KDP-120 B Digital Piano - 88 weighted keys, RH-CII keyboard and Harmonic Imaging (HI), three sensors, 88-key piano sampling, 15x sounds, Shigeru Kawai SK-EX sound, Shigeru Kawai SK-EX concert grand piano sound with new low balance volume feature, which…

2
(2)
Ostatnio obejrzane
Behringer S&H / Random Voltage 1036

Behringer S&H / Random Voltage 1036; Eurorack module; dual Sample & Hold /Random Voltage; internal clock adjustable from 0.03 - 300Hz; manual sample button; clock FM input with attenuator; signal input with attenuator; internal random generator with attenuator; channel A…

Ostatnio obejrzane
SSL 500-Series SiX Channel

Solid State Logic 500-Series SiX Channel; Channel Strip; with SuperAnalogue mic preamp and 5-way LED indicator; +48V phantom power; with phase and HPF switches; separate instrument/line input on front panel with Hi-Z switch (1MO); switchable 2-band EQ with bell and…

1
(1)
Ostatnio obejrzane
Otamatone Neo Black

Otamatone Neo, Electronic sound toy / synthesizer, standard size, selection of various sounds via new studio smart phone app, cross link of smart phone and Otamatone via cable, power plug for external power supply, stereo headphone jack, volume adjustable, playing…

Ostatnio obejrzane
Arturia Pigments 3

Arturia Pigments 3 (ESD); virtual synthesizer; four sound engines with variable sound sources; Harmonic Engine with up to 512 partials; Wavetable Engine with a total of 164 wavetables; Utility Engine with sub-oscillator and two noise sample layers; Jup-8 V4 low-pass…

Ostatnio obejrzane
Vandoren Optimum Ligature Clar Boehm PG

Vandoren Optimum ligature for Bb-Clarinet (Boehm system), precise and fast fixation, easily fixable to the mouthpiece, no lateral pressure on reed and ligature, color: pink-gold, incl. plastic cap and three different pressure plates for variety of sounds

4
(4)
Ostatnio obejrzane
Harley Benton AirBorne Pro 5.8Ghz Instrument

Harley Benton AirBorne 5.8Ghz Pro Instrument, 5,8GHz digital wireless instrument system; suitable for all instruments with 6,35mm audio jack; plug-n-play transmitter & receiver; 5,8GHz band (5.729~5.820GHz); 24 bit/48KHz; 4 channels; transmission range up to 35 meter; latency 5,6ms; battery…

1
(1)
Ostatnio obejrzane
Korg SQ-64

Polyphonic Step Sequencer with 4 Tracks 3 Melody tracks with 8-fold polyphony and 16 patterns of 64 steps each, Drum track with 16 monophonic sub-tracks, 64-Key matrix with illuminated buttons, OLED display, Editing modes per melody track: gate, pitch…

2
(2)
Ostatnio obejrzane
Otamatone Neo White

Otamatone Neo, Electronic sound toy / synthesizer, standard size, selection of various sounds via new studio smart phone app, cross link of smart phone and Otamatone via cable, power plug for external power supply, stereo headphone jack, volume adjustable, playing…

Twoja opinia
Zgłoś błąd Zauważyles błąd i chciałbys nas o tym powiadomić?

Dziękujemy za Twoją wiadomość, zostanie ona przetworzona najszybciej jak to możliwe.