the t.bone RM 700

338

Bandmicrofoon

  • Gevoeligheid: 2mV / Pa (-55dB)
  • Karakteristiek: bi-directioneel
  • Nominale impedantie: 600 Ohm
  • Max. SPL: 136 dB 1% THD
  • Frequentiebereik: 20 - 10.000 Hz
  • S / N-ratio: 70 dB
  • Equivalent noise level: 18 dB (A-weight)
  • Gewicht: 794 g
  • Afmetingen: 76 x 165 mm
  • Incl. spin, houten koffer en aluminium koffer
Leverbaar sinds Juli 2005
artikelnummer 180190
verkoopseenheid 1 stuk
shockmount included Yes
€ 109
alle prijzen incl. btw
direct leverbaar
direct leverbaar

Dit product is op voorraad en kan direct verzonden worden.

Informatie over de verzending
Gratis verzending verwacht tussen Woensdag, 3.04. en Donderdag, 4.04.
1

338 Klantenbeoordelingen

4.4 / 5

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A
Rm 700
Anoniem 19.01.2016
ik heb vele microfoons in mijn studio maar deze heb ik er nu 3 en ik moet er gewoon nog meer hebben , je kan ze in zetten op bijna alles , in het begin zette ik deze mics er bij als extra tje om te kijken of het wat nu deed , nu is het mijn standaard voor toms en floors, als je van een ribbon sound houd !!! zeg ik doen !! is je geld 10x waard
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DB
Goed geluid, slechte shockmount
Dirty Bird 14.12.2020
Goed geluid, slechte shockmount. Vleugelmoer moet flink kracht op gezet worden wil deze klemmen. met als resultaat dat deze na 1 jaar lam is.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
C
T Bone RM700 Ribbon mic - relatively average budget mic with one special trick up it's sleeve!
Cirrus 28.01.2014
This is an interesting mic. My understanding is that they're made in China and branded with the T-Bone name for sale in the EU, and also sold in America under a different brand name.

It's a budget ribbon mic, most likely aimed at people who might have a low end condenser, a couple of '57s, and are curious about the "third kind of mic". It's very well built; despite its lollipop construction it's all metal, feels sturdy and comes with a good shock mount, wooden carry case AND a padded aluminium flight case!

As with most Ribbons, the RM700 has a figure of 8 pickup pattern which makes application and placement quite critical - it hears equally well in both directions, so the room sound is as important as the direct sound. Ribbons tend to exhibit strong proximity effect - a low end build up as you move it closer to the sound source - so care must be taken to utilise this effect well. While most ribbons have low output, the RM700 seems relatively powerful thanks to its onboard transformer, however this is at the expense of some sound quality - while most Ribbons are quite dark sounding, the RM700 is even more mellow than most, and it lacks some of the snappy low and midrange detail that more expensive Ribbons such as the Coles 4038 and Royer 121 possess. HOWEVER - given the price points, it would be churlish to compare them too much.

Ribbons tend to be very sensitive to wind blasts from vocals, kick drum holes, bass ports etc. The RM700 seems to be more rugged than most though, and is rated to withstand high SPL levels. I found that the treble can be improved by opening the mic up and removing some extra pop shields that are taped in place. However as this makes the ribbon less protected and voids the warranty I'd not recommend it unless you're feeling particularly brave!

The mic has one strength that I think makes it very worth the money: The low-mid range. While on its own it can be quite dull, I absolutely love it when paired with another mic on guitar cabs. Alongside an SM57 on a guitar speaker, the RM700 brings out a really thick but rich lower midrange that adds depth and power to clean and distorted tones. It's my go to setup for recording my Vox AC30, and has also worked wonders on higher gained rigs too.

For that reason alone I think this mic justifies its existence in my collection, and I'd recommend it to anyone looking for a second mic for guitar amp duty.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
b
The "Secret Sauce"
bluezmaniak 15.12.2021
We all know the struggle - the guitar sounds great from an amp, but once recorded, its almost flat. Why? Probably because you haven't invested into one of those ribbon mics :)

I use this one at the same time with Shure SM57 and that gives me the quality & dynamic range my guitars deserve. SM57 is very precise, but IMHO flat when used by itself.

The RM 700 adds the warmth & bass that counter-balances the precision of the 57. Together they form a duet that will kick some serious a**.

Would I use it by itself? Probably not, but I don't believe anyone should record amps with only 1 mic.

In terms of build quality - Wow! Sound quality - wow! Even the wooden & metal cases will fool you into thinking it is a $400-1000 mic.

Basically, if you are serious about your sound, this is a no-brainer. Just go for it & prepare to take your guitar recording to the next level.
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