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Tascam Model 12

127

Mengpaneel

  • Met multi-track recorder, audio-interface en DAW-bedieningsfuncties
  • 10-Kanaals mengpaneel
  • 12-Track recording in WAV/BWF-formaat op SD/SDHC/SDXC-kaarten tot 128 GB
  • 44,1 / 48 kHz
  • 16 / 24 Bit
  • 1-Knops compressor voor alle ingangskanalen
  • Schakelbare low-cut
  • 3-Bands EQ met swept mids voor alle mono-kanalen
  • Master EQ
  • Overdub recording
  • Punch in/out
  • Geïntegreerde audio-interface voor 12 kanalen (10 ingangen plus stereosom)
  • LC display
  • LED-meter met 12 segmenten
  • Geïntegreerde effect processor
  • Schakelbare fantoomspanning +48 V
  • Incl. netvoeding
  • Afmetingen (B x H x D): 343 x 99 x 360 mm
  • Gewicht: 4,3 kg
  • Bijpassende beschermhoes: art. 497194 (niet bij de levering inbegrepen)
  • Bijpassende koffer: art. 504823 (niet bij de levering inbegrepen)

Aansluitingen:

  • 8 x Microfoon/Line input combo XLR/Jack 6,3 mm (kanalen 1-6, 7, 9 kunnen worden gebruikt als instrumentingangen)
  • 2 x Line output XLR
  • 2 x Sub-uitgang 6,3 mm Jack
  • 2 x AUX-uitgang 6,3 mm Jack
  • 2 x Insert 6,3 mm Jack (kanaal 1+2)
  • Voetschakelaaringang: 6,3 mm Jack
  • Klikuitgang 6,3 mm Jack met tap-tempo-functie
  • 2 x Stereohoofdtelefoonuitgang 6,3 mm Jack
  • MIDI-ingang en -uitgang
  • USB
Leverbaar sinds Mei 2020
artikelnummer 483453
verkoopseenheid 1 stuk
Recording / Playback Channels 12x12
Number of Mic Inputs 8
Number of Line Inputs 10
Instrument Inputs 8
Number of Line Outs 4
Headphone Outs 2
Phantom power Yes
Number of S/PDIF Connectors 0
Number of ADAT Connectors 0
Numer of AES/EBU Connectors 0
Number of MADI Connectors 0
Ethernet 0
Other Connectors USB
MIDI interface Yes
Word Clock No
Max. sample rate (kHz) 48 kHz
Max. resolution in bit 24 bit
USB Bus-Powered No
Incl. power supply Yes
USB Version 2.0
Width in mm 343 mm
Depth in mm 360 mm
Height in mm 99 mm
Connection Format USB port Type C
Number Of Tracks 12
Max.number of input channels 10
USB 1
Microphone Inputs 8
Bluetooth 1
Simultaneous Recording: Amount Of Tracks 12
5-pole DIN MIDI 1
Effects 1
Analog Line Inputs 10
Storage Medium SD/SDHC
Analog Line Outputs 2x Jack, 2x XLR
Digital Inputs 0
Fader 12
XLR Connectors 8
Digital Outputs 0
Jack Connectors 8
Rotary Encoders 12
RCA Connectors 1
Audio I/O 1
MIDI Interface 1x In, 1x Out
Transport Function 1
Footswitch connection 1
USB connection 1
Computer interface USB
Digital Connections USB
MIDI-interface 1
Miscellaneous Connectors Foot Switch
Headphone connection 1
Special Features Recording on SD Card
Options -
Additional Features Mixer and Multitrack Recorder
Included in delivery Power Supply (Tascam PS-M1524), USB Type C to USB Typ A cable, TRRS cable, manual
Zero latency monitoring 1
Toon meer
€ 615
alle prijzen incl. btw
direct leverbaar
direct leverbaar

Dit product is op voorraad en kan direct verzonden worden.

Informatie over de verzending
Levering zonder verzendkosten tot ongeveer Zaterdag, 12.10.
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127 Klantenbeoordelingen

4.7 / 5

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84 Recensies

T
alleskunner
Thuur 12.01.2023
Je kunt m zowel als interface voor je DAW, DAWless met een MPC of ouderwets als stand alone multitracker gebruiken. Moet signaal wel ff stevig insturen om niet te veel ruis te krijgen. Verder de vertrouwde TASCAM kwaliteit.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
S
Magic Mix
Stephen662 30.07.2020
'Brilliant build quality' was the first thing I said to myself as I popped the box. Having read the manual back to front many times whilst waiting on delivery, I found that in half an hour I had set up and ready to go - card formatted, click track working, synced to BFD3 and USB audio streaming out of BFD into a pair of channels.

All I can say is that Tascam have really nailed it with this one, and if they put MIDI etc on the 24 track it would be a truly pro workhorse. However, 10 track recording (and 2 master track) are adequate for my needs; primarily used out of my studio to record jam sessions with buddies.

If you want to get really picky then here's the dirt:

1/ Only two insert points (but appreciate the cost implications of putting them on all channels). I must say though a pair of master inserts would have been nice.

2/ Only 2 fx sends. Again a cost issue - also no dedicated simple returns. If you use the built in FX you are good to go, but if you patch in a box then you are going to lose 2 channels for a stereo return.

3/ Tascam must be the master if syncing to other gear or your DAW. Does not worry me.

EVERYTHING else is just brilliant and a lovely sounding machine it is. Tascam have a certain magic, especially with digital gear. Blindfold, you would swear it is analogue, but to be fair its better than that.

Conclusion, money well spent. Great value, simple to use, and all you need to do is RTFM :)
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
HP
Class Compliant Great, But...
HDS Productions 15.07.2024
I purchased the Model 12 for two big reasons.

1. To use as class compliant gear with my MPC
2. To be a (dawless) home studio mixer and recorder

First, the Model 12 works very well with the MPC, being able to create separate tracks from the MPC and then mix each one before recording. I also loved the Tascam's ability to do overdub recording. However, when it came time to mix a couple of hardware synths and vocals for output, the unit's limitations became glaringly obvious. Vocals especially mixed very low, even with gain up to a maximum. In my opinion there is absolutely no way to create a completed recording with the Model 12 without a good deal of time and work in a DAW. While this may not be an issue for some, I personally just don't see the point with owning a mixer with such limitations when it comes to music production.

I think this is a good case for 'you get what you pay for', but ask yourself what your expectations and goals are, because apart from natural talent the gear you own and use needs to support where you are trying to get to. And, with that old adage; I did end up switching to an RME audio interface that costs twice as much, but is twice as much and more in superiority.

With that said, there are other audio interface options at lower price points that can do the job from manufacturers like Motu, Arturia and SSL to name a few.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
m
Overall great
markkus 31.07.2021
Pro: Works great stand alone, when recording capabilities do not exceed the available 12 tracks
Con: Not as analog as it looks (like de model 16/24), but not as flexible as it's digital relative (DP24/32); be sure to check how it fits your use-case. (Edit 2021): class compliant for the 12 tracks, not for DAW control, but I don't use this anyway, I use it on Linux.
MTR capabilities are limited to the physical tracks and once you have recorded the track you can only bounce it to a free track, there are no extra tracks like in the DP24. For live use this is no issue, but when trying to layer some parts you could quickly run out of tracks in a stand-alone mode, so be aware of these limits and how they possibly affect your workflow.
It's hard to tell if I would buy it again, I would probably for this price try other options, for now I have not really had an issue I couldn't work around by going outboard, even went as far as adding a mixer/router on the subs and sacrificing two inputs (stereo) for the returns.
My use case for now was aimed at playing and recording music, in future I'd like to test the broadcasting capabilities with e.g. OBS.
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