SPL Goldmike 9844

383

SPL Goldmike 2-Channel Class A Tube Preamp

  • Dynamisch bereik 111 dB
  • Versterkingen tot 72 dB
  • Twee afzonderlijke mono-voorversterkers
  • Vooral geschikt voor HD-Recording
  • 48V fantoomvoeding
  • Phase reverse schakelaar
  • Pad-functie (-30 dB)
  • Hoogdoorlaatfilter bij 50 Hz
  • Ground-lift circuit helpt aardlussen voorkomen
  • Schokgeluid-filter en "Flair" circuit
  • Verbeterde presentie van stemmen
  • Heel helder, warm geluid
  • Twee verlichte VU-meters
  • XLR-microfooningang
  • XLR Line Out gebalanceerd, 1/4" Jack Line Out ongebalanceerd
  • 19-inch rackformaat met 2HE
artikelnummer 123370
verkoopseenheid 1 stuk
Channels 2
Number of microphone inputs 2
Instrument input No
Tubes Yes
Compressor/Limiter No
Equalizer No
De-Esser No
Phantom power Yes
Phase Reverse Yes
External effect loops No
Analogue Outputs XLR, jack
Digitale Outputs None
Headphone connection No
Level Meter Yes
Design 19" / 2U
B-Stock vanaf € 499 beschikbaar
€ 539
alle prijzen incl. btw
direct leverbaar
direct leverbaar

Dit product is op voorraad en kan direct verzonden worden.

Informatie over de verzending
Gratis verzending verwacht tussen Woensdag, 3.04. en Donderdag, 4.04.
1

383 Klantenbeoordelingen

4.5 / 5

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205 Recensies

google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
IE
Very picky to the power network interference
Ivan E. 27.06.2018
I have this device for 1,5 year now. I have used it for recording vocals, drumkit overheads, percussion microphones.

First of all, the clarity of the SPL Goldmike 9844 is very good. It provides a clean boost, esp. necessary for dynamic microphones such as Shure SM 7. Using it as an additional preamp for condenser mic (I have tried, for example, Mojave 301 FET) is mostly not necessary as the mic is already quite sensitive, preamps on the mixer were enough in my case. In another scenario, I was recording percussion with a pair of Aston Starlights, got crispy and clear sound with the preamp.

Regarding controls, the FLAIR button is useless. It is a preset equalization and I did not find application for that.

Now the cons. SPL Goldmike 9844 is very-very-very picky to the power network interference. I had noise problems, which I tried to figure out with Thomann (thanks for the awesome support as always!). I have tried Furman M-10x E. Did not work. In the end, I run the preamp through the UPS + a custom network filter after it. That reduced noise by 20-30 db and kept it on a tolerable level. I have recently discovered that the noise was simply from the powerline connector (Ethernet over power network). If you are buying this device you have to make sure, that your power network is flawless, otherwise you will have LOTS of noise in the recording.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
J
SPL Goldmike: More versatile than you think
JamesR 14.05.2013
You shouldn't buy this unit because you have seen the word 'tube' on it. But you should buy it for plenty of other reasons.
Although it does have a single tube on each channel, this only contributes a small amount of fixed gain to the overall sound, so it doesn't really have that typical sound you would associate with all tube preamps.

It does have exceptional distortion and noise stats, giving a very pure and clean signal, with a whopping 72dB of gain availabale. I liked that.

VU meters are incredibly small, to the point of almost being un-useful.
The 'flair' switch is a very fun feature, which is quite well described by it's name..

I used this mainly for passing stereo mixes through rather than a mic preamp, or for make up gain on passive summing boxes/EQ, as it does have a very special quality, but there are other, better preamps available.

The price point is excellent however, and you would be hard pressed to find a better spec'd 2 channel preamp for this.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
R
Excellent
Royalmintrecords 02.11.2014
I'm very pleased with the SPL Goldmic for many reasons, not just the superb sound. The build quality is excellent. The slightly over sized dials on the front feel great and are easy to use. The pad button was very useful for use on drum overheads.

So far I've used it on drum overheads (using the recorderman set up), several amps, vocals and percussion instruments and it has performed fantastically well on every task.

The gain stage is crystal clear and there's very low noise. It's incredibly easy to set up straight out of the box and start making your recordings sound great.

I've so far used it with a pair of oktava mk 012 mics that I used on a drum tracking session and the sound was amazing, a great stereo image, lots of pristine highs that weren't harsh and a lovely bottom end that wasn't muddy. The vocal sound with a Rode NT2 was warm and needed very little EQ to fit it into a mix.

I would definitely recommend it and will soon be adding another into my studio.

One thing worth noticing is that there's no instrument input which if you are a home recording enthusiast you might want to consider but honestly this sounds so good I'd go for it anyway.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
A
A mixed bag
Anoniem 31.12.2014
Feature-wise, and price-wise this preamp is a very good deal. The starved plate design actually does something interesting, although I must say that it doesn't work well for all sources. I like it on vocals and anything without strong transients. It is pecussion and guitars that I think don't sound so excellent through this preamp as the starved-tube stage colors the sound quite a bit and introduces subtle peaks and notches in the sound and also a subtle phasing effect. The flair function is actually a genious thing. It is very useful on vocals, especially when recorded with dynamic mics. The metering is nice, also and the knobs feel very sturdy and have a nice resistance to them, so twisting them is very pleasurable. Cosmetically it also looks very nice.
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