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Audio-Technica AE 3000

48
iZotope Nectar 4 Elements en ook Synchro Arts RePitch Elements cadeau!

iZotope Nectar 4 Elements en ook Synchro Arts RePitch Elements cadeau!

Bij aankoop van dit product tot en met 15-01-2025 geven iZotope en Synchro Arts Licenties voor Nectar 4 Elements en ook RePitch Elements er gratis bovenop, deze hebben een waarde van EUR 78,00!

Condensator-instrumentmicrofoon

  • Richtingskarakteristiek: cardioïde
  • Frequentiebereik: 20 - 20.000 Hz
  • Bas roll-off 80 Hz / 12 dB / octaaf
  • Impedantie: 100 ohm
  • Geluidsdruk: 148 dB SPL max. (158 dB SPL max. met 10 dB pad)
  • Highpass filter
  • 10 dB pad switch
  • XLR-aansluiting
  • Afmetingen: 115,5 mm x 48 mm
  • Gewicht: 170 g
  • Incl. tas en statiefadapter
  • 15 Jaar fabrieksgarantie

Fabrieksgarantie van 15 jaar indien binnen 30 dagen geregistreerd bij audio-technica.com

Leverbaar sinds Juni 2006
artikelnummer 192555
verkoopseenheid 1 stuk
Tube No
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut Yes
Pad Yes
shockmount included Yes
USB Microphone No
Condenser Microphone 1
Polar Pattern Cardioid
Microphone Clamp 1
Toon meer
€ 268
Gratis verzending en incl. btw.
Direct leverbaar
Direct leverbaar

Dit product is op voorraad en kan direct verzonden worden.

Informatie over de verzending
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48 Klantenbeoordelingen

4.8 / 5

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31 Recensies

C
Audio-Technica AE 3000
Coraudio 12.11.2021
ik gebruik deze mic. voor het versterken van elektrische gitaar.
Ik kan maar een ding zeggen " Top Microfoon"
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
VH
Perfect one for me.
Vihren Hristov 13.11.2020
As a drummer I like more open and resonant sound - Keith Carlock vibe. I tried so many close miking technics and mics - AKG D40, Sehnheiser E604, Shure Beta 98 d/s and SM57, Beyerdynamic TG D58, EV N/D468 (which I'm realy happy about) and etc. But close miking make the drums sound a bit "chocked" to me, like a hit straight to the face. In a pop-rock scenario that "hit in the face" type of sound is perfect - low tunings, double ply clear heads, but in more kind of a jazz seting or even pop-rock but a bit retro sound with less attack - for example I have DW Maple Mahogany set (short stack sizes) which goes really well with coated heads (Aquarian Modern Vintage Medium top and Texture coated bottom), no hole in the resohead of the bass drum (both heads are Modern Vintage Medium), medium-high tunings and boy those drums sound realy mellow and warm and I tried the Simon Phillips concept, who said that drumset sounds better from a few steps distance, or Terry Bozzio who use only 5 mics on his set - 1 overhead and 4 infront of the set. And since there are a lot producers/sound engineers who make great mono drum sounds, I decided to put on my set only 3 mics - AKG D112 infront of the kick, D40 on snare and Audio-Technica AE 3000 as side-address/overhead, but way lower as placement as regular overhead (in a studio situation) since my toms are leveld with the snare and the cymbals are just a bit higher than them. This way the mic pics all frequensies from the toms (lower end and warmth) and the top clarity of the cymbals. The end result is more natural and balanced sound of the whole set I'm realy happy about. As Terry Bozzio says - we mike a sections of the piano, not every string alone, so why doing it different with a drumset?! The mic itself is small enough and looks realy sturdy - no play in the mesh grill. The 10 db pad is must for close miking but I don't use it as side-address/overhead. The low cut is great too, altough most modern even semi-proffesional mixers has such. Bottom line - great purchase for my needs.
19.7.22 update: I got second one. I realised that ORTF technique makes simpliest natural stereo picture of a small set with just two cymbals - left and ride crash/rides. Specially for dark, overhammered cymbals mono signal is not the best because they get in the way and cancel each other.
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
C
Excellent on Guitar Amps
ColmR 29.03.2014
This is a very versatile microphone. It has made a huge impact to my live guitar sound as i'm noticing much more low end presence on my marshall 1974x. A low cut is a handy feature for stopping the bass drum coming being picked up. Comes with everything you need and a neat bag. Excellent product
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google translate gb
Helaas is er een fout opgetreden, probeert u het a.u.b. later nogmaals.
K
Kirschner 18.12.2017
I tried it for snare top and kick outside. Works properly with a huge attack
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