Preamps

Universal Audio 4-710D Twin-Finity

4-Channel tone-blending microphone/line preamplifier
With classic compression in 1176-style per channel
Two signal paths: 285 V Class-A tube preamplifier and solid state transconductance amplifier

TritonAudio FetHead

Per microfoni dinamici e a nastro
Amplificatore JFet a bassissimo rumore in classe A
27 dB di Gain (@3 kOhm di carico)

TritonAudio FetHead Transformer

Suitable for dynamic and ribbon microphones
XLR 3-pin female < = > XLR 3-pin male
Extremely low-noise Class A JFet amplifier

Tegeler VTRC Recording Channel

Tube device (4 triodes)
Class-A circuit
Frequency range: 20 - 20,000 Hz +/- 1.5 dB

Avid Pro Tools Carbon Pre

Especially suitable as AVB extension of an existing Avid Pro Tools Carbon interface
Up to two Carbon Pre can be operated in combination with one Carbon base unit with 32 bit / 192 kHz throughout
Built-in control via Pro Tools software

Amplificatore JFet a bassissimo rumore in Classe A
Per microfoni dinamici e a nastro
2 paia di transistor JFet accoppiate

Focusrite Scarlett OctoPre

From the Scarlett series
With built-in 24 bit A/D converter
Up to 192 khz

SPL Goldmike 9844

Dynamic Range 111 dB
Reinforcements to 72 dB
Two separate mono pre amplifiers

Klark Teknik Mic Booster CT1

For dynamic or passive ribbon microphones
Gain: 25 dB
Power supply via phantom power

Warm Audio WA-2MPX

Fully discrete, hand-built design with 3 tubes per channel
Tape saturation adds harmonic distortion and compression
90 dB gain

8 EVO microphone preamps with Smartgain
2 JFET instrument inputs
8 Line outputs

Neve 1073SPX mono preamp & EQ

Mono
Transformer-balanced inputs and outputs
Based on the well-known Class A amplifier

Universal Audio 6176

With the 610B tube microphone preamp and the legendary 1176LN compressor
Microphone and instrument preamp with tube technology
Variable setting of gain and output level

Focusrite Clarett+ OctoPre

With 2 JFET instrument inputs
24-bit A/D and D/A conversion with up to 192 kHz sample rate
Fully analogue relay-controlled "Air" circuitry in each preamp, to emulate the classic Focusrite ISA 110

Rupert Neve Designs Shelford Channel

With transformer gain preamp, DI, inductor EQ and diode bridge compressor
Mic gain and mic trim
48V phantom power and polarity switchable

Golden Age Project Pre-73 MKIII

No integrated circuits in way of signal
Max. 80 dB mic gain
High pass filter

Focusrite Scarlett OctoPre Dynamic

From the Scarlett series
With built-in AD / DA converter 24-bit
Up to 192 kHz

Rupert Neve Designs 5211

Up to 72 dB gain in 6 dB steps with +/- 6 dB trim
Phase reversal
48 V phantom power

Digitally controlled
Integrated MADI / ADAT / DANTE connectivity
SteadyClock FS

Universal Audio Solo 610

The original circuit of the legendary UA 610 console with the same warm preamp sound
Gain and Level controls for controlling the tube saturation
48V Phantom power

Chandler Limited REDD.47

Based on the EMI REDD.51 console preamplifier
Tube (EF86, E88CC)
+57 dB total gain

Digitally controlled
Integrated AVB and MADI connectivity
SteadyClock FS

TritonAudio FetHead Phantom

For condenser microphones
Extremely low-noise Class A JFet amplifier
XLR 3-pin female to XLR 3-pin male

4-Channel Class-A microphone preamplifier
Switchable on each channel: 48V Phantom power, low cut filter and phase rotation
Signal and clip LED per channel

ART Tube MP Studio V3 BK

Hand-selected 12 AX7A tube
OPL (integrated output limiter)
Up to 70 dB gain

Spedizione gratuita per acquisti di un importo superiore a € 99
I prezzi includono l'IVA locale