Neumann KMS 105 BK


Vocal Microphone

The KMS 105 is developed to optimally transmit the human voice making it the first choice for demanding live applications. Due to the low inherent noise, crosstalk behavior that is free of colouration and the supercardioid characteristics, KMS-105 is ideal for a solo singer on stage. Popping, wind and handling noise are largely avoided through an innovative filter. High acoustic resolution and linear frequency response ensure that KMS-105 provides the musician an optimum control over singing and speaking on stage at any time.

  • Condenser microphone
  • The Neumann sound for stage
  • High transparency in speaking and singing
  • Transformerless circuit
  • Supercardioid characteristics reduces feedback
  • Crosstalk performance free of colouration
  • Weight: 350 g
  • Length: 180 mm
  • Colour: Black
  • Incl. microphone clamp
On/Off Switch No
Polar Pattern Supercardioid
Color Black
Lo Cut No
Pad No
In catalogo dal Maggio 2000
Numero di articolo 142052
Unitá incluse 1 Pezzo
Diameter 48 mm
Length 180 mm
Weight 300 g
Frequency range from 20 Hz
Frequency range to 20 kHz
Microphone Mount 1
Bag 1
Windscreen optional available 191079
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€ 569
Spedizione gratuita, incl. IVA

Questo articolo è disponibile in magazino e può essere spedito a breve.

Informazioni sulla spedizione

161 recensioni del cliente

Il mio microfono a condensatore preferito per la voce
Anonimo 03.10.2016
Utilizzo questo microfono in situazioni live sia con voci maschili che femminili.
Amo questo microfono per il grande dettaglio e naturalezza timbrica con cui riprende la voce, specialmente quella femminile. Le cantanti con cui lavoro lo adorano.
L'ho utilizzato spesso anche per letture teatrali e le attrici ne apprezzano la naturalezza e le possibilità espressive che permette.
Personalmente lo preferisco al KMS 104 cardioide con cui l'ho confrontato.
L'area di ripresa non è eccessivamente stretta per avere un diagramma supercardioide.
Il microfono è meno delicato di quanto si possa credere e ha una buona resistenza al feedback.
Sono molto soddisfatto dell'acquisto
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microfono fantastico
gianb 01.10.2019
microfono dal suono straordinario chiaro e dettagliato era quello che mi aspettavo da neumann! consiglio a tutti di acquistarlo! vale tutti i soldi! niente a che vedere con tutti i microfoni che di solito si vedono in giro , quando avrete questo microfono tra le mani vi dimenticherete di averne altri perchè lui è il re dei microfoni live
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
This kid is the best solution
SSaZae 13.03.2021
My home studio had reflections
like a Roman bathhouse, so I needed a clear solution.

[Off-axis rejection and sound quality]

I found this friend while comparing over 20 microphones.

The KMS105 sucks in only my voice like a vacuum cleaner,
while maintaining clear details.

If you're used to shure and Sennheiser's presence,
it might feel a bit dark.
But this means'little nasal',
and it also means your high degree of freedom of editing.

It is recorded stably without the feeling of being broken
or clumped
This child 'only listens to you'

The advantage of the'stage microphone'
will dominate your home studio.
Whether you're vocal, voiceover, musical instrument or livestream,
KMS105 will give you the best results.

Sometimes, unconventional price discounts on old products may signal a'new product launch'.

No, I think it's an opportunity.
It is a blessing to be able to purchase such a complete solution at this price.

Every day before bed, I'll pay homage to thomann's direction and fall asleep.
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
An exceptional live vocal mic. Just the best.
Peter A. 333 23.03.2015
Some years ago, I bought a KMS104 (cardioid), and was immediately impressed with the sheer detail and delicacy of the sound I was able to get. I chose cardioid, since most other vocal mics I had were cardioid, and I wanted to avoid the "rear lobe" that some super/hyper-cardioid mics exhibit. Anyway, I was pleased with the 104 but have found that I sometimes struggle to get wedge monitoring loud enough when using it.

I decided to try the KMS105 as an experiment really, on the basis that it was going to be as good as the 104, but would hopefully be better from a feedback point of view. I was right! The 105 IS a much better betif you're using wedges rather than IEMs. The sound is still wonderfully crisp, but with a rich body as well, just like the 104, but I find I can get all the level I need from monitoring, even on "loud" stages. There is a rear pickup lobe, but to be honest it's not noticeable, and certainly have never been an issue.

It is now my best mic, and goes out on every gig where there is a decent vocalist. I plan to sell the 104 and get another 105, because for me, it's just that bit more useable.
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