Golden Age Project Pre-73 Jr

1-Channel Microphone Preamplifier

  • No integrated circuits in signal path
  • Max. 70 dB mic gain
  • High pass filter
  • +48 V Phantom power
  • Switchable phase
  • Mic Input: XLR / jack 6.3mm combo
  • Hi-Z input: 6.3 mm jack for guitar / bass
  • Line output: XLR /jack 6.3mm combo
  • Desktop format
  • Incl. external power supply

Ulteriori informazioni

Channels 1
Number of microphone inputs 1
Instrument input Yes
Tubes No
Compressor/Limiter No
Equalizer No
De-Esser No
Phantom power Yes
Phase Reverse Yes
External effect loops No
Analogue Outputs XLR, jack
Digitale Outputs None
Headphone connection No
Level Meter No
26 Recensioni dei clienti:
  • 5
  • 4
  • 3
  • 2
  • 1
4.6 / 5.0
  • uso
  • caratteristiche
  • suono
  • fabbricazione
20 recensioni scritte. Leggi tutte le recensioni
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Per chi ama i suoni caldi
23.02.2016
Ho preso questo pre per amplificare la voce con il mio microfono C414XLII. Il suono è molto caldo e liscio e si avvicina a quello che si sente in molti dischi che piacciono a me (ad es. J. Taylor). Ho preso la versione Jr perchè non mi interessavano i vari switch e pad che per la voce non servono, ovvio che la versione completa meriterà il punteggio pieno. Forse il suono è leggermente velato e meno dettagliato rispetto ai preamplificatori costosi, ma per il prezzo di questo ne vale sicuramente la pena: del resto questa è anche la caratteristica di un suono vintage rispetto all'avanguardia digitale. Posseggo altri preamplificatori di questa fascia di prezzo, ma nessuno ha lo stesso calore. Questo poi non ha quella spigolosità sui medio-alti che con gli altri non riuscivo a togliere. Vivamente consigliato!
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Totale
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Doesn?t do much but does it good
Bob Corey, 15.05.2018
This is a nice preamp to use in a proffessional studio or a home studio. At least for the genres of music I work on (rock, pop, folk) this is a nice unit. I bought it in order to be rest asured that I am not loosing anything preamp-wise. After some recordings I must say that this preamp is very silent in terms of hum, noise or anything. Feels very well built too. I run it straight to the A/D converters of an RME Fireface 800. Here are some thoughts:

- On *VOCALS* it warms and fulls them, the difference to my RME FireFace 800 preamps is not big, sometimes not even audible, but in general it fits the vocals a bit better into the mix. It can feel a little ritch at the low-mid area, which for some maybe a good thing for others a bad, depends on taste.
- Same goes for the *ACOUSTIC GUITARS* when they?re recorded with a microphone.
- On *ELECTRIC GUITAR* is pretty fine to record with a microphone, but very usefull for recording line-in because it gives you full control of the input volume, with the RME ff800 I shouldn?t be playing hard otherwise it?d peak, but probably you get something like a pad on other devices(?) so it is a good DI box as well.
- It can also distort the sound if you crank the input in a way that is not always bad and can be used as an effect!

You should get it if:
- you have extra money and want to improve/change your sound a just tiny tiny bit
- you really need an external pre to (let?s say) operate a compressor before the A/D or doesn?t trust his mic preamps for various reasons
Of course there are a lot of other applications it might be needed for, but I find that these two will probably interest someone that is looking to buy this one.

Do I recomend it between others? It is a fine unit at a price that many bad preamps are...but this one competes the double priced units, so if you need it, buy it.
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Microphone preamps, are analogue devices that will remain important even as most other equipment is superseded by digital alternatives.
 
 
 
 
 
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