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FMR Audio RNLA 7239

Really Nice Levelling Amplifier

  • Very good sounding 2-channel compressor (usable as stereo or mono)
  • Specially suited for vocals, basses, guitars and stereo sum
  • Frequency response: 10 - 100 kHz 0.5 dB @ 0 dBu
  • Clip point: + 22.5 dBu @ 3% THD
  • 6.0 msec attack
  • 0.5 sec release
  • Threshold range: -40 dBu to +20 dBu
  • Ratio range: 1: 1 to 25: 1
  • Attack range: 0.2 msec to 200 msec
  • Release range: 0.05 sec to 5.0 sec
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Esempi audio

 
0:00
  • Guitar
  • Percussion
  • Vocals

Ulteriori informazioni

Compressor Yes
Gate No
Peak Limiter No
2-Channel Unit Yes
Attack/Release Adjustable Yes

Altri clienti interessati a questo articolo FMR Audio RNLA 7239, hanno acquistato questi prodotti

FMR Audio RNLA 7239 46% comprato questo prodotto
FMR Audio RNLA 7239
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I più popolari Compressori, Gates e De-esser
73 Recensioni dei clienti:
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4.6 / 5.0
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Less is more :)

12.09.2015
This is soo cute. Very small but large souding. When I opened the box I shocked in terms of its dimensions. You can take it to everywhere in a bag with you.
As its features;
It is just a stereo levelling amplifier and it has every features (including side chain inserts ). Only two things made me bore: First it has a wallwart. And second ( for me this is important) it has no power switch. These two things equal to two stars from features, so I gave it three stars.
As its sound;
Superb. I've recorded a bass guitar. And the result is just the same what it was written in its owner's manual:"Gooey and thick". Very close to a professional sound. And for the price the result is, for me, just pro.
As its quality;
Very nice. Noone denies the quality of its chasis and knobs. It is really small but its quality is big.
For this price, don't think twice. But put this 'small piece' at a seenable place in your studio or you can lose it :)
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A really nice leveling amplifier indeed

29.01.2016
I was searching for a polyvalent compressor that I could use on several instruments (both stereo and mono) and after some weeks of researching I decided buying the FMR Audio RNLA 7239.

The best description for this analog piece is that it thickens the sound, giving a nice vintage type of feel to the tracks.

Something cool about this compressor is that the RNLA is one of the few effects devices that uses input TRS jacks wired as "in/outs" allowing the use of a single TRS cable for both connections input jacks are bi-directional). Almost all other require a conventional, separate input and output cable set-up. If you plug the compressor to AUX though, you should use four plain unbalanced TS cables.

This item also has a very useful button called "Long Release" that specifically creates a envelope that helps not crushing the sound transients keeping their "body", while using longer releases. I use this feature very often, especially for drum bus and bass.

At the end this is a very character driven compressor that gives a nice vintage style sound to your tunes, not damaging the essence of your tracks.
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Audio Compressors
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This tutorial covers audio compressors and how they are used.
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