• Lista acquisti
  • it
    Scegli il paese Select Store
    Tutti i paesi All Countries
  • 0

EV RE20 RE-Series

Large-Diaphragm Dynamic Microphone

  • Directional characteristic: Cardioid
  • Bass roll-off switch
  • Variable-D design
  • Frequency range: 45 / 18,000 Hz
  • Dimensions (diameter x length): 49 x 54 x 217 mm
  • Weight 1474 g
  • Incl. clamp and storage box
  • 3 Year manufacturer's warranty
  • Remark: Ideal for bass drums, wind instruments, and speeches
No JavaScript? No Audio Samples! :-(

Esempi audio

 
0:00
  • Git Amp
  • Kick
  • Trombone
  • Saxophone
  • Trumpet

Ulteriori informazioni

Tube No
Switchable Polar Pattern No
Omnidirectional No
Cardioid Yes
Figure-8 No
Low Cut Yes
Pad No
shockmount included No
USB Microphone No

Risparmia creando il tuo bundle personalizzato

Se ordini questo prodotto insieme ad altri articoli come parte di un bundle, potrai risparmiare fino a % 8 !
EV RE20 RE-Series + the t.bone CD 56 beta + the t.bone CD 55 4x + Audio-Technica Pro45 2x +
5 aggiuntivi
Configura il bundle ora
a partire da € 999

Offerta Bundle 1

Risparmi € 15,90
€ 545

Altri clienti interessati a questo articolo EV RE20 RE-Series, hanno acquistato questi prodotti

EV RE20 RE-Series 30% comprato questo prodotto
EV RE20 RE-Series
Disponibilità immediata
Disponibilità immediata

Questo articolo è disponibile in magazino e può essere spedito a breve.

Informazioni sulla spedizione
€ 545 Aggiungi al carrello
Shure SM 7 B 13% comprato Shure SM 7 B € 425
Rode NT1-A Complete Vocal Recording 10% comprato Rode NT1-A Complete Vocal Recording € 179
EV RE320 7% comprato EV RE320 € 285
Aston Microphones Spirit 4% comprato Aston Microphones Spirit € 389
I più popolari Microfoni a Condensatore con Diaframma Largo
143 Recensioni dei clienti:
  • 5
  • 4
  • 3
  • 2
  • 1
4.8 / 5.0
  • caratteristiche
  • suono
  • fabbricazione
71 recensioni scritte. Leggi tutte le recensioni
Totale
caratteristiche
suono
fabbricazione

ev re20 re-series

palpucci, 16.04.2017
ci avevo lavorato assiduamente alcuni anni fa. poi, non ci siamo più incontrati. non era mio.
bello, bellissimo, fatto bene e pesante. talmente pesante che il suo supporto soffre infinitamente per sostenerlo in maniera adeguata. talmente pesante che il bundle con la micro asta millenium bd100 mi è sembrato insulso. ma questo non ha importanza. l'importante è che il microfono sia utilizzabile per la ripresa di numerose e diverse fonti sonore e che dia ottimi risultati. grandi casse, tom, timpani, bassi elettrici, wurlitzer, chitarre elettriche e acustiche, voci, fiati.
adorabile sulle voci femminili mentre su alcune maschili (baritonali) non mi ha convinto, probabilmente perché ho sbagliato qualcosa. ottimo sia fuori che dentro la grancassa e davanti e dietro ad ogni tipo di ampli.
mi piace tanto.
saluti
Utile · Non utile · Segnala un abuso
Invia recensione...

Trovate questa recensione sbagliata oppure per qualche motivo non utile?

Spedisci recensione
gb Traduzione automatica (Mostra originale)
gbRecensione originale (Mostra traduzione)
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
Totale
caratteristiche
suono
fabbricazione

My Personal Favourite Dynamic Microphone for Vocals

07.04.2014
Although this mic can be used for many applications, I am a vocalist and for my requirements I believe this is a great microphone for many reasons. Firstly, its frequency response is relatively flat so very little eq is required to make it sound great. There are no muddy bottoms or brittle tops to this mic, from bottom to top it is round, full and warm and enhances the natural quality of your voice. It is often used as a broadcast mic, so it has that ability to project the the bottom end of your voice but it doesn't muddy it, whether at the bottom or top of my range the mic provides great clarity and maintains the thickness throughout your range, whereas with slightly lower end 'industry standard' mics I can often feel my voice artificially sharpening or spiking in texture in certain places as I go up through my range. This mic makes transitions feel seemless as the texture of the mic is so consistent from top to bottom and for that reason, it always feels like its working with you.

Also. the proximity effect is incredible, it is easy to forget you are singing through a microphone as whether you back away or get anything other than right up to the grille of the mic, the volume and frequency changes remarkably little in comparison to the proximity effect on any other mic I have used. It resists pops and there are no issues with sibilence. Also, it is built solid, it is an extremely resilient mic and can take a forceful load (one of its other applications is as a highly regarded kick drum mic) so you can belt into this and feel 100% confident that it will replicate what you are doing. It also has great rejection, I use this whilst singing and playing the acoustic and whilst other mics such as condensers may pick more up in terms of detail or ribbons may provide even more warmth, they can be tricky for managing feedback, whereas this mic rejects noise brilliantly, for this reason, I think this is an outstanding microphone for live performance (although some may find it unwieldy and it is not designed to be held during performance)

In the same bracket the Shure sm7B is very well regarded and similar to this mic, but it is my personal opinion that this is simply because the 7b is cheaper and so is the lower hanging fruit between the two, I believe this to be a vastly superior mic, though of course these things are subjective and ultimately a matter of personal preference/requirements.

One thing I think is important to mention is that this mic (like many quality dynamics), is very low output, so for the sound to be fully realised it needs to be driven hard with gain. For this reason I thoroughly recommend purchasing either a Cloudlifter or Triton Fethead alongside this mic. These products provide a clean gain boost by utilising the phantom power in your preamps (it does not feed the signal to your mic so there is no danger to your mic). Since I have done this it has made the sound of the mic even bigger and even when played at the same volume, the difference in fullness (and the re20 is already full to begin with) between with or without a gain boost is quite significant.

In purchasing this microphone I compared scores and scores of mics (in studios and also by using an online comparison clipilator) and out of all the dynamics I have encountered thus far, it is easily my favourite and would require something pretty special to top it.

One last thing, I believe Thomann to be an outstanding retailer and their customer service second to none.
Utile · Non utile · Segnala un abuso
Invia recensione...

Trovate questa recensione sbagliata oppure per qualche motivo non utile?

Spedisci recensione
€ 545
Risparmi % 23,56 (€ 168)
Prezzo IVA inclusa e spedizione gratuita
Disponibilità immediata
Disponibilità immediata

Questo articolo è disponibile in magazino e può essere spedito a breve.

Informazioni sulla spedizione
Condividi il prodotto
I nostri contatti
Telefono: +49-9546-9223-35
FAX: +49-9546-9223-24
Telefono: +49-9546-9223-30
FAX: +49-9546-922328
Telefono: +49-9546-9223-40
FAX: +49-9546-9223-24
Download gratuito
Guide online
Microfoni a condensatore
Microfoni a condensatore
Questa guida ti aiuterà a comprendere meglio i microfoni a condensatore, i più sensibili sul mercato!
 
 
 
 
 
Risultati tests:
Le offerte includono il 22% di IVA italiana e sono valide fino ad esaurimento scorte. I costi di trasporto per l´Italia sono di 20 EUR (isole escluse). Per avere maggiori informazioni clicca qui. Non rispondiamo di errori di digitazione o informazioni inadeguate di nessun tipo. *PPC = prezzo al pubblico consigliato dal produttore/distributore in Germania.
Alesis DM10 MKII Studio Mesh Kit JBL LSR 305 White Limited Edition Thalia Capo Pau Ferro Black Chrome Ampeg Scrambler Bass Overdrive Ibanez SR300E-AFM Harley Benton G212 Vintage Vertical Softube Tape De Sisti Leonardo 1kW P.O. Millenium BS 2015 Round Base PureLink ULS1000 10,0m Focal Shape 65 Electro Harmonix Overlord
(3)
Suggeriti
Alesis DM10 MKII Studio Mesh Kit

Electronic Drum Set Made available in Europe exclusively by Thomann, Successor to the Alesis DM10 studio mesh kit, The new DM10 MKII Advanced Electronic Drum module is based on the Alesis Crimson module, Contains 671 sounds, 54 Preset and...

Al prodotto
€ 879
Suggeriti
JBL LSR 305 White Limited Edition

JBL LSR 305 White Limited Edition, Two-Way Powered Studio Monitor with 5" Woofer, 1" Soft-Dome High Frequency Transducer, 43Hz-24kHz, Class D Power Amp: 41/41W (LF/HF), Max Peak SPL: 108 dB SPL (C-weighted), Magnetic shielding, Level Control, LF trim (+2dB/-2dB), HF...

Al prodotto
€ 145
Suggeriti
Thalia Capo Pau Ferro Black Chrome

Thalia Capo Pau Ferro Black Chrome, high-quality Capodaster with pau ferro inlay, one-handed operation, replaceable fretpads designed to fit a range of instruments, incl. standard tension and high tension tuning kits, each includes 0" for classical, 7.25". 9.5", 10", 12",...

Al prodotto
€ 59
Suggeriti
Ampeg Scrambler Bass Overdrive

Ampeg Scrambler Bass Overdrive, analog design, separate drive and blend (wet/dry) control, treble & volume control, true bypass, metal chassis, powered via 9V battery or optional power supply #108096 (not included), dimensions: 11,4 x 6,6 x 5,6cm, weight: 272g

Al prodotto
€ 99
Suggeriti
Ibanez SR300E-AFM

Ibanez SR300E-AFM, 4-string bass guitar, Soundgear-series, mahoghani body, 5-pc maple/rosewood (Dalbergia latifolia) "SR4" neck:, 24 medium frets, rosewood (Dalbergia latifolia) fretboard, white dot inlays, nut width 38 mm, scale: 864mm/34", Accu-Cast B120 bridge, cosmo black hardware, PowerSpan dual coil pickups,...

Al prodotto
€ 298
Suggeriti
Harley Benton G212 Vintage Vertical

Guitar Cabinet Loudspeakers: 2 x 12" Celestion Vintage 30, Power handling: 120 watts, Impedance: 8 Ohm, Housing made of 16 mm plywood, Black Tolex version, Decorative borders, Dimensions (W x H x D): 49.5 x 65.8 x 35.5 /...

Al prodotto
€ 244
Suggeriti
Softube Tape

Softube Tape (ESD); tape machine plugin; emulates three different tape machines; type A: rich detailed and clear sound of a classic Swiss high end machine; type B: is a more colorful transformer based machine; type C: based on a British...

Al prodotto
€ 77
Suggeriti
De Sisti Leonardo 1kW P.O.

Pole-operated Fresnel Theater Spotlight For 1000 W lamp with G22 base, 150 mm Fresnel lens, Robust and light carbon steel housing with black powder coating, 28 mm TV spigot, With 2 m cable (without plug), Switch on housing, Beam...

Al prodotto
€ 709
Suggeriti
Millenium BS 2015 Round Base

Millenium BS 2015 Round Base, solid, stable straight speaker stand with round base. Height adjustable from 1100 to 1810mm, base diameter 450 mm, base height 24 mm, pipe upper diameter 35 mm, M20 thread and 35 mm tapering at lower...

Al prodotto
€ 49
Suggeriti
PureLink ULS1000 10,0m

PureLink ULS1000 10,0m, High speed HDMI cable for 3D and HDTV resolutions up to 4K, 24k gold plated connectors with ultra-lock system, HDMI Type A Male (19pin) incl. ULS to HDMI Type A Male (19pin) incl. ULS, pure silvered OFC...

Al prodotto
€ 80
Suggeriti
Focal Shape 65

Focal Shape 65, active nearfield monitor; designed without a port allowing it to be placed near a wall; 105 w class ab; woofer: 6,5" flax cone; tweeter: 1" aluminum-magnesium; 6,5" double passive radiator; freqeuncy response (+/-3db): 40 - 35000 hz;...

Al prodotto
€ 699
(1)
Suggeriti
Electro Harmonix Overlord

Electro Harmonix Overlord, effects pedal, overdrive/boost, originally designed as a keyboard overdrive, guitarists quickly realized that this FET-based overdrive delivered the tube amp-like tone and feel that guitarists love as well, controls: Vol, Treble, Mid, Bass, Dry, Boost & Gain,...

Al prodotto
€ 166
Feedback Vuoi lasciare il tuo feedback o segnalare un errore?

Non vediamo l'ora di ricevere la tua opinione e di risolvere eventuali problemi nel più breve tempo possibile.

Lascia un commento. Per favore inserisci il tuo indirizzo e-mail.