DPA 4099-DL-1-201-B

Condencer Clip-on Microphone

  • Specifically for bass
  • Directional characteristic: Super-cardioid
  • Frequency range: 20-20,000 Hz
  • With 2 dB soft boost at 10-12 kHz
  • Max SPL (sound pressure level):142 dB
  • Goose neck length 140 mm (can be extended to 210 mm: Article Nr: 294624 - not included, must be ordered separately)
  • Detachable cable
  • Cable length 1.8 m
  • Cable diameter 1.6 mm (optional 2.2 mm cable is available: Article Nr: 289926 - not included, must be ordered separately)
  • Improved microphone suspension for a reduction in structure-borne noise
  • B+K connector
  • Incl. special clip for double bass and DAD 6001 bass XLR phantom power adapter

Ulteriori informazioni

Battery Powered No
Directional Microphone No
Stereo Pair No
switchable lowcut No
switchable pad No
characteristic super-cardioid
35 Recensioni dei clienti:
  • 5
  • 4
  • 3
  • 2
  • 1
4.7 / 5.0
  • caratteristiche
  • suono
  • fabbricazione
20 recensioni scritte. Leggi tutte le recensioni
Totale
caratteristiche
suono
fabbricazione

ottimo

26.02.2017
be che dire, è un microfono utilizzato in situazioni di alto livello professionale. Il suono è perfetto per qualsiasi strumento acustico, non solo il contrabbasso.

ps.: comunque (come ogni microfono per strumenti acustici) andrà abbinato a un pre-amp, altrimenti il segnale risulterà basso (ma è normale)
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Great sounding mic

Suman, 05.07.2016
I've been using this mic on my double bass for a few weeks and have managed to get some great results from it in conjunction with a pick up. I've used to for gigs and recording and it's performed very well in both situations.

I'm using it to mic a 1892 Czech carved viol shaped flat back bass and have been blending it's signal with a Realist Copperhead pickup. I generally have the Realist going into an amp for on stage monitoring and the DPA going to front of house which works well. There has been a couple of occasions where I've been able to get the blended DPA/Realist signal back into the monitor and it sounds great. A very warm, natural sound.

The design of the mic is excellent and it's very easy to install. There is a clip that attaches to the strings below the bridge and the very clever gooseneck extender means you can position it very accurately on the bass. Mine is pointing towards the middle of the bass just above the bridge.

The only thing I'd criticise is the fact that there is no easy way of attaching the XLR output cable to the bass so it ends up trailing on the floor. There's a clip on it but I think it's a belt clip which is not very practical. It's a minor gripe but it would be nice if there was a sturdier clip that could attach to the bottom of the tailpiece or something like that.

Despite that I'm very happy with this mic and am looking forward to using it at more gigs. It's definitely transformed my live sound for the better.
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