Mono CompressorLike its predecessors 160X and 160XT, the 160AD has only three controls, a few switches and a very accurate level display. The operation is therefore simple, the results and the sound simply ingenious. For singers and especially for bass players, the 160AD is no longer out of the rack. The high dynamic range allows both +4 dB and +10 dB, balanced and unbalanced input levels. The inputs are balanced as XLR, as well as as a stereo connector. The outputs are available as XLR (balanced) or jack (unbalanced).

The Threshold determines the level from which the 160AD operates. The transition from uncompressed to compressed signal can be done with classic hard-knee or with the well-known OverEasy® circuit from dbx. The attack and release times are set automatically depending on the program. The compression ratio can be adjusted from 1: 1 (no compression) over ¥: 1 (limiter) to -1: 1 (negative compression = signal attenuation).

The generous LED chain (19 LEDs) can be switched between input and output levels. 12 LEDs are available for gain reduction. A detector input, in conjunction with an EQ, allows frequency-selective compression (e.g. de-eater).

For processing stereo signals, the 160AD can be connected to a second cable via a link cable. The stereo coupling is performed by True-RMS-Power Summing ™, which guarantees reliable, yet "musical" interference with the signal.

  • OverEasy or Hard Knee compression methods
  • Compression rates of 1: 1 over infinity: 1 to negative
  • More than 60 dB attenuation possible
  • Infinity + function for negative compression
  • Classic dbx "car" mode for attack and release
  • Over-Easy® circuit
  • Generous IN / OUT and gain reduction displays
  • Unbalanced and balanced outputs
  • Stereo coupling via link connection to other device
  • Optional with output transformers
  • Sym. XLR and unbalanced 6.3 mm jack
  • Input / output monitoring
  • Format: 19 ", 1U
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Esempi audio

 
0:00
  • Percussion Hardcomp
  • Vocals Hardcomp
  • Vocals Lightcomp
  • Percussion Lightcomp
  • Guitar Hardcomp
  • Guitar Lightcomp
  • Vocals Flat
  • Percussion Flat
  • Guitar Flat
  • Mostra altre

Ulteriori informazioni

Compressor Yes
Gate No
Peak Limiter No
2-Channel Unit No
Attack/Release Adjustable No
69 Recensioni dei clienti:
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Ottimo nel mio rig per basso

21.02.2016
Questo compressore è a mio avviso il top nella fascia di prezzo, un must-have per chi come me cerca un prodotto professionale di fascia alta che intervenga sul suono in modo gentile o anche deciso, a seconda delle necessità, ma senza snaturarlo.
Il DBX 160A è entrato a far parte del mio rig per basso in pianta stabile, la sua solidità, silenziosità e trasparenza sono i punti di forza sia nel live che in studio.
Altro punto di forza la versatilità, può essere usato anche per altre applicazioni, strumenti e situazioni e come aggiunta professionale a qualunque recording studio.
Il manuale è abbastanza chiaro (forse non immediatissimo per un neofita, ma del resto è un prodotto di fascia pro) e la confezione abbastanza robusta.
Ne vale la pena!
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Good sound, very easy to use.

14.08.2014
If you are looking for a good compressor that is easy to use and find good settings, this one is a pretty good bet. Very nice on snare drums and on bass. Can be linked together with a 2nd DBX160a for stereo compression (dual mono).

Sounds very good. Great bang for buck.
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